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Author : Steven Bach
Publisher : Knopf
Page : 434 pages
File Size : 55,6 Mb
Release : 2007
Category : Biography
ISBN : 9780375404009
An exceptional work of historical investigation, "Leni" is the definitive biography of one of the most fascinating and controversial personalities of the 20th century: Leni Riefenstahl, the woman best known as RHitler's filmmaker.
Author : Steven Bach
Publisher : Vintage
Page : 434 pages
File Size : 43,7 Mb
Release : 2008-02-12
Category : Biography & Autobiography
ISBN : 9780307387752
Leni Riefenstahl, the woman known as “Hitler’s filmmaker,” made some of the greatest and most innovative documentaries ever made. They are also insidious glorifications of Adolf Hitler and the Third Reich. Now, Steven Bach reveals the truths and lies behind Riefenstahl’s lifelong self-vindication as an apolitical artist who claimed to know nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified. A riveting and illuminating biography of one of the most fascinating and controversial personalities of the twentieth century.
Author : David B. Hinton
Publisher : Scarecrow Press
Page : 172 pages
File Size : 40,7 Mb
Release : 2000-06-28
Category : Performing Arts
ISBN : 9781461635062
After considerable controversy over the bold appraisal of Riefenstahl in his first two editions, Hinton continues to celebrate the life and films of this brilliant woman in the absence of the repetitious clichés that so often accompany a discussion of such a controversial filmmaker. Provided with access to Leni Riefenstahl's personal archives and film collection, the author explores her career. In addition to examining her most famous wartime works, Triumph of the Will and Olympia, the author also investigates her less recognized Tiefland, her unrealized film projects, and her African and underwater films. David B. Hinton drew on recent interviews with the filmmaker to update this edition. (Previous edition is No. 29 in The Scarecrow Filmmakers Series.) Reviews of the Previous Edition: "Raises significant issues involving the relationship between art and politics." —CHOICE "...a solid piece of research....the author is able to illuminate aspects of the production of Triumph of the Will and Olympia previously unknown."—FILMS IN REVIEW "It's best to read her [Leni Riefenstahl] memoirs, anybody's memoirs in fact, with some independent scholarship at hand, and the best place to start is David B. Hinton's thoroughly researched The Films of Leni Riefenstahl."—THE MAGAZINE
Author : Audrey Salkeld
Publisher : Random House
Page : 363 pages
File Size : 44,5 Mb
Release : 2011-10-31
Category : Biography & Autobiography
ISBN : 9781446475270
Leni Riefenstahl will always be remembered for her brilliant film of the 1936 Olympic Games in Berlin - still rated as one of the best documentaries ever made. Before that she was acclaimed for her roles in silent feature films, when German cinema was in its artistic heyday in the 1920s. She pioneered the box office success of such classic mountaineering dramas as The White Hell of Piz Palu and then began to direct her own films. The Blue Light was admired by Hitler and led to her filming the Wagnerian Nuremberg Rally of 1934. After the war she was shunned by the film industry, despite a court in 1952 proclaiming her not guilty of supporting the Nazis in a punishable way. Her undoubted charisma led to many affairs and grandiose schemes - deep sea diving in her seventies and still filming wildlife in her nineties. Audrey Salkeld has sifted the fact from the legend and gives us a moving portrait of the great movie `star' who suffered more in the `wilderness' than her enduring fame suggests.
Author : Maximillien De Lafayette
Publisher : Lulu.com
Page : 112 pages
File Size : 44,9 Mb
Release : 2014
Category : History
ISBN : 9781312416369
LENI RIEFENSTAHL's LAST WORDS ABOUT HITLER, GOEBBELS, NAZIS AND THE JEWS This book is based upon Maximillien de Lafayette's book: The Complete Story of the Planned Escape of Hitler: The Nazi-Spain-Argentina Coverup. Published by Times Square Press, New York and Berlin www.timessquarepress.com The true account of what LENI RIEFENSTAHL thought about Hitler, the Nazis, the SS, Goebbels, and the events which surrounded and shaped Nazi Germany. A candid interview with her reveals the true identity of this extraordinary woman, whether you like it or not. Leni spoke about her passion for cinema, Hitler's double, Hitler's escape from Germany, the dreadful Goebbels, and how she was harassed by her military interrogators, her pain, and imprisonment.
Author : Therese .
Publisher : GRIN Verlag
Page : 13 pages
File Size : 42,5 Mb
Release : 2012-09-11
Category : Biography & Autobiography
ISBN : 9783656270195
Essay from the year 2012 in the subject Biographies, , language: English, abstract: Leni Riefenstahl has been, and still is, a much-discussed person. She has been called many things, and given many labels. She has been called a liar, a man-eater, a Nazi, an extraordinary talent and a genius. She was an actress, director, dancer, filmmaker and photographer. In her career, she has done everything between making Nazi propaganda films, to taking photos of Mick Jagger, to photograph unknown tribes in Africa. Leni had many talents, but her great passion, and what she is best known for is her great filmmaking. She was the brain behind the masterpiece of propaganda films Triumph of the Will [1935], which she made for Hitler and the Nazi Party before World War 2. She was a close friend to Hitler before and during the war, and as described in Bach (2007 p.388) she is probably best known as “Hitler’s Filmmaker”.
Author : Neil Christian Pages,Ingeborg Majer O'Sickey,Mary Rhiel
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 41,6 Mb
Release : 2008-05-16
Category : Performing Arts
ISBN : 9781441104533
Leni Riefenstahl is larger than life. From the lure of her persona as it enters our homes via television to our pleasure in the recognition of her film images at rock concerts, to her place as part of the history of the Nazi period, Riefenstahl lives on in our imagination and in our cultural productions. Thus, the editors' introduction to this volume examines the manner in which Riefenstahl 'haunts' debates on aesthetics and politics, and how her legacy reverberates in the contemporary cultural scene. The editors view the collection as a three-part framework. The essays in the opening section of the book show that Riefenstahl is still very much alive and well - and controversial - in popular culture. Her films continue to determine the way in which we think about the Nazi period, providing instantly recognizable images and messages that often go unquestioned. We cannot separate these phenomena from Riefenstahl's years of avid self-fashioning. The second section of the book offers treatments of the shifting, mobile relationship between Riefenstahl's stubborn attempts to create and control her personae and her reactions to others' re-appropriations of the meanings of her life and work. Reading the texts and discourses surrounding 'Riefenstahl,' these scholars treat her memoirs - and her repeated assertions about herself - as a springboard into understanding anew how we might approach her films in a productive way. The closing section of the volume comprises essays that go right to the heart of the matter: Riefenstahl's films and photography. The new contexts-theoretical discussions and emerging discourses that animate these essays-include Scarry's treatise on beauty, justice and the global, the problems of history and memory, the place of Riefenstahl's filmmaking technique in contemporary cinema, and her appropriation of German musical traditions. Fueled by the work of a diverse range of scholars, then, Riefenstahl Screened offers an opportunity to rethink the place of Leni Riefenstahl and her work in contemporary culture and in academic discourse. It insists upon a critical self-examination that maps a topography of how scholars and teachers avail themselves of Riefenstahl's corpus.
Author : ans-Michael Bock,,,im Bergfelder,,
Publisher : Berghahn Books
Page : 596 pages
File Size : 53,9 Mb
Release : 2009-09-01
Category : Performing Arts
ISBN : 0857455656
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
Author : Sadie Hasler
Publisher : Bloomsbury Publishing
Page : 64 pages
File Size : 46,9 Mb
Release : 2016-10-13
Category : Drama
ISBN : 9781350022294
I was the punk. I was born punk. But she was my rock. The only one I ever had. 1976. Fran and Leni meet in a North London comp. Three years later they are The Rips. Girls with guitars, bored of playing nice. Music, sex, fishnets, tits and spitting. A two-girl escape from everything sugar and spice. Fran & Leni is punchy two-hander about punk rock and life-long friendship from the writer of the critically acclaimed Pramkicker. This edition was published to coincide with the play's production at Assembly, George Square, during the Edinburgh Festival Fringe, after its world premiere at Latitude Festival 2016.
Author : Rolf Giesen
Publisher : McFarland
Page : 296 pages
File Size : 54,9 Mb
Release : 2008-07-01
Category : Performing Arts
ISBN : 9780786438709
Hitler and the Nazis saturated their country with many types of propaganda to convince the German citizenry that the Nazi ideology was the only ideology. One type of propaganda that the Nazis relied on heavily was cinematic. This work focuses on Nazi propaganda feature films and feature-length documentaries made in Germany between 1933 and 1945 and released to the public. Some of them were Staatsauftragsfilme, films produced by order of and financed by the Third Reich. The films are arranged by subject and then alphabetically, and complete cast and production credits are provided for each. Short biographies of actors, directors, producers, and other who were involved in the making of Nazi propaganda films are also provided.
Author : Peter Dudar
Publisher : Lulu.com
Page : 194 pages
File Size : 52,7 Mb
Release : 2009-10-01
Category : Fiction
ISBN : 9780557129515
"Duchamp Slash Riefenstahl" is a screenplay. On one level it is an edgy erotic fantasy; on another it is an interpretation of significant trends in twentieth century culture - both good and evil. Dada-affiliated artist Marcel Duchamp encounters Nazi-affiliated filmmaker Leni Riefenstahl at Jean Cocteau's residence in Milly-La-Foret, just after the two have abandoned their life's works: The Large Glass and Penthesilea. Re-examining their careers, Marcel strips Riefenstahl's Olympia down to its essence. Riefenstahl surmises that Duchamp's Given (Etant donnes) is post-orgasmic. Congruities with other artists come to light, with special attention paid to Jean Cocteau, Dziga Vertov, Yves Klein, Jackson Pollock and Michael Snow. "Duchamp Slash Riefenstahl" considers the way these artists used the concepts of contemporary physicists. And metaphysics comes into play when Shiva, the cosmic dancer of creation and destruction, arrives in Milly-La-Foret, "a place divided from the rest of the world."
Author : Eric Rentschler
Publisher : Harvard University Press
Page : 480 pages
File Size : 54,8 Mb
Release : 1996-10-01
Category : Performing Arts
ISBN : 9780674266629
German cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
Author : Robert C. Conard
Publisher : Univ of South Carolina Press
Page : 212 pages
File Size : 48,6 Mb
Release : 1992
Category : Literary Criticism
ISBN : 0872497798
Author : David Geary
Publisher : Victoria University Press
Page : 84 pages
File Size : 44,5 Mb
Release : 1993
Category : New Zealand drama
ISBN : 0864732457
Events of Jack Lovelock's Berlin Olympics in parallel with a conservative boarding school in New Zealand today.
Author : Leni Riefenstahl
Publisher : Macmillan
Page : 734 pages
File Size : 51,6 Mb
Release : 1995-01-15
Category : Biography & Autobiography
ISBN : 0312119267
Leni Riefenstahl is best known as director of Triumph of the Will, a film of a Nazi Party Rally, and Olympia, the classic account of the 1936 Berlin Olympics. In this memoir, the author finally discusses her motivations, her history, her important friendships, and, most of all, her art. 40 pages of black-and-white photos.