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A Baffling Murder at the Midsummer Ball by T. E. Kinsey Pdf
A locked room. A mysterious death. Just another gig for the Dizzy Heights. When London's finest jazz musicians, the Dizzy Heights, are booked to play the glitzy Midsummer Ball at a country house in Oxfordshire, they expect a weekend filled with flappers and toffs having a roaring good time. But the festivities at Bilverton House take a turn for the worse when the group are stranded by a summer storm. And when a member of the Bilverton family turns up dead in a locked room in an apparent suicide, Skins, Dunn and Ellie realise this is going to be a much tougher gig than they thought. But here's the lick. What if it was in fact cold-blooded murder? And what if the killer is still at large? It's up to the Dizzy Heights to once again put down their instruments and get improvising if they want to solve this confounding mystery.
Summer 1911. A scorching heatwave engulfs the quiet town of Littleton Cotterell and brings about an unusually early harvest. The villagers are thrilled, but events quickly turn sour when one of them turns up dead in an apple orchard, stabbed through the heart. Amateur sleuth Lady Hardcastle and her trusty lady's maid, Flo, suddenly have a juicy case on their hands. Might the mysterious stranger they recently met in the village be to blame? When a second cider-related murder takes place, it quickly becomes clear that there's more to these mysterious deaths than meets the eye. The daring duo uncover whispers of an ancient order and moonlit rituals. And evidence points to a macabre secret in the village stretching back years. A secret someone will do anything--anything at all--to keep hidden. Something is rotten, that's for sure. With the local constabulary baffled, Lady Hardcastle and Flo must use all their powers of wit and whimsy to get to the bottom of the dastardly deed. But can they catch the killer before any more people drop dead?
As I Was Saying is a collection of G. K. Chesterton's charming essays about a variety of topics like Loving Germans, Puritanism, and Voltaire. Contents: "ABOUT MAD METAPHORS II ABOUT LOVING GERMANS III ABOUT IMPENITENCE IV ABOUT TRAFFIC V ABOUT THE CENSOR VI ABOUT SHAMELESSNESS VII ABOUT PURITANISM VIII ABOUT SIR JAMES JEANS IX ABOUT VOLTAIRE X ABOUT BELIEFS XI ABOUT MODERN GIRLS XII ABOUT POETRY XIII ABOUT BLONDES."
The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.
The Lost Weekend' is a gripping story of a talented but alcoholic writer Don Birnam who is a sensitive, charming, and educated man. It follows the struggling writer's efforts to survive a weekend in Manhattan. This work was praised for its intense realism and most acute portrayal of alcoholism, reflecting the writer's experience with alcohol.
Morse's Greatest Mystery and Other Stories by Colin Dexter Pdf
Morse had solved so many mysteries in his life. Was he now, he wondered, beginning to glimpse the solution to the greatest mystery of them all . . . ? How can the discovery of a short story by a beautiful Oxford graduate lead Chief Inspector Morse to her murderer? What awaits Morse and Lewis in Room 231 of the Randolph Hotel? Why does a theft at Christmas lead the detective to look upon the festive season with uncharacteristic goodwill? And what happens when Morse himself falls victim to a brilliantly executed crime? Morse's Greatest Mystery and Other Stories is a dazzling collection of short stories from Inspector Morse's creator, Colin Dexter. It includes six ingenious cases for the world's most popular fictional detective – plus five other tantalizingly original tales to delight all lovers of classic crime fiction.
The year is 2021. No child has been born for twenty-five years. The human race faces extinction. Under the despotic rule of Xan Lyppiat, the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden, lives a solitary life in this ominous atmosphere. That is, until a chance encounter with a young woman leads him into contact with a group of dissenters. Suddenly his life is changed irrevocably as he faces agonising choices which could affect the future of mankind. NOW A MAJOR MOTION PICTURE
Afraid Of The Christmas Lights by Val McDermid,Sophie Hannah,Mark Billingham Pdf
All profits from the sale of this anthology will be donated to frontline domestic abuse charities IT WOULDN'T BE CHRISTMAS WITHOUT A LITTLE CRIME... From the biggest stars in crime fiction comes an eclectic mix of festive shorts A Christmas dinner takes a murderous turn, a friendship group loses the festive spirit, and a young girl goes to extreme measures to keep a beloved dog. Afraid Of The Christmas Lights is a collection of gripping, sometimes funny, and always festive short stories from a group of bestselling crime writers. From the hilarious to the macabre, there's something for everyone - whether you're a Christmas convert or a bit of a Grinch. From a detective tracking down missing Christmas geese, to a cat lady who goes on a date in order to keep Santa Paws well fed, this anthology is the perfect gift to cosy up with this year. Perfect for fans of Stephen King and Lee Child **************************************************************** CONTRIBUTORS Mark Billingham Rachael Blok Heather Critchlow Elle Croft James Delargy Clare Empson Jo Furniss Sophie Hannah T.E. Kinsey N.J. Mackay S.R. Masters Val McDermid Phoebe Morgan Dominic Nolan Robert Scragg Victoria Selman Kate Simants Adam Southward Harriet Tyce **************************************************************** Profits from Afraid Of The Christmas Lights will support two front-line charities: ESDAS: Educates professionals, communities, victims and even perpetrators on the nature of domestic abuse. They offer practical measures, such as legal advice and transport, to enable survivors to find a safe place to live. Rights of Women: Helps women understand their legal rights and access a range of support services to which they are entitled.
The diary and essays of Brian Eno republished twenty-five years on with a new introduction by the artist in a beautiful hardback edition.'One of the seminal books about music . . . an invaluable insight into the mind and working practices of one of the industry's undeniable geniuses.'GUARDIANAt the end of 1994, Brian Eno resolved to keep a diary. His plans to go to the cinema, theatre and galleries fell quickly to the wayside. What he did do - and write - however, was astonishing: ruminations on his collaborative work with David Bowie, U2, James and Jah Wobble, interspersed with correspondence and essays dating back to 1978. These 'appendices' covered topics from the generative and ambient music Eno pioneered to what he believed the role of an artist and their art to be, alongside adroit commentary on quotidian tribulations and happenings around the world.This beautiful 25th-anniversary hardcover edition has been redesigned in the same size as the diary that eventually became this book. It features two ribbons, pink paper delineating the appendices (matching the original edition) and a two-tone paper-over-board cover, which pays homage to the original design.An intimate insight into one of the most influential creative artists of our time, A Year with Swollen Appendices is an essential classic.
Definitive novel of the "Lost Generation" focuses on the coming of age of Amory Blaine, a handsome, wealthy Princeton student. Fitzgerald's first novel and an immediate, spectacular success. Note.
You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940. The novel tells the story of George Webber, a fledgling author, who writes a book that makes frequent references to his home town of Libya Hill. The book is a national success but the residents of the town, unhappy with what they view as Webber's distorted depiction of them, send the author menacing letters and death threats. (Wikipedia).
New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.
Real-estate mogul Martin Cresswell-Smith is the best thing that has ever happened to Ellie. She imagines her new home with Martin in an Australian coastal town will be like living a fairy tale. But behind closed doors is another story--one that ends in Martin's brutal murder. And Ellie seems almost relieved. Senior Constable Lozza Bianchi sees evidence of a twisted psychological battle and a couple who seemed to bring out the worst in each other. If anything Ellie says can be believed, that is.