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The Le Corbusier Guide by Deborah Gans,Le Corbusier Pdf
The Le Corbusier Guide has been a favourite of architects since it was first published over 10 years ago. This edition has been completely updated and features photographs, plans, and precise descriptions of Le Corbusier's great architectural edifices. It includes a complete index and introduction, making it the perfect reference for the scholar, student, or tourist.
Originally published in Germany in 1968, this first comprehensive and critical survey of Le Corbusier's life and work soon became the standard text on the architect and polymath. French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos' critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.
Le Corbusier's assistant and fellow architect remembers his mentor in a series of concise and poetic reflections. Le Corbusier's Hands offers a poetic and personal portrait of Le Corbusier—a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes—50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands—touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him.... They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions—which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site—"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With Le Corbusier's Hands, Wogenscky gives us a unique record of an enigmatic genius.
Author : H. Allen Brooks Publisher : University of Chicago Press Page : 548 pages File Size : 48,8 Mb Release : 1999-05 Category : Architecture ISBN : 0226075826
Le Corbusier's Formative Years by H. Allen Brooks Pdf
In Le Corbusier's Formative Years we learn what made Le Corbusier the person, and the designer that he was. Using twenty years of research, H. Allen Brooks has unearthed an incredible wealth of documents that show every facet of the formative years of this influential architect. "There is much in this fine volume for anyone interested not just in architecture, but in the roots of human creativity and in the origins of the most powerful artistic current of our century. . . . This book is a life's work of scholarship. It has been well spent."—Toronto Globe and Mail
Le Corbusier's Maison Curutchet by Alejandro Lapunzina Pdf
One of his very few built projects in the Americas, Maison Curutchet is a fascinating representation of Le Corbusier's stylistic transitional period, bridging his late 1920s purism and the maturity of his later work in India. Like Casa Malaparte, this book offers an in-depth analysis of a single building through original documents, drawings, and photographs.
Apartment Block 24 N. C. and LeCorbusier's Home by Jacques Sbriglio,Le Corbusier Pdf
Annotation The residence at 24 rue Nungesser et Coli in Paris was built in 1931-34 by Le Corbusier and Pierre Jeanneret. It was precisely this building which gave exemplary expression to Le Corbusier's "Cinq points de l'architecture moderne."
Le Corbusier's Venice Hospital Project by Mahnaz Shah Pdf
While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.
Le Corbusier’s Practical Aesthetic of the City by Christoph Schnoor Pdf
Set within an insightful analysis, this book describes the genesis, ideas and ideologies which influenced La Construction des Villes by Le Corbusier. This volume makes the important theoretical work available for the first time in English, offering an interpretation as to how much and in what way his ‘essai’ may have influenced his later work. Dealing with questions of aesthetic urbanism, La Construction des Villes shows Le Corbusier’s intellectual influences in the field of urbanism. Discontent that the script was not sufficiently avant-garde, he abandoned it soon after it was written in the early 20th century. It was only in the late 1970s that American historian H. Allen Brooks discovered 250 pages of the forgotten manuscript in Switzerland. The author of this book, Christoph Schnoor, later discovered another 350 handwritten pages of the original manuscript, consisting of extracts, chapters, and bibliographic notes. This splendid find enabled the re-establishment of the manuscript as Le Corbusier had abandoned it, unfinished, in the spring of 1911. This volume offers an unbiased extension of our knowledge of Le Corbusier and his work. In addition, it reminds us of the urban design innovations of the very early 20th century which can still serve as valuable lessons for a new understanding of contemporary urban design.
Le Corbusier's Chandigarh Revisited by Vikramaditya Prakash Pdf
What is the relevance of the Chandigarh experiment today? Written by an esteemed scholar and former resident of the city, this fascinating book reevaluates Le Corbusier’s work in Chandigarh in terms of the pressing challenges of the present, in particular climate change, globalization, neo-nationalism, and information technology. Through a lively poststructuralist and postcolonial framework, this book explores issues of preservation, identity, meaning, and change, comparing how the Chandigarh we see today compares to the original plans and drawings. But this book also asks whether Chandigarh’s aesthetics, as well as the ethical tenets on which it was based, are still relevant to urban planning and architecture today. What lessons, if any, does the utopian ethos within modernism offer in the face of the climate crisis, rising authoritarianism, and the digital explosion? Via chapters focused on the hydrologics of the master plan, the symbolism of the Capitol buildings, and the archeology of the unbuilt Museum of Knowledge, this book makes the future-preservation case for Chandigarh as an ‘open’ work, a project that was set up by design to be ‘completed’ by others in times yet to come. Engaging and erudite throughout, this book will appeal to any student, scholar, or professional with an interest in architecture, landscape architecture, and urban planning.
From acclaimed biographer and cultural historian, author of Balthus and Patron Saints—the first full-scale life of le Corbusier, one of the most influential, admired, and maligned architects of the twentieth century, heralded is a prophet in his lifetime, revered as a god after his death. He was a leader of the modernist movement that sought to create better living conditions and a better society through housing concepts. He predicted the city of the future with its large, white apartment buildings in parklike settings—a move away from the turn-of-the-century industrial city, which he saw as too fussy and suffocating and believed should be torn down, including most of Paris. Irascible and caustic, tender and enthusiastic, more than a mercurial innovator, Le Corbusier was considered to be the very conscience of modern architecture. In this first biography of the man, Nicholas Fox Weber writes about Le Corbusier the precise, mathematical, practical-minded artist whose idealism—vibrant, poetic, imaginative; discipline; and sensualism were reflected in his iconic designs and pioneering theories of architecture and urban planning. Weber writes about Le Corbusier’s training; his coming to live and work in Paris; the ties he formed with Nehru . . . Brassaï . . . Malraux (he championed Le Corbusier’s work and commissioned a major new museum for art to be built on the outskirts of Paris) . . . Einstein . . . Matisse . . . the Steins . . . Picasso . . . Walter Gropius, and others. We see how Le Corbusier, who appreciated goverments only for the possibility of obtaining architectural commissions, was drawn to the new Soviet Union and extolled the merits of communism (he never joined the party); and in 1928, as the possible architect of a major new building, went to Moscow, where he was hailed by Trotsky and was received at the Kremlin. Le Corbusier praised the ideas of Mussolini and worked for two years under the Vichy government, hoping to oversee new construction and urbanism throughout France. Le Corbusier believed that Hitler and Vichy rule would bring about “a marvelous transformation of society,” then renounced the doomed regime and went to work for Charles de Gaulle and his provisional government. Weber writes about Le Corbusier’s fraught relationships with women (he remained celibate until the age of twenty-four and then often went to prostitutes); about his twenty-seven-year-long marriage to a woman who had no interest in architecture and forbade it being discussed at the dinner table; about his numerous love affairs during his marriage, including his shipboard romance with the twenty-three-year-old Josephine Baker, already a legend in Paris, whom he saw as a “pure and guileless soul.” She saw him as “irresistibly funny.” “What a shame you’re an architect!” she wrote. “You’d have made such a good partner!” A brilliant revelation of this single-minded, elusive genius, of his extraordinary achivements and the age in which he lived.
In this study of Le Corbusier's American tour, Mardges Bacon reconstructs his encounter with America in all its fascinating detail. It presents a critical history of the tour as well as a nuanced and intimate portrait of the architect.