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Describes how a fifteenth-century goldsmith and clockmaker, Filippo Brunelleschi, came up with a unique design for the dome to crown Florence's magnificent new cathedral, Santa Maria del Fiore, in a dramatic study set against the turbulent backdrop of Renaissance Italy.
How To Manage Your Mother by Alyce-Faye Cleese Pdf
This book explores how different people have dealt with the issues related to getting on with their mothers. Psychotherapist Alyce-Faye Cleese interviewed a wide range of people to get an in-depth understanding of the different questions that arise in our relationships with our mother. From a New York taxi driver to her former husband John Cleese, and a computer consultant to General Colin Powell, the interviews show a remarkable similarity between the problems different people have with their mothers both alive and dead, and Alyce-Faye Cleese suggests a range of ways of dealing with problems that many of us share in one way or another.
Brunelleschi's Cupola by Giovanni Fanelli,Michele Fanelli Pdf
This two-part volume offers an innovative analysis and interpretation of Brunelleschi's masterpiece. Part One, which is richly illustrated with iconographic material, traces the design and construction phases of this magnificent building and explores its impact on figurative and literary culture down the ages. With the aid of original charts and diagrams, Part Two provides a thorough analysis of the structure, construction and static equilibrium of the Cupola, including a description and assessment of the current state of the cracks. This provides a solid basis for predicting the likely future behaviour of the monument and for suggesting possible conservation measures.
In fifteenth-century Florence, Italy, a contest is held to design a magnificent dome for the town's cathedral, but when Pippo the Fool claims he will win the contest, everyone laughs at him. Based on a true story.
Even in an age of soaring skyscrapers and cavernous sports stadiums, the cathedral of Santa Maria del Fiore in Florence still retains a rare power to astonish. Yet the elegance of the building belies the tremendous labour, technical ingenuity and bitter personal strife involved in its creation. For over a century after work on the cathedral began in 1296, the proposed dome was regarded as all but impossible to build because of its enormous size. The greatest architectural puzzle of its age, when finally completed in 1436 the dome was hailed as one of the great wonders of the world. It has gone down in history as a masterpiece of Renaissance architecture. This book tells the extraordinary story of how the cupola was raised and of the dome's architect, the brilliant and volatile Filippo Brunelleschi. Denounced as a madman at the start of his labours, he was celebrated at their end as a great genius. His life was one of ambition, ingenuity, rivalry and intrigue - a human drama set against the plagues, wars, political feuds and intellectual ferments of Renaissance Florence, the glorious era for which the dome remains the most compelling symbol. Brunelleschi's Dome was voted Non-Fiction Book of the Year by American Independent Booksellers.
Brunelleschi's Dome in Florence Hb by Marco Bussagli,Mina Gregori,Timothy Verdon Pdf
- Stunning photography captures in never-before-seen detail the entire fresco cycle of Brunelleschi's Dome in Florence, painted by Giorgio Vasari and Federico Zuccari between 1572 and 1579 The iconic Dome of the Cathedral of Florence, the largest masonry vault in the world, was built by Filippo Brunelleschi between 1420 and 1436. More than 100 years later, between 1572 and 1579, the vault was decorated with frescos by the artists Giorgio Vasari and Federico Zuccari depicting the Last Judgment. Working with advanced imaging technology, total access, and Italy's leading art photographer, this book presents in never-before-seen detail and completeness the entire pictorial cycle of the Dome. Contributions by noted art historians Marco Bussagli, Mina Gregori, and Timothy Verdon illuminate the art historical significance of this magnificent symbol of Florence and the Renaissance. Text in English and Italian.
Building the Italian Renaissance by Paula Kay Lazrus Pdf
Building the Italian Renaissance focuses on the competition to select a team to execute the final architectural challenge of the cathedral of Santa Maria del Fiore--the erection of its dome. Although the model for the dome was widely known, the question of how this was to be accomplished was the great challenge of the age. This dome would be the largest ever built. This is foremost a technical challenge but it is also a philosophical one. The project takes place at an important time for Florence. The city is transitioning from a High Medieval world view into the new dynamics and ideas and will lead to the full flowering of what we know as the Renaissance. Thus the competition at the heart of this game plays out against the background of new ideas about citizenship, aesthetics, history (and its application to the present), and new technology. The central challenge is to expose players to complex and multifaceted situations and to individuals that animated life in Florence in the early 1400s. Humanism as a guiding philosophy is taking root and scholars are looking for ways to link the mercantile city to the glories of Rome and to the wisdom of the ancients across many fields. The aesthetics of the classical world (buildings, plastic arts and intellectual pursuits) inspired wonder, perhaps even envy, but the new approaches to the past by scholars such as Petrarch suggested that perhaps the creative classes are not simply crafts people, but men of ideas. Three teams compete for the honor to construct the dome, a project overseen by the Arte Della Lana (wool workers guild) and judged by them and a group of Florentine citizens who are merchants, aristocrats, learned men, and laborers. Their goal is to make the case for the building to live up to the ideals of Florence. The game gives students a chance to enter into the world of Florence in the early 1400s to develop an understanding of the challenges and complexity of such a major artistic and technical undertaking while providing an opportunity to grasp the interdisciplinary nature of major public works.
- A detailed narration of the life of one of the masters of Renaissance, Filippo Brunelleschi - An interactive way to approach the cultural revolution of the 15th century - Text by Stefania Cottiglia, architecture expert and drawings by Andrea Orani, master of design - Contains a cut-out model of the famous Florentine Dome Written by Stefania Cottiglia, who for years has been unveiling architecture's mysteries to young adults, this book's ambition is to convey the fervor of the Renaissance's cradle through the architect that created its symbol: Brunelleschi and his Dome. The volume is enriched with vivid illustrations created by Andrea Orani, a master of design. The book details Filippo Brunelleschi's ventures: from being a goldsmith apprentice to becoming the winner of the contest for the new door of the Battistero, passing through his Roman period and finishes at his completion of the Dome for Florence's cathedral, which put him in the history books. Step by step, the reader will understand how the Dome symbolized a whole new concept of the world. Thanks to the cut-out model, young readers will be able to build a reproduction of the 'Cupola', becoming active stars of the cultural revolution of the 15th century.
The bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of "the king of the world's booksellers" and the technological disruption that forever changed the ways knowledge spread. The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings—the dazzling handiwork of the city's skilled artists and architects. But equally important for the centuries to follow were geniuses of a different sort: Florence's manuscript hunters, scribes, scholars, and booksellers, who blew the dust off a thousand years of history and, through the discovery and diffusion of ancient knowledge, imagined a new and enlightened world. At the heart of this activity was a remarkable man: Vespasiano da Bisticci. Born in 1422, he became what a friend called "the king of the world's booksellers." At a time when all books were made by hand, over four decades Vespasiano produced and sold many hundreds of volumes from his bookshop, which also became a gathering spot for discussion and debate. Besides repositories of ancient wisdom by the likes of Plato, Aristotle, and Cicero, his books were works of art in their own right, copied by talented scribes and illuminated by the finest miniaturists. His clients included a roll-call of popes, kings, and princes across Europe who wished to burnish their reputations by founding magnificent libraries. Vespasiano reached the summit of his powers as Europe's most prolific merchant of knowledge when a new invention appeared: the printed book. By 1480, the king of the world's booksellers was swept away by this epic technological disruption, whereby cheaply produced books reached readers who never could have afforded one of Vespasiano’s elegant manuscripts. A thrilling chronicle of intellectual ferment set against the dramatic political and religious turmoil of the era, including the fall of Constantinople to the Ottoman Turks, Ross King's The Bookseller of Florence is also an ode to books and bookmaking that charts the world-changing shift from script to print through the life of an extraordinary man long lost to history—one of the true titans of the Renaissance.
Michelangelo and the Pope's Ceiling by Ross King Pdf
From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel. In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin. Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him. Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.
Brunelleschi’s basilica of Santo Spirito in Florence was not only a product of creative genius, but also of communal bureaucracy, socio-economic traditions, human and financial resources, factionalism, and rivalry. This complex network of forces behind the monument serves as testimony to the determination and capacity of Renaissance Florentines to actualize the creative ideas of the extraordinary artists and architects who were transforming the profile of the city. Moreover, it reveals that the labor, spirit, and energy of those human beings who were building Renaissance Florence were just as important to its manufacture as the brick, stone and wood used to build it. By investigating those aspects that defined the building tradition of the Renaissance – the architect, the Opera (building committee), the quartiere (neighborhood), the cantiere (worksite and workforce) – we discover that behind a great monument lies a monumental account of collective human achievement.
By the author of the acclaimed Brunelleschi's Dome. After meeting the mysterious and beautiful Lady Beauclair at a society ball, George Cautley, a hapless young artist adrift in the gilded world of 1770s London, paints her portrait. She, in turn, tells him the scandalous story of Tristano, a castrato singer in Handel's opera company fifty years before. But Cautley also meets the eminent painter Sir Endymion Starker that same evening and his mistress, Eleanora, who has another tragic tale to tell, one that will have George unwittingly re-enacting the fate of Tristano...
Art in Renaissance Italy by John T. Paoletti,Gary M. Radke Pdf
'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.