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“Suspenseful . . . almost impossible to put down.”—Sacramento Union In the city of the Red Sox and the Red Line someone is leaving roses—red ones, of course—on the bodies of women he kills. For a psychologist named Susan Silverman and a P.I. named Spenser, the case is personal. But Spenser knows it's the wrong man. Because the right one has come calling on Susan—with a red rose in hand. “A novel worth reading with an ending that is worth waiting for.”—South Bend Tribune
Ngugi wa Thiong’o, Gender, and the Ethics of Postcolonial Reading by Brendon Nicholls Pdf
This is the first comprehensive book-length study of gender politics in Ngugi wa Thiong'o's fiction. Brendon Nicholls argues that mechanisms of gender subordination are strategically crucial to Ngugi's ideological project from his first novel to his most recent one. Nicholls describes the historical pressures that lead Ngugi to represent women as he does, and shows that the novels themselves are symptomatic of the cultural conditions that they address. Reading Ngugi's fiction in terms of its Gikuyu allusions and references, a gendered narrative of history emerges that creates transgressive spaces for women. Nicholls bases his discussion on moments during the Mau Mau rebellion when women's contributions to the anticolonial struggle could not be reduced to a patriarchal narrative of Kenyan history, and this interpretive maneuver permits a reading of Ngugi's fiction that accommodates female political and sexual agency. Nicholls contributes to postcolonial theory by proposing a methodology for reading cultural difference. This methodology critiques cultural practices like clitoridectomy in an ethical manner that seeks to avoid both cultural imperialism and cultural relativisim. His strategy of 'performative reading,' that is, making the conditions of one text (such as folklore, history, or translation) active in another (for example, fiction, literary narrative, or nationalism), makes possible an ethical reading of gender and of the conditions of reading in translation.
Rose and Stanley are an elderly couple, the sort of neighbours you'd trust to feed your cat and water your plants while you're away. Not the sort of people you'd imagine rutting like animals on your freshly laundered sheets the minute you've gone.Was it the bed that seduced them? The ornate four poster bed, with the intricate carvings and erotic tapestries, that appeared out of nowhere in Peter and Bethany's spare room. The bed that keeps reappearing, no matter how many times it's dismantled and taken away.Is the bed linked to a dark secret from Peter and Bethany's past? Is that why it's haunting them? And what effect has all this had on poor Rose, stricken with the strangest malady since her frenzied tryst with Stanley?At turns eerie, unsettling and poetic, Bed of Crimson Joy is one of the most dark and deeply disturbing erotic horror stories you'll ever read.
Like the seal in Elizabeth Bishop's "At the Fishhouses," Poole is a believer in "total immersion." Her poems plumb the fleshy depths--be they a body of water, the movement of a willow, a field combed by light, or the beguiling pigments in a Rembrandt. Although the poems' surfaces appear to be about the death of a sister, a painting by Bonnard, or a naked statue of Hermes, their ultimate focus is on interiority. The speaker of these poems shudders, tenses, is secreted away by the physicality of the world, and in the process is ravished and ravishing.
One of the most talked-about novels of the year, this international bestseller gives new meaning to the term “unputdownable.” Reviewers and readers everywhere have been eagerly abandoning their everyday lives for days and even weeks on end, refusing to leave Michel Faber’s vividly realized fictional world. They are captivated by Sugar, an enigmatic nineteen-year-old prostitute whose story begins in a hellish nineteenth-century London brothel. Struggling to lift her body and soul out of the gutter, Sugar claws her way up the social ladder to gain refuge in the wealthy family of her besotted lover, William Rackham, unwilling heir to a perfumery. Now in the popular Perennial format, The Crimson Petal and the White is a gripping tale, extraordinarily rich, intricate and intoxicating to the final page.
The Robert B. Parker Companion by Dean James,Elizabeth Foxwell Pdf
Even before he was named Grand Master for Lifetime Achievement by the Mystery Writers of America, Edgar® Award-winning author Robert B. Parker had assumed the mantle of dean of American crime fiction. “Taking his place beside Dashiell Hammett, Raymond Chandler, and Ross MacDonald” (The Boston Globe), Parker has transcended the conventions of the crime genre. As one of the most popular and prolific writers in the world, he has reinvented crime writing with his inimitable style and unforgettable characters. Now discover everything about everything that is Robert B. Parker: • Comprehensive biography of Robert B. Parker • Inside the Spenser novels • All about the Jesse Stone and Sunny Randall novels • Parker’s stand-alone fiction • Complete cast of characters • Spenser on film • Robert B. Parker’s Boston—locales, crime scenes, and maps • Memorable quotes • Inclusive bibliography Plus, an exclusive and insightful new interview with Robert B. Parker.
When Daniel Hoffman published a brief volume of selected poems in England, the Times Literary Supplement praised “his zestful verbal performance, supple use of rhyme and other sound effects” that “make the processes of his writing interesting.” That same vitality and interest inform Hang-Gliding from Helicon, which presents more than forty new poems and a generous selection from six of Hoffman’s previous books. Commenting on the most recent of these in the Southern Review, Monroe K. Spears wrote, “Hoffman’s new volume seems to me to establish his claim to the title of major poet.” In the New Republic, Josephine Jacobsen observed: “Three major strands knit into a strong texture: myth, history, and immediate experience . . . What he once wrote of Robert Graves is true of his own work: both combine ‘A Dionysian compulsion to belief with an Apollonian clarity of presentation.’” In the opening piece of this volume, entitled “The Poem,” Hoffman writes: True to itself, by what craft And strength it has, it has come As a sole survivor returns From the steep pass. Carved on memory’s staff The legend is nearly decipherable. It has lived up to its vows If it endures The journey through the dark places To bear witness, Casting its message In a sort of singing. Hoffman’s poetry is a celebration of life, yet some of his poems have dark implications. “The City of Satisfactions” is a journey into the haunted heart of the American dream. “The Center of Attention” portrays a suicidal man being taunted by a crowd to jump from a bridge, and “Witnesses” explores the aftermath of a car wreck on a desolate stretch of rural highway. Each of Hoffman’s poems represents a striking response to the moments of being alive. Hang-Gliding from Helicon affirms the power of poetry to make possible the acceptance and transformation of life. Daniel Hoffman has given us a remarkable statement of his deep poetic faith.
Law and Popular Culture by Michael Asimow,Kathryn Brown,David Papke Pdf
Commentators have noted the extraordinary impact of popular culture on legal practice, courtroom proceedings, police departments, and government as a whole, and it is no exaggeration to say that most people derive their basic understanding of law from cultural products. Movies, television programs, fiction, children’s literature, online games, and the mass media typically influence attitudes and impressions regarding law and legal institutions more than law and legal institutions themselves. Law and Popular Culture: International Perspectives enhances the appreciation of the interaction between popular culture and law by underscoring this interaction’s multinational and international features. Two dozen authors from nine countries invite readers to consider the role of law-related popular culture in a broad range of nations, socio-political contexts, and educational environments. Even more importantly, selected contributors explore the global transmission and reception of law-related cultural products and, in particular, the influence of assorted works and media across national borders and cultural boundaries. The circulation and consumption of law-related popular culture are increasing as channels of mass media become more complex and as globalization runs its uncertain course. Law and Popular Culture: International Perspectives adds to the critical understanding of the worldwide interaction of popular culture and law and encourages reflection on the wider implications of this mutual influence across both time and geography.
NEW YORK TIMES BESTSELLER • Kristin Hannah is beloved by readers around the world for her unique blend of powerful emotion and exquisite storytelling. In Comfort & Joy, she offers a modern-day fairy tale—the story of a woman who gets a miraculous chance at happiness. Joy Candellaro once loved Christmas more than any other time of the year. Now, as the holiday approaches, she is at a crossroads in her life; recently divorced and alone, she can’t summon the old enthusiasm for celebrating. So without telling anyone, she buys a ticket and boards a plane bound for the beautiful Pacific Northwest. When an unexpected detour takes her deep into the woods of the Olympic rainforest, Joy makes a bold decision to leave her ordinary life behind—to just walk away—and thus begins an adventure unlike any she could have imagined. In the small town of Rain Valley, six-year-old Bobby O’Shea is facing his first Christmas without a mother. Unable to handle the loss, Bobby has closed himself off from the world, talking only to his invisible best friend. His father Daniel is beside himself, desperate to help his son cope. Yet when the little boy meets Joy, these two unlikely souls form a deep and powerful bond. In helping Bobby and Daniel heal, Joy finds herself again. But not everything is as it seems in quiet Rain Valley, and in an instant, Joy’s world is ripped apart, and her heart is broken. On a magical Christmas Eve, a night of impossible dreams and unexpected chances, Joy must find the courage to believe in a love—and a family—that can’t possibly exist, and go in search of what she wants . . . and the new life only she can find.
Prairie Grass and Other Leaves by Laurel Means Pdf
Midwest prairie grass has many leaves and many moods, and each of the sixteen short stories of this collection graphically conveys the challenge, pathos, and beauty evoked by that dramatic setting. "Prairie Voices" speaks through the voices of early pioneers, while "Songs of Experience" adapts Blake's poems to contemporary gender relationships. "What is Unspoken" transforms the prairies into a surreal and terrifying world, where yet humor might just -- just might --surface. "Places of the Heart" discovers those secret places in which the spirit may find home, not in a barren landscape, but one teeming with life, growth, and revelation. A richly varied series in its detailed setting and imagery, deeply satisfying in its in-depth depiction of characters and fast-moving narrative.
Long ago the world fell into twilight, when the great empires of old consumed each other in sorcerous cataclysms. In the south the Star Towers fell, swallowed by the sea, while the black glaciers descended upon the northern holdfasts, entombing the cities of Min-Ceruth in ice and sorcery. Then from the ancient empire of Menekar the paladins of Ama came, putting every surviving sorcerer to the sword and cleansing their taint from the land for the radiant glory of their lord. The pulse of magic slowed, fading like the heartbeat of a dying man. But after a thousand years it has begun to quicken again. In a small fishing village a boy with strange powers comes of age . . . A young queen rises in the west, fanning the long-smoldering embers of magic into a blaze once more . . . Something of great importance is stolen - or freed - from the mysterious Empire of Swords and Flowers . . . And the immortals who survived the ancient cataclysms bestir themselves, casting about for why the world is suddenly changing . . .
The most dangerous man to cross is one who isn't afraid to die. But the most deadly is one who doesn't want to live. And Spenser has just lost the woman who made life his #1 priority. So when a religious sect kidnaps a pretty young dancer, no death threat can make Spenser cut and run. Now a hit man's bullet is wearing Spenser's name. But Boston's big boys don't know Spenser's ready and willing to meet death more than halfway.
The word romantic has so many varied meanings that C. S. Lewis quipped it should be deleted from our vocabulary. Yet, from the perspective of English literature, romantic is associated, first and foremost, with the poetry of Romanticism, the movement that accentuated the aesthetic value of emotion, human experience, and the majesty of nature. In this volume the finest works of the first generation of Romantic Poets Blake, Wordsworth, and Coleridge are assembled in an accessible and yet scholarly manner, together with a selection of contemporary criticism by tradition-oriented experts, in order to introduce these poets to a new generation of readers.
The Romantic Poets Blake, Wordsworth and Coleridge by Joseph Pearce,Robert Asch Pdf
The word "romantic" has so many varied meanings that C. S. Lewis quipped it should be deleted from our vocabulary. Yet, from the perspective of English literature, romantic is associated, first and foremost, with the poetry of Romanticism, the movement that accentuated the aesthetic value of emotion, human experience, and the majesty of nature. In this volume the finest works of the first generation of Romantic Poets Blake, Wordsworth, and Coleridge are assembled in an accessible and yet scholarly manner, together with a selection of contemporary criticism by tradition-oriented experts, in order to introduce these poets to a new generation of readers."
The End of Literary Theory by Stein Haugom Olsen Pdf
The essays in this collection are concerned with the philosophical problems that arise in connection with the understanding and evaluation of literature - such problems as the relationship between the work and the author (authorial intention), between the work and the world (reference and truth), the definition of a literary work, and the nature of literary theory itself. Professor Olsen attacks many of the orthodoxies of modern literary theory, in particular the enterprise to build a comprehensive systematic literary theory. His own work is informed by a consistent perspective: the assumption that literature is a social institution governed by conventions, and that answers to problems of interpretation and appreciation can be found only through an analysis of these conventions. This is an important book for scholars and students of literary theory and philosophy, especially for those who see an ever-increasing cross-fertilization between the two disciplines.
