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From the creator who brought you notable works such as The Flowers of Evil, Happiness, and Inside Mari, comes a new suspense drama centering on the theme of a toxic parent. Dive into this latest thriller by master storyteller, Shuzo Oshimi. Seiichi's mother loves him very much, and his days pass with placid regularity. School, friends, even the attention of his attractive classmate Fukiishi. Until one terrible summer day, that all changes... Shuzo Oshimi (The Flowers of Evil) delivers his most unsettling work yet, the tale of a seemingly normal family suddenly swallowed up by the creeping horror of everyday life. Gorgeous art and an understated script only serve to heighten the tension as we watch Seiichi Osabe's life spiral into nightmare.
A young woman is found brutally murdered, and the main suspect is the victim's fiancé, a hideously scarred Iraq War vet known as the Burned Man. But railroad police Special Agent Sydney Rose Parnell, brought in by the Denver Major Crimes unit to help investigate, can't shake the feeling that larger forces are behind this apparent crime of passion. In the depths of an icy winter, Parnell and her K9 partner, Clyde, both haunted by their time in Iraq, descend into the underground world of a savage gang of rail riders. There, they uncover a wide-reaching conspiracy and a series of shocking crimes. Crimes that threaten everything Parnell holds dear. As the search for the truth puts her directly in the path of the killer, Parnell must struggle with a deadly question: Can she fight monsters without becoming one herself?
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
A Simple Twist Of Fate by Andy Gill,Kevin Odegard Pdf
An in-depth, eyewitness account of the creation of one of Bob Dylan's most celebrated, anguished albums, written by the album's guitarist and an acclaimed journalist
"A signalman is found dead by a railway tunnel. A man identifies his wife as a victim of murder on the underground. Two passengers mysteriously disappear between stations, leaving behind a dead body. Trains have been a favourite setting of many crime writers, providing the mobile equivalent of the 'locked-room' scenario. Their enclosed carriages with a limited number of suspects lend themselves to seemingly impossible crimes. In an era of cancellations and delays, alibis reliant upon a timely train service no longer ring true, yet the railway detective has enjoyed a resurgence of popularity in the twenty-first century. Both train buffs and crime fans will delight in this selection of fifteen railway-themed mysteries, featuring some of the most popular authors of their day alongside less familiar names"--Provided by publisher.
On an island off the Welsh coast, Inspector Thorne faces a sadistic adversary who’ll “certainly make your skin crawl” (The New York Times Book Review). Who’d trust a depraved killer like Stuart Nicklin? Tom Thorne, the DI who put him away, has to. Nicklin has promised to bring closure to the grieving mother of one of his first victims by finally revealing where the body can be found. But there’s just one condition: Thorne must accompany him to the burial ground—the remote Bardsey Island, which is cut off from the mainland of Wales in more ways than one. Nicklin is in cuffs, surrounded by authorities, and under watchful eye. What could go wrong? As the macabre outing begins, so do Nicklin’s mind games—and it becomes clear that his motives are far from altruistic. There are more than bones buried on the storm-shrouded island. There are secrets, too. And as Thorne becomes entangled in the twisted schemes of a manipulative psychopath, he’ll be left with the most terrible choice he’s ever had to make. Gillian Flynn calls Mark Billingham “one of the most consistently entertaining, insightful crime writers working today”—and in The Bones Beneath he makes sure “readers’ nerves will be shredded . . . [in] a tour de force of suspense” (Kirkus Reviews, starred review). “Chilling . . . Billingham certainly knows how to make those pages turn even while your stomach churns.” —Publishers Weekly “Billingham is a world-class writer and Tom Thorne is a wonderful creation. Rush to read these books.” —Karin Slaughter, New York Times–bestselling author
From the creator of the popular rock 'n' roll true crime podcast, DISGRACELAND comes an off-kilter, hysterical, at times macabre book of stories from the highly entertaining underbelly of music history. You may know Jerry Lee Lewis married his thirteen-year-old cousin but did you know he shot his bass player in the chest with a shotgun or that a couple of his wives died under extremely mysterious circumstances? Or that Sam Cooke was shot dead in a seedy motel after barging into the manager's office naked to attack her? Maybe not. Would it change your view of him if you knew that, or would your love for his music triumph? Real rock stars do truly insane thing and invite truly insane things to happen to them; murder, drug trafficking, rape, cannibalism and the occult. We allow this behavior. We are complicit because a rock star behaving badly is what's expected. It's baked into the cake. Deep down, way down, past all of our self-righteous notions of justice and right and wrong, when it comes down to it, we want our rock stars to be bad. We know the music industry is full of demons, ones that drove Elvis Presley, Phil Spector, Sid Vicious and that consumed the Norwegian Black Metal scene. We want to believe in the myths because they're so damn entertaining. DISGRACELAND is a collection of the best of these stories about some of the music world's most beloved stars and their crimes. It will mix all-new, untold stories with expanded stories from the first two seasons of the Disgraceland podcast. Using figures we already recognize, DISGRACELAND shines a light into the dark corners of their fame revealing the fine line that separates heroes and villains as well as the danger Americans seek out in their news cycles, tabloids, reality shows and soap operas. At the center of this collection of stories is the ever-fascinating music industry--a glittery stage populated by gangsters, drug dealers, pimps, groupies with violence, scandal and pure unadulterated rock 'n' roll entertainment.
Author : J. P. Daughton Publisher : W. W. Norton & Company Page : 384 pages File Size : 52,5 Mb Release : 2021-07-20 Category : History ISBN : 9780393541021
In the Forest of No Joy: The Congo-Océan Railroad and the Tragedy of French Colonialism by J. P. Daughton Pdf
The epic story of the Congo-Océan railroad and the human costs and contradictions of modern empire. The Congo-Océan railroad stretches across the Republic of Congo from Brazzaville to the Atlantic port of Pointe-Noir. It was completed in 1934, when Equatorial Africa was a French colony, and it stands as one of the deadliest construction projects in history. Colonial workers were subjects of an ostensibly democratic nation whose motto read “Liberty, Equality, Fraternity,” but liberal ideals were savaged by a cruelly indifferent administrative state. African workers were forcibly conscripted and separated from their families, and subjected to hellish conditions as they hacked their way through dense tropical foliage—a “forest of no joy”; excavated by hand thousands of tons of earth in order to lay down track; blasted their way through rock to construct tunnels; or risked their lives building bridges over otherwise impassable rivers. In the process, they suffered disease, malnutrition, and rampant physical abuse, likely resulting in at least 20,000 deaths. In the Forest of No Joy captures in vivid detail the experiences of the men, women, and children who toiled on the railroad, and forces a reassessment of the moral relationship between modern industrialized empires and what could be called global humanitarian impulses—the desire to improve the lives of people outside of Europe. Drawing on exhaustive research in French and Congolese archives, a chilling documentary record, and heartbreaking photographic evidence, J.P. Daughton tells the epic story of the Congo-Océan railroad, and in doing so reveals the human costs and contradictions of modern empire.
In 1905 Pittsburgh, Detective Milo Kachigan is trapped in the mire of corruption--forced to collect protection money from bars and brothels while yearning to do honest police work. The chance comes when he hears of a murder case in which the victim was an engineer for the Westinghouse company. Then he learns that his friend, social worker Helen Sorby, may be involved. In an atmosphere of mistrust and unrest, the quest for justice may be explosive.
This morning. Room 211. The Chelsea Hotel. Elysian Row. A man is lying face up on a red crushed-velvet chaise. His wide-open eyes stare at some unseen spot on the ceiling. He is wearing a pair of tight-fitting jeans, scuffed-up Spanish leather boots, and a matching Bolero vest. At first glance, one might mistake him for a vagabond, a vagrant, a drifter. He would have liked that. He always thought of himself as a traveling troubadour. But look closer. The lifeless man lying across the chaise is none other than superstar Bob Dorian. He'd been hailed a poet, a prophet, and the voice of a generation. Dorian never wanted to be any of those things. The most famous rock star in the world always resented the attention. Of course, turning up dead attracts the most attention of all. Suspects? Tons of them. They're all characters in Dorian's songs, not to mention they all hold a grudge. Intent on finding the killer, Dorian's manager, Jack Frost, teams with Commissioner Tiresias and obituary writer Mister Johns to track down the true culprit and solve the mysterious murder. And the answers they need may just be staring them in the face.
A railroad cult is a dying woman’s only hope. Athena and the Hellcat crew are driving hard. Their first stop is the wasteland’s only remaining radio station in Columbus, Ohio—run by the quirky Dapper brothers. It’s there that Athena learns of the dangers farther west in the nuclear hell—radiation, massive insects and a savage group of raiders called Wraiths. Athena’s best hope of getting to California is the organization that runs the railroads—The Trakers. Athena suspects not all is as it seems with the powerful religious group, but the Traker’s titanic locomotive—the Bulldozer—is the only way she can cover the dusty dead expanse of the Midwest. So she makes a deal. One with fatal consequences.
Blood on the Tracks by David Brandon,Alan Brooke Pdf
Between 1835 and the 1850s, railway mania blossomed around Britain. Crime emerged as the railways developed, at first opportunistic crimes such as fare evasion and robberies, but gradually more inventive forms evolved, notably the minor clerk Redpath in the 1850s, whose shameless cooking of the books to live the high life exposed the lack of any kind of accountancy across the railway industry. The first train murder was not until the 1840s, and sparked great fear of foreigners as a German was charged and hanged for the crime. The outcry resulted in the communication cord being introduced to the railway carriages, so that no longer would they exist as completely separate spaces and passengers could alert the driver to any assault within. This fascinating history covers all varieties of crime on the railways and how it has changed over the years, from assaults and robberies, to theft of goods, murder, vandalism, football and other crowd activity, suicide on the line, fraud and white collar crime, and also looks at the use of railway crime in film and literature.
Blood On The Tracks: Dylan's Masterpiece in Blue by Jochen Markhorst Pdf
Immediately after the release of Blood On The Tracks (1975), most reviewers, journalists and fans agree: Dylan thematizes, poignantly honest in masterful songs, the expired state of his marriage.This annoys the Nobel Prize winner. He acknowledges the songs articulate pain, in a first radio interview, but objects when interviewer Mary Travers half-heartedly suggests it sounds autobiographical. "I" is not "me, Bob Dylan," Dylan argues, je est un autre.Dylan becomes more vicious in the years that follow, culminating in the booklet Biograph (1985), in which he even starts to scold those "stupid and misleading jerks" with their their "unimaginative mentality" who think that it is about his divorce.To no avail. "BOTT" is stubbornly honoured as The Divorce Album. In his autobiography Chronicles (2004), Dylan then takes a different turn: "Eventually I would even record an entire album based on Chekhov short stories - critics thought it was autobiographical - that was fine."In Blood On The Tracks - Dylan's Masterpiece In Blue, Dylan scholar Jochen Markhorst takes the reader through the beauty and background of the songs, the beautiful outtakes, the build-up to the masterpiece and its reverberation.
