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A month in the country by Ivan Sergeevich Turgenev Pdf
A bored wife living in the Russian countryside falls in love with her little boy's handsome new tutor, just like all of the women in the household. The wife's chief rival turns out to be her 17 year old ward; they make a wonderful portrait of two different women in love.
From the Pulitzer Prize–winning author of The Return comes a profoundly moving contemplation of the relationship between art and life. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND EVENING STANDARD After finishing his powerful memoir The Return, Hisham Matar, seeking solace and pleasure, traveled to Siena, Italy. Always finding comfort and clarity in great art, Matar immersed himself in eight significant works from the Sienese School of painting, which flourished from the thirteenth to the fifteenth centuries. Artists he had admired throughout his life, including Duccio and Ambrogio Lorenzetti, evoke earlier engagements he’d had with works by Caravaggio and Poussin, and the personal experiences that surrounded those moments. Including beautiful full-color reproductions of the artworks, A Month in Siena is about what occurred between Matar, those paintings, and the city. That month would be an extraordinary period in the writer’s life: an exploration of how art can console and disturb in equal measure, as well as an intimate encounter with a city and its inhabitants. This is a gorgeous meditation on how centuries-old art can illuminate our own inner landscape—current relationships, long-lasting love, grief, intimacy, and solitude—and shed further light on the present world around us. Praise for A Month in Siena “As exquisitely structured as The Return, driven by desire, yearning, loss, illuminated by the kindness of strangers. A Month in Siena is a triumph.”—Peter Carey
In J. L. Carr’s deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter’s depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.
'One of those enthusiasts whose enthusiasm is hard to resist . . . Always beguiling' Daily Mail 'Hugely inspiring even when it is most bonkers' Sarah Bakewell, New Statesman 'A combination of almanac, commonplace book and diary, this is a tasty oddity . . . Richly entertaining' Independent As the pandemic has caused us all to re-evaluate our lives, becoming more self-reliant and dwelling in closer harmony with nature have emerged as important priorities. Many of us have decided to up sticks and leave the city behind for a less frenetic existence in the country. Whether you've already made your move, or are dreaming of doing so one day, this is the book for you. Covering beekeeping, poultry rearing, pig farming, bread-making, wood-chopping, fire-laying, bartering and much more, How to Live in the Country is the perfect source of inspiration for old hand and beginners alike: useful, informative but also refreshingly honest and realistic. Tom Hodgkinson draws on the wisdom of an eclectic range of thinkers and writers as he guides us through each month of the year, giving lists of tasks for both garden and animal husbandry, offering tips and shortcuts, and weaving in stories about his own experience of raising a young family in rural Devon.
Three Days in the Country by Patrick Marber,Ivan Turgenev Pdf
In rural nineteenth-century Russia, a tangle of hopeless romances brings chaos to a country estate. Natalya, the wife of the wealthy estate-owner, is in love with her son’s tutor; a neighbor has taken a liking to Natalya’s ward, who has her eyes set elsewhere; and Natalya’s long-time friend Rakitin may crave more from their platonic relationship. A tale of young love, old love, and everything in between, THREE DAYS IN THE COUNTRY is a riveting update on Turgenev’s heartbreaking classic.
A biography of the English educator, dictionary writer, and celebrated author of A Month in the Country. J.L. Carr was the most English of Englishmen: headmaster of a Northamptonshire school, cricket enthusiast and campaigner for the conservation of country churches. But he was also the author of half a dozen utterly unique novels, including his masterpiece, A Month in the Country, and a publisher of some of the most eccentric—and smallest—books ever printed. Byron Roger’s acclaimed biography reveals an elusive, quixotic and civic-minded individual with an unswerving sympathy for the underdog, who led his schoolchildren through the streets to hymn the beauty of the cherry trees and paved his garden path with the printing plates for his hand-drawn maps, and whose fiction is quite remarkably autobiographical. Much more than the life of a thoroughly decent man, The Last Englishman is a comic and touching anatomy of the best kind of Englishness. Praise for The Last Englishman “A miniature masterpiece of social history.” —Simon Jenkins, The Times (UK) “A fine biography. . . . Rogers has done a wonderful job.” —Daily Telegraph (UK) “Conveying the significance of the author of Carr’s Dictionary of Extraordinary Cricketers to anyone unfamiliar with his books, or what may now fairly be called his myth, was always going to be difficult. Somehow, Roger’s has managed it.” —D. J. Taylor, Sunday Times (UK) “A great success, and more life-affirming than F. R. Leavis’s entire output.” —Independent on Sunday (UK)
DIV ‘Fantastic debut’ Time Out 5-Star Review 'Its randomness is its joy' The Independent 'A picaresque travelogue about chasing an idea through down-home modern America.' The Times What do you do if you want to get underneath the skin of a country, to understand its people and feel its heartbeat? You can follow the rest of the tourists, or you can take the advice of Watergate reporter Bob Woodward’s source, ‘Deep Throat’, and ‘follow the money.’ Starting out in Lebanon, Kansas – the geographical centre of America – journalist Steve Boggan did just that by setting free a ten-dollar-bill and accompanying it on an epic journey for thirty days and thirty nights through six states across 3,000 miles armed only with a sense of humour and a small, and increasingly grubby, set of clothes. As he cuts crops with farmers in Kansas, pursues a repo-woman from Colorado, gets wasted with a blues band in Arkansas and hangs out at a quarterback’s mansion in St Louis, Boggan enters the lives of ordinary people as they receive – and pass on – the bill. What emerges is a chaotic, affectionate and funny portrait of a modern-day America that tourists rarely see. /div
Ebenezer Le Page, cantankerous, opinionated, and charming, is one of the most compelling literary creations of the late twentieth century. Eighty years old, Ebenezer has lived his whole life on the Channel Island of Guernsey, a stony speck of a place caught between the coasts of England and France yet a world apart from either. Ebenezer himself is fiercely independent, but as he reaches the end of his life he is determined to tell his own story and the stories of those he has known. He writes of family secrets and feuds, unforgettable friendships and friendships betrayed, love glimpsed and lost. The Book of Ebenezer Le Page is a beautifully detailed chronicle of a life, but it is equally an oblique reckoning with the traumas of the twentieth century, as Ebenezer recalls both the men lost to the Great War and the German Occupation of Guernsey during World War II, and looks with despair at the encroachments of commerce and tourism on his beloved island. G. B. Edwards labored in obscurity all his life and completed The Book of Ebenezer Le Page shortly before his death. Published posthumously, the book is a triumph of the storyteller’s art that conjures up the extraordinary voice of a living man.
#1 NATIONAL BESTSELLER WINNER OF THE 2020 TORONTO BOOK AWARD WINNER OF THE OLA EVERGREEN AWARD FINALIST FOR THE WRITERS' TRUST SHAUGNESSY COHEN PRIZE FINALIST FOR THE RAKUTEN KOBO EMERGING WRITER PRIZE *UPDATED with new foreword, postscript, and educator's guide* In this bracing, revelatory work of award-winning journalism, celebrated writer and activist Desmond Cole punctures the naive assumptions of Canadians who believe we live in a post-racial nation. Chronicling just one year in the struggle against racism in this country, The Skin We're In reveals in stark detail the injustices faced by Black Canadians on a daily basis: the devastating effects of racist policing, the hopelessness produced by an education system that fails Black children, the heartbreak of those separated from their families by discriminatory immigration laws, and more. Cole draws on his own experiences as a Black man in Canada, and locates the deep cultural, historical, and political roots of each event. What emerges is a personal, painful, and comprehensive picture of entrenched, systemic inequality. Updated with a new foreword, postscript, and an extensive educator's guide, The Skin We're In is essential reading for all Canadians, and a vital tool in the fight against racism.
New York Times Bestseller My disease is as rare as it is famous. It's a form of Severe Combined Immunodeficiency, but basically, I'm allergic to the world. I don't leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla. But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He's tall, lean and wearing all black--black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change--starting to want things. To want out of my bubble. To want everything, everything the world has to offer. Maybe we can't predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It's almost certainly going to be a disaster.
NEW YORK TIMES EDITORS’ CHOICE • LONGLISTED FOR THE BOOKER PRIZE • A “beautifully and sparingly constructed” (The New York Times) novel about a lighthouse keeper with a mysterious past, and the stranger who washes up on his shores—An Island is the American debut of a major voice in world literature. “An Island by Karen Jennings is quite simply a revelation—a ferocious, swift chess game of a novel.”—Paul Yoon, author of Run Me to Earth ONE OF THE BEST BOOKS OF THE YEAR: Vulture Samuel has lived alone on an island off the coast of an unnamed African country for more than two decades. He tends to his garden, his lighthouse, and his chickens, content with a solitary life. Routinely, the nameless bodies of refugees wash ashore, but Samuel—who understands that the government only values certain lives, certain deaths—always buries them himself. One day, though, he finds that one of these bodies is still breathing. As he nurses the stranger back to life, Samuel—feeling strangely threatened—is soon swept up in memories of his former life as a political prisoner on the mainland. This was a life that saw his country exploited under colonial rule, followed by a period of revolution and a brief, hard-won independence—only for the cycle of suffering to continue under a cruel dictator. And he can’t help but recall his own shameful role in that history. In this stranger’s presence, he begins to consider, as he did in his youth: What does it mean to own land, or to belong to it? And what does it cost to have, and lose, a home? A timeless and gripping portrait of regret, terror, and the extraordinary stakes of companionship, An Island is a story as page-turning as it is profound.
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.
Karl Zinsmeister's Boots on the Ground includes 32 color photographs taken by the author during the month he was embedded with the 82nd in Kuwait and Iraq. This is a riveting account of the war in Iraq moving north with the 82nd Airborne. Units of the 82nd depart Kuwait and convoy to Iraq's Tallil Air Base en route to night-and-day battles within the major city of Samawah and its intact bridges across the Euphrates. Boots on the Ground quickly becomes an action-filled microcosm of the new kinds of ultramodern war fighting showcased in the overall battle for Iraq. At the same time it remains specific to the daily travails of the soldiers. Karl Zinsmeister, a frontline reporter who traveled with the 82nd, vividly conveys the careful planning and technical wizardry that go into today's warfare, even local firefights, and he brings to life the constant air-ground interactions that are the great innovation of modern precision combat. What exactly does it feel like to travel with a spirited body of fighting men? To come under fire? To cope with the battlefield stresses of sleep-deprivation, and a steady diet of field rations for weeks on end? Readers of this day-to-day diary are left with not only a flashing sequence of strong mental images, but also a notion of the sounds and smells and physical sensations that make modern military action unforgettable. Ultimately, Boots on the Ground is a human story: a moving portrayal of the powerful bonds of affection, trust, fear, and dedication that bind real soldiers involved in battle. There are unexpected elements: The humor that bubbles up amidst dangerous fighting. The pathos of a badly wounded young boy. The affection openly exhibited by many American soldiers--love of country, love of family and hometown, love of each other. This is a true-life tale of superbly trained men in extraordinary circumstances, packed with concrete detail, often surpassing fiction for sheer drama.