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Manga in Theory and Practice by Hirohiko Araki Pdf
Learn how to create manga from Hirohiko Araki—creator of Jojo’s Bizarre Adventure and a master of the medium! Hirohiko Araki is the author of one of the longest-running and most beloved manga of all time, the epic fan favorite JoJo’s Bizarre Adventure. According to him, manga is the ultimate synthesis of all forms of art, and in this book he reveals the secrets behind how to make the magic happen using concrete examples from his own work. Read all about his “golden ratio” for drawing, the character histories he draws up for each of the characters he creates, his methodology for storytelling inspired by the great Ernest Hemingway, and many more aspects of manga creation in this how-to guide penned by an industry legend.
Language, Identity and Cycling in the New Media Age by Patrick Kiernan Pdf
This book examines how identities associated with cycling are evoked, narrated and negotiated in a media context dominated by digital environments. Arguing that the nature of identity is being impacted by the changing nature of the material and semiotic resources available for making meaning, the author introduces an approach to exploring such identity positioning through the interrelated frameworks of Systemic Functional Linguistics and Multimodal Analysis, and illustrates how this happens in practice. The book is divided into three parts, each of which focuses on a different aspect of identity and media environment. Part I considers celebrity identities in the conventional media of print and television. Part II investigates community and leisure / sporting identity through an online cycling forum, while Part III examines corporate identity realised through corporate websites, consumer reviews and Youtube channels. This unique volume will appeal to students and scholars of discourse analysis, applied linguistics and the world of cycling.
The books in the How to Draw series are especially designed for artists of all levels, beginner to advanced, who are looking to hone their skills in a specific style of artwork. The books are 6.5in x 8in, hardcover with an internal spiral binding so they lay open flat as readers follow the steps on their own canvas or paper. The books are beautifully illustrated and contain hundreds of colorful pieces of artwork, photographs, and helpful diagrams. Step-by-step instructions help guide artists through the learning process. Manga is a drawing style loved by comic book readers around the world. If you've toyed with designing and creating your very own manga artwork, then this is the book for you. This teaches you everything you need to know about drawing manga, all the techniques and details so your drawings look truly authentic. Follow the simple instructions, and soon you'll be a manga master. This book explains the theory behind the practice—how Manga comics are produced and why they appeal to modern readers all over the world. In creating Manga, many different skills are called into play—not only drawing but also storytelling (or narrative). This book reveals the inspiration behind successful character design, panel composition, and page layouts, as well as guiding you, step by step, through the basic drawing skills required.
Manga Discourse in Japan Theatre by Yoshiko Fukushima Pdf
During the Japanese 'bubble' economy of the 1980's, the youth of Japan began to exert unprecedented influence on Japanese culture through their spirited patronage of certain art forms previously deemed subcultural or avant-garde. Among these were manga (Japanese comics or animation) and shogekijo (Japanese little theater). These art forms, while very unlike in the manner in which they were produced and disseminated, can be shown to exhibit a common language: manga discourse. This discourse presents the ludic, image-oriented, and seemingly infantile but simultaneously transhistorical language. The range and meaning of these discursive forms as they are related to changes in the forms of shogekijo in Japan between the 1960's and the 1980's are explored here, using the work of Noda Hideki and his troupe Yume no Yuminsha as example.Founded in the early 70's in the dark recesses of the University of Tokyo, Noda's troupe blossomed into a major component of the theater boom of the bright leisure-oriented 80's. The question which Noda's theater raises for those who seek to define Japan's modernization in the arts is how something defined as instinctively 'little' could become so big? In line with its predecessors in the avant-garde movements of the 1960's and 70's, the 1980's shogekijo borrowed from popular theater of the pre-modern period, in reaction to the western - and script-oriented shingeki, and from modern comedy in early twentieth century Japan.But unlike its avant-garde predecessors, it eschewed direct political confrontation with the power holders and consciously sought to expand its audiences through capitalistic means. Japanese youth born in the postwar generation could be led to appreciate the anti-shingeki message of shogekkijo, Noda predicted, only if it could be put in the playful and fantastic language of manga discourse. In some ways, this counterintuitive movement to youth subculture fulfilled shogekijo's mission to return theater to its Japanese roots and thereby complete the process of a truly Japanese modernization in the arts.
Are you a Manga and Anime enthusiast and would like to start learning step-by-step how to draw manga faces, bodies and accessories from completely scratch? Are you looking for a step-by-step Illustrated Manual that can teach you the essential skills you need to bring your characters to life? With this Handbook, you can learn the secrets of a real Japanese cartoonist and discover how easy it is to draw your favorite manga models. Learning is designed to be easy and intuitive, with explanatory pictures and clear, guided instructions. In fact, all the procedures are explained step-by-step to accompany you through the learning process with the ultimate goal of being able to draw YOUR FIRST MANGA PERSON! All you need is a pencil and an eraser! You will tackle the first step with facial features, the shape of male and female hair, the expression of the eyes, nose and mouth; then you will complete the study by drawing the proportions of the body, the clothes and the most commonly used accessories. By purchasing this Handbook you will discover: - What are the essential tools to start drawing your first manga. - How to draw a manga head (frontal, ¾, profile). - How to draw basic and stylized manga eyes for both men and women. - How to draw basic manga mouth, ears, hair and noses. - How to create different expressions of the eyes and mouth (e.g., fearful look, screaming mouth, cold look, etc.). - How to draw a basic male and female body (torso, hands and feet). - How to draw basic characters from scratch with background. FEATURES: - Suitable for beginners of all ages. - Recommended for all skill levels. - Step-by-step tutorials on how to draw faces. - Illustrated instructions and theory guide to learn each element. - Learn posture and body proportions. - Match clothes and accessories to male and female characters. - Read and Draw everything from head to toe - from theory to practice. - Over 100 unique illustrations to recreate with fidelity. Are you ready to unleash the draftsman inside you? Buy this Handbook and start drawing your first manga character NOW!
Permitted and Prohibited Desires by Anne Allison Pdf
This provocative study of gender and sexuality in contemporary Japan investigates elements of Japanese popular culture including erotic comic books, stories of mother-son incest, lunchboxes—or obentos—that mothers ritualistically prepare for schoolchildren, and children's cartoons. Anne Allison brings recent feminist psychoanalytic and Marxist theory to bear on representations of sexuality, motherhood, and gender in these and other aspects of Japanese culture. Based on five years of fieldwork in a middle-class Tokyo neighborhood, this theoretically informed, accessible ethnographic study provides a provocative analysis of how sexuality, dominance, and desire are reproduced and enacted in late-capitalistic Japan.
Manga's Cultural Crossroads by Jaqueline Berndt,Bettina Kümmerling-Meibauer Pdf
Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.
The Practical Encyclopedia of Manga by Tim Seelig (Illustrator),Rik Nicol Pdf
This highly practical book covers all the essential techniques of the art of manga, and offers encouraging instruction for the reader to begin creating their own lively and well-composed strips, both by hand and digitally. The first section of the book explains the theory behind the practice of successful character design, including anatomy and dress style, narratives, background settings, clear panel composition and more. The second section of the book clearly explains the complexities of digital manipulation. With its inspirational galleries of examples, clear exercises and more than 1500 illustrations, this guide will be an indispensable resource in this unique art form.
Once upon a time, one had to read Japanese in order to enjoy manga. Today manga has become a global phenomenon, attracting audiences in North America, Europe, Africa, and Australia. The style has become so popular, in fact, that in the US and UK publishers are appropriating the manga style in a variety of print material, resulting in the birth of harlequin mangas which combine popular romance fiction titles with manga aesthetics. Comic publishers such as Dark Horse and DC Comics are translating Japanese "classics", like Akira, into English. And of course it wasn't long before Shakespeare received the manga treatment. So what is manga? Manga roughly translates as "whimsical pictures" and its long history can be traced all the way back to picture books of eighteenth century Japan. Today, it comes in two basic forms: anthology magazines (such as Shukan Shonen Jampu) that contain several serials and manga 'books' (tankobon) that collect long-running serials from the anthologies and reprint them in one volume. The anthologies contain several serials, generally appear weekly and are so thick, up to 800 pages, that they are colloquially known as phone books. Sold at newspaper stands and in convenience stores, they often attract crowds of people who gather to read their favorite magazine. Containing sections addressing the manga industry on an international scale, the different genres, formats and artists, as well the fans themselves, Manga: An Anthology of Global and Cultural Perspectives is an important collection of essays by an international cast of scholars, experts, and fans, and provides a one-stop resource for all those who want to learn more about manga, as well as for anybody teaching a course on the subject.
This book constitutes the refereed proceedings of the Second International Conference on HCI in Games, HCI-Games 2020, held in July 2020 as part of HCI International 2020 in Copenhagen, Denmark.* HCII 2020 received a total of 6326 submissions, of which 1439 papers and 238 posters were accepted for publication after a careful reviewing process. The 38 papers presented in this volume are organized in topical sections named: designing games and gamified interactions; user engagement and game impact; and serious games. *The conference was held virtually due to the COVID-19 pandemic.
Boys’ Love, Cosplay, and Androgynous Idols by Maud Lavin,Ling Yang,Jing Jamie Zhao Pdf
Chinese-speaking popular cultures have never been so queer in this digital, globalist age. The title of this pioneering volume, Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan already gives an idea of the colorful, multifaceted realms the fans inhabit today. Contributors to this collection situate the proliferation of (often online) queer representations, productions, fantasies, and desires as a reaction against the norms in discourses surrounding nation-states, linguistics, geopolitics, genders, and sexualities. Moving beyond the easy polarities between general resistance and capitulation, Queer Fan Cultures explores the fans’ diverse strategies in negotiating with cultural strictures and media censorship. It further outlines the performance of subjectivity, identity, and agency that cyberspace offers to female fans. Presenting a wide array of concrete case studies of queer fandoms in Chinese-speaking contexts, the essays in this volume challenge long-established Western-centric and Japanese-focused fan scholarship by highlighting the significance and specificities of Sinophone queer fan cultures and practices in a globalized world. The geographic organization of the chapters illuminates cultural differences and the other competing forces shaping geocultural intersections among fandoms based in Mainland China, Hong Kong, and Taiwan. “This important collection complicates our understanding of fan practices, showing how national and regional factors play an important role in how media texts and identities are understood. It also shows how the Chinese-speaking world is home to dense and often conflicting modes of audience reception of cultural texts deriving from Sinophone, Japanese, and Western contexts.” —Mark McLelland, University of Wollongong “An exciting anthology by a talented group of emergent scholars whose vibrant studies offer fresh insights on the diverse practices and transregional flows of queer fandom in the Chinese-speaking world. Local in its specificity and transnational in its scope, this book highlights the creativity of queer fan practices while critically locating them within the political and social structures that produce them.” —Helen Hok-Sze Leung, Simon Fraser University
Advancing Information Systems Theories, Volume II by Leslie P. Willcocks,Nik R. Hassan,Suzanne Rivard Pdf
Information systems research (IS) is an exciting multidisciplinary area that links the rapidly changing technology of information (or communications and information technology, ICT) to the business and social environment. Lately, the discourse surrounding information and systems has leaped into the consciousness of the public in unprecedented ways through the rise of social media, the Internet of Things (IoT), 'fake news' and the weaponization of information, to name a few. Unfortunately, it has been felt that these developments are overtaking the ability of the IS field to address them, in part, because the field itself lacks its own native theories. It is well known that the IS field undertakes its research using theories from its 'reference disciplines' such as management, social psychology, economics, communication and computer science, but what this book offers is a clarification and implementation of the discipline's own foundational theory. This book is the companion volume to Advancing Information Systems Theories: Volume I, and part of a three part series that aims to advance IS research. This volume addresses the products of information systems theories, examining design principles, information, practice principles for robotics, and other concepts integral to developing theory. The book will be of interest to academics studying information systems, Big Data, digital business, information technology, innovation management, and digital management.
Drawings and sequential images are so pervasive in contemporary society that we may take their understanding for granted. But how transparent are they really, and how universally are they understood? Combining recent advances from linguistics, cognitive science, and clinical psychology, this book argues that visual narratives involve greater complexity and require a lot more decoding than widely thought. Although increasingly used beyond the sphere of entertainment as materials in humanitarian, educational, and experimental contexts, Neil Cohn demonstrates that their universal comprehension cannot be assumed. Instead, understanding a visual language requires a fluency that is contingent on exposure and practice with a graphic system. Bringing together a rich but scattered literature on how people comprehend, and learn to comprehend, a sequence of images, this book coalesces research from a diverse range of fields into a broader interdisciplinary view of visual narrative to ask: Who Understands Comics?
