Composing Adventure Conversations With Composers About Great Adventure Scores
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Composing Adventure: Conversations with Composers about Great Adventure Scores by Aaron Lam Pdf
Rocky. Silverado. Clash of the Titans. Once you hear the musical themes of these films, they take up permanent residence in your head. In the grandest cinematic tradition, great adventure movies require great adventure scores to fully express the scope of their triumph, tragedy and romance. These scores become characters themselves in the stories they help to tell. The triumphant fanfares, pounding rhythms and soaring strings bring a magical element to the images they accompany and lift them to exciting new levels. Composing Adventure: Conversations with Composers about Great Adventure Scores is a collection of interviews with talented artists behind the scores for some of cinema’s most celebrated adventure films. Through casual conversations with composers like Bill Conti, Bruce Broughton, Laurence Rosenthal, Lee Holdridge, Craig Safan and many more, you will learn about their experiences in the film industry as they created some of the most memorable music ever written for motion pictures.
Rocky. Silverado. Clash of the Titans. Once you hear the musical themes of these films, they take up permanent residence in your head. In the grandest cinematic tradition, great adventure movies require great adventure scores to fully express the scope of their triumph, tragedy and romance. These scores become characters themselves in the stories they help to tell. The triumphant fanfares, pounding rhythms and soaring strings bring a magical element to the images they accompany and lift them to exciting new levels. Composing Adventure: Conversations with Composers about Great Adventure Scores is a collection of interviews with talented artists behind the scores for some of cinema's most celebrate adventure films. Through casual conversations with composers like Bill Conti, Bruce Broughton, Laurence Rosenthal, Lee Holdridge, Craig Safan and many more, you will learn about their experiences in the film industry as they created some of the most memorable music ever written for motion pictures.
A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music.
Erich Wolfgang Korngold's The Adventures of Robin Hood by Ben Winters Pdf
Winner of the Academy Award for best dramatic score in 1938, the score for The Adventures of Robin Hood is seen by many as the archetypal accompaniment to a Warner Brothers swashbuckler, and it established the score's composer, Erich Wolfgang Korngold, as one of the leading exponents of film score composition at a formative point in its history. In the newest addition to the Scarecrow Film Score Guides series, author Ben Winters uses manuscript and archival research to challenge preconceived notions about the score's composer and its authorship. Winters examines Korngold's career, his film scoring techniques, and his engagement with the Hollywood studio system; he examines the film's treatment of the Robin Hood legend, its historical and critical contexts, and its place within the swashbuckler genre and the studio's anti-fascist agenda.
100 Greatest Film Scores by Matt Lawson,Laurence MacDonald Pdf
This book considers the greatest film scores produced over a span of more than 80 years. Each entry includes background information about the film, biographical information about the composer, a concise analysis of the score, and a summary of the score’s impact both within the film it accompanies, but also on cinematic history.
Most Tim Burton films are huge box-office successes, and several are already classics. The director's mysterious and eccentric public persona attracts a lot of attention, while the films themselves have been somewhat overlooked. Here, Alison McMahan redresses this imbalance through a close analysis of Burton's key films () and their industrial context. She argues that Burton has been a crucial figure behind many of the transformations taking place in horror, fantasy, and sci-fi films over the last two decades, and demonstrates how his own work draws on a huge range of artistic influences: the films of George Melies, surrealism, installation art, computer games, and many more. The Films of Tim Burton is the most in-depth analysis so far of the work of this unusual filmmaker - a director who has shown repeatedly that it is possible to reject mainstream Hollywood contentions while maintaining critical popularrity and commercial success.
Offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors cover everything from timing, cuing, and recording through balancing the composer's vision with the needs of the film.
Making it HUGE in Video Games by Chance Thomas Pdf
Making it HUGE in Video Games recounts the astonishing journey of an unassuming, middle-of-the-bell-curve young man, rising from mundane beginnings to scale the dizzying heights of artistic distinction and financial success in the worldwide video game industry. This is the story of Chance Thomas, a moderately talented musician who struggled and grew to compose original scores for some of the most well-known entertainment properties in the world. Detailed personal accounts and instructive side bars carry readers across the jagged peaks and valleys of an absolutely achievable career in video games. World-famous IP’s get personal treatment here – The Lord of the Rings, Marvel, Avatar, Dungeons & Dragons, Warhammer, DOTA 2, King Kong, The Settlers, and many more. Readers will discover unvarnished true stories about starting out, pitching and pursuing gigs, negotiating contracts, composing and producing scores, multinational corporations and personalities, funny anecdotes, daunting challenges, glorious successes, and instructive failures. Autobiographical details throughout provide intimate perspective, vibrant color, and inspiration. The book is written in a comfortable, conversational style. Think of this as a career guidebook wrapped around a personal retrospective; a professional how-to manual woven into a memoir.
This fully updated and complete guide takes you inside the world of creating music for film, television, and—unique to this edition—video games. It addresses a wide range of topics including musical aesthetics, cutting-edge technology and techniques, and current business aspects. Also included are interviews with leading industry professionals.
EDUCATIONAL EDITION The world's finest film composers uncover the secrets behind film music, from crafting emotions and making it in Hollywood, to the tricks of giving an audience goosebumps. Summary Composers Hans Zimmer (The Lion King, Gladiator, Pirates of the Caribbean, The Dark Knight, Inception), Quincy Jones (The Color Purple, The Pawnbroker, In Cold Blood), Randy Newman (Toy Story, Monsters, Inc., The Natural), Howard Shore (The Lord of the Rings, The Hobbit, Seven), Trent Reznor (The Social Network, Gone Girl, Nine Inch Nails), Tom Holkenborg (Mad Max: Fury Road, Batman v. Superman) and more. Plus, hear rare insight from director James Cameron and the legacy of James Horner, along with one of the final interviews conducted with legendary director Garry Marshall. Modern maestros reveal their creative secrets. Composer David Arnold: Bond, the British sound and using music from dreams. Director James Cameron: How score shapes a film and working with James Horner. Composer Quincy Jones: Music's evolution and emotive power on us. Composer Randy Newman: Great film music in history and scoring for animated films. Composer Rachel Portman: Using music to your advantage and female film composers. Composer Howard Shore: The great epic film score and connecting all the dots. Composer Hans Zimmer: The joy (and vulnerability) of musical experimentation. Director Garry Marshall: How to use music to fill, fix and enhance film. Composer Bear McCreary: Creating an efficient, tight-knit film composing team. Goosebumps and exploring music's cutting edge. Composers Trent Reznor & Atticus Ross: Production value and the film score as an album. Composer Brian Tyler: Growth, excitement and striving for perfection. Composer Mychael Danna: Musical styles across different nationalities. Composer Tom Holkenborg: Intensity and goosebumps. Composer Harry Gregson-Williams: Traditional score meets technology. Composer Steve Jablonsky: Reinventing electronic sounds. Composer John Debney: Inspirations from childhood to the scoring stage. Composer Trevor Rabin: Wrestling with the clock and working with producers. Composer Patrick Doyle: Life and passion reflecting through music. Inspiration and film music's worldwide impact across languages. Composer Mervyn Warren: A record producer approach to film scores. Composer John Powell: Flipping the film score on its head. Composer Alexandre Desplat: International influence and the beauty of music. Composer Elliot Goldenthal: Deadline pressure and mastering a sound. Composer Henry Jackman: The British film score invasion and melody. Composer Marco Beltrami: Finding the right sound and music for thrillers. Composer Mark Mothersbaugh: The rockstar-turned-composer. For bulk pricing discounts for educational institutions, please contact [email protected].
Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present. Julie Hubbert’s introductory essays offer a stimulating overview of film history as well as critical context for the close study of these primary documents. In identifying documents that form a written and aesthetic history for film music, Celluloid Symphonies provides an astonishing resource for both film and music scholars and for students.
Erich Wolfgang Korngold's The Adventures of Robin Hood by Ben Winters Pdf
"In Erich Wolfgang Korngold's The Adventures of Robin Hood: A Film Score Guide, author Ben Winters uses manuscript and archival research to challenge preconceived notions about the score's composer and its authorship. This detailed consideration of Korngold's masterpiece will be continually referenced by film and music scholars alike."--Jacket
The Encyclopedia of Film Composers by Thomas S. Hischak Pdf
For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.
Intersecting Film, Music, and Queerness by Jack Curtis Dubowsky Pdf
Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship.
Adventures in the Screen Trade by William Goldman Pdf
Now available as an ebook for the first time! No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and into his own professional experiences and creative thought processes in the crafting of screenplays. You get a firsthand look at why and how films get made and what elements make a good screenplay. Says columnist Liz Smith, "You'll be fascinated.