Chinese Ways Of Seeing And Open Air Painting

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Chinese Ways of Seeing and Open-Air Painting

Author : Yi Gu
Publisher : BRILL
Page : 336 pages
File Size : 42,7 Mb
Release : 2021-02-01
Category : Art
ISBN : 9781684176137

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Chinese Ways of Seeing and Open-Air Painting by Yi Gu Pdf

"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."

Transmedial Landscapes and Modern Chinese Painting

Author : Juliane Noth
Publisher : BRILL
Page : 388 pages
File Size : 45,5 Mb
Release : 2023-11-20
Category : Art
ISBN : 9781684176601

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Transmedial Landscapes and Modern Chinese Painting by Juliane Noth Pdf

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experiments in Chinese painting by studying them as transmedial practice, at once shaped by and integral to the modern global art world. Transmedial Landscapes and Modern Chinese Painting shines a spotlight on the mid-1930s, a period of intense productivity in which Chinese artists created an enormous number of artworks and theoretical texts. The book focuses on the works of three seminal artists, Huang Binhong, He Tianjian, and Yu Jianhua, facilitating fresh insights into this formative stage of their careers and into their collaborations in artworks and publications. In a nuanced reading of paintings, photographs, and literary and theoretical texts, Noth shows how artworks and discussions about the future of ink painting were intimately linked to the reshaping of the country through infrastructure development and tourism, thus leading to the creation of a uniquely modern Chinese landscape imagery.

Painting Chinese

Author : Herbert Kohl
Publisher : Bloomsbury Publishing USA
Page : 180 pages
File Size : 53,6 Mb
Release : 2007-08-21
Category : Biography & Autobiography
ISBN : 9781596910522

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Painting Chinese by Herbert Kohl Pdf

Describes the author's experiences with a group of young children as they shared a class in Chinese landscape painting, discussing what he learned from the youngsters and the wisdom he discovered in the art's formal tenets.

The Compelling Image

Author : James Cahill
Publisher : Belknap Press
Page : 292 pages
File Size : 42,7 Mb
Release : 1982
Category : Art
ISBN : UOM:39015042581820

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The Compelling Image by James Cahill Pdf

James Cahill explores the radiant painting of that tumultuous era when the collapse of the Ming Dynasty and the Manchu conquest of China dramatically changed the lives and thinking of artists and intellectuals. Over 250 illustrations, including 12 color plates, are drawn from collections in the United States, Europe, Japan, and China.

Three Thousand Years of Chinese Painting

Author : Richard M. Barnhart,Xin Yang,Nie Chongzheng,James Cahill,Hung Wu,Lang Shaojun
Publisher : Yale University Press
Page : 422 pages
File Size : 55,5 Mb
Release : 1997-01-01
Category : Art
ISBN : 9780300094473

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Three Thousand Years of Chinese Painting by Richard M. Barnhart,Xin Yang,Nie Chongzheng,James Cahill,Hung Wu,Lang Shaojun Pdf

Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

Drawing from Life

Author : Christine I. Ho
Publisher : University of California Press
Page : 320 pages
File Size : 47,9 Mb
Release : 2020-02-11
Category : Art
ISBN : 9780520309623

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Drawing from Life by Christine I. Ho Pdf

Drawing from Life explores revolutionary drawing and sketching in the early People’s Republic of China (1949–1965) in order to discover how artists created a national form of socialist realism. Tracing the development of seminal works by the major painters Xu Beihong, Wang Shikuo, Li Keran, Li Xiongcai, Dong Xiwen, and Fu Baoshi, author Christine I. Ho reconstructs how artists grappled with the representational politics of a nascent socialist art. The divergent approaches, styles, and genres presented in this study reveal an art world that is both heterogeneous and cosmopolitan. Through a history of artistic practices in pursuit of Maoist cultural ambitions—to forge new registers of experience, new structures of feeling, and new aesthetic communities—this original book argues that socialist Chinese art presents a critical, alternative vision for global modernism.

Poetry and Painting in Song China

Author : Alfreda Murck
Publisher : BRILL
Page : 433 pages
File Size : 49,9 Mb
Release : 2020-10-26
Category : History
ISBN : 9781684170333

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Poetry and Painting in Song China by Alfreda Murck Pdf

Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting’s systems of reference to allow scholars to express dissent with impunity contributed to the art’s vitality and longevity.

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art

Author : Minglu Gao
Publisher : MIT Press
Page : 422 pages
File Size : 46,7 Mb
Release : 2011-04-29
Category : Art
ISBN : 9780262294713

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Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art by Minglu Gao Pdf

A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.

Negative Exposures

Author : Margaret Hillenbrand
Publisher : Duke University Press
Page : 188 pages
File Size : 54,7 Mb
Release : 2020-03-06
Category : History
ISBN : 9781478009047

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Negative Exposures by Margaret Hillenbrand Pdf

When nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as paint, celluloid, fabric, digital imagery, and tattoos—as imaginative spaces in which the shadows of secrecy are provocatively outlined.

The Lyric Journey

Author : James Cahill
Publisher : Harvard University Press
Page : 278 pages
File Size : 44,5 Mb
Release : 1996
Category : Art
ISBN : 0674539702

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The Lyric Journey by James Cahill Pdf

This beautifully illustrated book looks at three exemplary traditions in poetic painting, bringing new understanding of the relationship between the art and the societies that produced it.

Breakout

Author : Melissa Chiu
Publisher : Unknown
Page : 248 pages
File Size : 46,7 Mb
Release : 2006
Category : Art
ISBN : UOM:39015080727830

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Breakout by Melissa Chiu Pdf

Edited and with text by Melissa Chiu.

The Double Screen

Author : Wu Hung
Publisher : Reaktion Books
Page : 298 pages
File Size : 53,5 Mb
Release : 1996-11-22
Category : Art
ISBN : 9781861898425

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The Double Screen by Wu Hung Pdf

This book contemplates a large problem: what is a traditional Chinese painting? Wu Hung answers this question through a comprehensive analysis of the screen, a major format and a popular pictorial motif in traditional China. With a broad array of examples ranging from the early centuries C.E. to the 1800s, he explores the screen’s position in art – as an important site for artistic imagination, as an illusionary representation on a flat surface, and as an architectural device defining cultural conventions. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favourite pictorial image in Chinese art since antiquity. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The author argues that any understanding of Chinese painting must include discussion of its material forms as well as its intimate connection with cultural context and convention. Thus, The Double Screen offers a powerful non-western perspective on diverse artistic and cultural genres, from portraiture and pictorial narrative to voyeurism and masquerade, and will be invaluable to anyone interested in the history of art and Asian studies as well as to students and specialists in the field.

Empty and Full

Author : François Cheng
Publisher : Shambhala Publications
Page : 204 pages
File Size : 48,6 Mb
Release : 1994
Category : Art
ISBN : UOM:39015026895477

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Empty and Full by François Cheng Pdf

Chinese painting might be called "philosophy in action", for it is one of the highest expressions of Chinese spirituality. Both a medium for contemplation leading to self-transcendence and a microcosm embodying universal principles and primal forces, it is a means for making manifest the Chinese worldview. At the heart of this worldview is the notion of emptiness, the dynamic principle of transformation. Only through emptiness can things attain their full measure and human beings approach the universe at the level of totality. Focusing on the principle of emptiness, Francois Cheng uses semiotic analysis and textual explication to reveal the key themes and structures of Chinese aesthetics in the practice of pictorial art. Among the many Chinese writers, poets, and artists whose writings are quoted, he gives special emphasis to a great Ch'ing dynasty theoretician and painter, Shih-t'ao. Twenty-seven reproductions of the words of Shih-t'ao and other masters illustrate the interpretive commentary.

Historical Painting Techniques, Materials, and Studio Practice

Author : Arie Wallert,Erma Hermens,Marja Peek
Publisher : Getty Publications
Page : 241 pages
File Size : 54,9 Mb
Release : 1995-08-24
Category : Art
ISBN : 9780892363223

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Historical Painting Techniques, Materials, and Studio Practice by Arie Wallert,Erma Hermens,Marja Peek Pdf

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Chinese Paintings in Chinese Publications, 1956-1968

Author : Ellen Johnston Laing
Publisher : Unknown
Page : 323 pages
File Size : 53,7 Mb
Release : 2020
Category : Electronic
ISBN : OCLC:1286318509

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Chinese Paintings in Chinese Publications, 1956-1968 by Ellen Johnston Laing Pdf

This bibliography includes publications issued between 1956 and August 1968 that reproduce Chinese paintings now in Chinese public or private collections. The great majority of these publications were produced in Mainland China, Taiwan, Hong Kong, or Japan. Each publication included in the bibliography has been provided with a detailed physical description of the publication itself: the amounts of text , the number of plates in color and in monochrome, and a general evaluation of the quality of the reproductions. The title by which each work is referred to in the index is included at the end of each entry.