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At Last There Is Nothing Left to Say by Matthew Good Pdf
This is the landscape of At Last There Is Nothing Left To Say, Matthew Good's debut book of stories. Taking the form of an artist's journal, Good's tales grind through dark, often violent places animated by voices warped by hallucination and flesh chafed by reality. From the ramblings of an opium-riddled adventurer to treatises on life from a mind rattled by the world; from the tragic end of a teen queen to a day in the life of a rock star; from the execution of the Self by the Other to the pull between rules and freedom, this is a landscape located halfway between imagination and reality, a world that rocks between imagination and reality, a world that rocks between sleep and wakefulness, sanity and insanity, sobriety and inebriation.
The autumn morning after sixteen-year-old Audrey Harper loses her virginity, she wakes to a loud, persistent knocking at her front door. Waiting for her are two firemen, there to let her know that the moment she's been dreading has arrived: the enormous wildfire sweeping through Orange County, California, is now dangerously close to her idyllic gated community of Coto de Caza, and it's time to evacuate. Over the course of the next twenty-four hours, as Audrey wrestles with the possibility of losing her family home, she also recalls her early, easy summer days with Brooks, the charming, passionate, but troubled volunteer firefighter who enchants Audrey--and who is just as enthralled by her. But as secrets from Brooks's dark past come to light, Audrey can't help but wonder if there's danger in the pull she feels--both toward this boy, and toward the fire burning in the distance.
Clive James has emerged as one of the most prominent poets of his generation, going on to publish works in such mainstream outlets as the TLS, the London Review of Books, the Spectator, the New Yorker and the Australian Book Review. This title is his collection of poems.
With Ashton at her side, Anna begins to feel more like her old self again. Together, they're rebuilding her life and attempting to heal old wounds. The more time they spend together, the closer they become, but unfortunately this only serves to complicate matters further. The undercover pretence of being boyfriend and girlfriend slowly ceases to be a game as both find themselves increasingly blurring the lines between the act and the reality.With her father now President-Elect, Anna and Ashton are finding it increasingly difficult to maintain some semblance of privacy. With the world's press obsessing over the future First Daughter, Ashton's job of protecting her has just become a whole lot harder.All the while the trial grows ever closer, looming over them both, taunting them, reminding them that it isn't over yet. After all, Carter Thomas will stop at nothing to be reunited with his 'Princess'.
There's Nothing in This Book That I Meant to Say by Paula Poundstone Pdf
Part memoir, part monologue, with a dash of startling honesty, There’s Nothing in This Book That I Meant to Say features biographies of legendary historical figures from which Paula Poundstone can’t help digressing to tell her own story. Mining gold from the lives of Abraham Lincoln, Helen Keller, Joan of Arc, and Beethoven, among others, the eccentric and utterly inimitable mind of Paula Poundstone dissects, observes, and comments on the successes and failures of her own life with surprising candor and spot-on comedic timing in this unique laugh-out-loud book. If you like Paula Poundstone’s ironic and blindingly intelligent humor, you’ll love this wryly observant, funny, and touching book. Paula Poundstone on . . . The sources of her self-esteem: “A couple of years ago I was reunited with a guy I knew in the fifth grade. He said, “All the other fifth-grade guys liked the pretty girls, but I liked you.” It’s hard to know if a guy is sincere when he lays it on that thick. The battle between fatigue and informed citizenship: I play a videotape of The NewsHour with Jim Lehrer every night, but sometimes I only get as far as the theme song (da da-da-da da-ah) before I fall asleep. Sometimes as soon as Margaret Warner says whether or not Jim Lehrer is on vacation I drift right off. Somehow just knowing he’s well comforts me. The occult: I need to know exactly what day I’m gonna die so that I don’t bother putting away leftovers the night before. TV’s misplaced priorities: Someday in the midst of the State of the Union address they’ll break in with, “We interrupt this program to bring you a little clip from Bewitched.” Travel: In London I went to the queen’s house. I went as a tourist—she didn’t invite me so she could pick my brain: “What do you think of my face on the pound? Too serious?” Air-conditioning in Florida: If it were as cold outside in the winter as they make it inside in the summer, they’d put the heat on. It makes no sense. The scandal: The judge said I was the best probationer he ever had. Talk about proud. With a foreword by Mary Tyler Moore
Nothing Left to Burn is a remarkable memoir that looks into the life of a family that has spent years harboring secrets, both dark and volatile. It eloquently tells the story of a son’s relationship with his father, the fire chief and a local hero, and his grandfather, a serial arsonist. When Jay Varner, fresh out of college, returns home to work for the local newspaper, he knows that he will have to deal with the memories of a childhood haunted by a grandfather who was both menacing and comical and by a father who died too young and who never managed to be the father Jay so desperately needed him to be. In digging into the past, he uncovers layers of secrets, lies, and half-truths. It is only when he finally has the truth in hand that he comes to an understanding of the forces that drove his father, and of the fires that for all his efforts his father could never extinguish.
After being diagnosed with terminal cancer, a professor shares the lessons he's learned—about living in the present, building a legacy, and taking full advantage of the time you have—in this life-changing classic. "We cannot change the cards we are dealt, just how we play the hand." —Randy Pausch A lot of professors give talks titled "The Last Lecture." Professors are asked to consider their demise and to ruminate on what matters most to them. And while they speak, audiences can't help but mull over the same question: What wisdom would we impart to the world if we knew it was our last chance? If we had to vanish tomorrow, what would we want as our legacy? When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with terminal cancer. But the lecture he gave—"Really Achieving Your Childhood Dreams"—wasn't about dying. It was about the importance of overcoming obstacles, of enabling the dreams of others, of seizing every moment (because "time is all you have . . . and you may find one day that you have less than you think"). It was a summation of everything Randy had come to believe. It was about living. In this book, Randy Pausch has combined the humor, inspiration and intelligence that made his lecture such a phenomenon and given it an indelible form. It is a book that will be shared for generations to come.
We’re losing our culture... our heritage... our traditions... everything is being swept away. Such sentiments get echoed around the world, from aging Trump supporters in West Virginia to young villagers in West Africa. But what is triggering this sense of cultural loss, and to what ends does this rhetoric get deployed? To answer these questions, anthropologist David Berliner travels around the world, from Guinea-Conakry, where globalization affects the traditional patriarchal structure of cultural transmission, to Laos, where foreign UNESCO experts have become self-appointed saviors of the nation’s cultural heritage. He also embarks on a voyage of critical self-exploration, reflecting on how anthropologists handle their own sense of cultural alienation while becoming deeply embedded in other cultures. This leads into a larger examination of how and why we experience exonostalgia, a longing for vanished cultural heydays we never directly experienced. Losing Culture provides a nuanced analysis of these phenomena, addressing why intergenerational cultural transmission is vital to humans, yet also considering how efforts to preserve disappearing cultures are sometimes misguided or even reactionary. Blending anthropological theory with vivid case studies, this book teaches us how to appreciate the multitudes of different ways we might understand loss, memory, transmission, and heritage.
From the #1 New York Times bestselling author of Book Lovers and Beach Read comes a sparkling novel that will leave you with the warm, hazy afterglow usually reserved for the best vacations. Two best friends. Ten summer trips. One last chance to fall in love. Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together. Until two years ago, when they ruined everything. They haven't spoken since. Poppy has everything she should want, but she’s stuck in a rut. When someone asks when she was last truly happy, she knows, without a doubt, it was on that ill-fated, final trip with Alex. And so, she decides to convince her best friend to take one more vacation together—lay everything on the table, make it all right. Miraculously, he agrees. Now she has a week to fix everything. If only she can get around the one big truth that has always stood quietly in the middle of their seemingly perfect relationship. What could possibly go wrong? Named a Most Anticipated Book of 2021 by Newsweek ∙ Oprah Magazine ∙ The Skimm ∙ Marie Claire ∙ Parade ∙ The Wall Street Journal ∙ Chicago Tribune ∙ PopSugar ∙ BookPage ∙ BookBub ∙ Betches ∙ SheReads ∙ Good Housekeeping ∙ BuzzFeed ∙ Business Insider ∙ Real Simple ∙ Frolic ∙ and more!
This poetic biography explores the heart and soul of a father who has, without warning, lost his only child. Ranging from joyous and uplifting to heartbreaking rhymes, this book is created from a compelling desire to share the blessings of a wonderful daughter and her all-too-brief period here as a daughter and a mother. Inspiring as she was, she never lost hope of aspiring to and realizing her personal dreams. Many touching memories are shared in these poignant rhymes as elation and turmoil are explored. They lend credence to the positive effect she had on the people she met and, in essence, give a voice to her in immortalizing her existence.
From the internationally bestselling author of Netflix's hottest new show, One of Us is Lying, comes a new, page-turning thriller . . . True crime can leave a false trail. Four years ago, Brynn left Saint Ambrose School following the shocking murder of her favourite teacher. The case was never solved, but she's sure that the three kids who found Mr. Larkin's body know more than they're telling, especially her ex-best friend Tripp Talbot. He's definitely hiding something. When Brynn gets an internship working on a popular true-crime show, she decides to investigate what really happened that day in the woods. But the further she dives into the past, the more secrets she finds. Four years ago someone got away with murder. Now it's time to uncover the truth . . . 'Given that her high-school-based murder mysteries read like bingeworthy Netflix dramas, it's easy to see why queen of teen crime Karen McManus is a bestseller on both sides of the Atlantic' - Observer