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Annemarie “Shug” Wilcox is clever and brave and true (on the inside anyway). And she’s about to become your new best friend in this enchanting middle grade novel from the New York Times bestselling author of To All the Boys I’ve Loved Before (soon to be a major motion picture!), Jenny Han. Annemarie Wilcox, or Shug as her family calls her, is beginning to think there's nothing worse than being twelve. She's too tall, too freckled, and way too flat-chested. Shug is sure that there's not one good or amazing thing about her. And now she has to start junior high, where the friends she counts most dear aren't acting so dear anymore -- especially Mark...
Grey A divorced, small town, hardware store owner, and the man most people considered a gentleman that was me. A slip up in my strict routine would send the town gossips into a frenzy. Yet I'd grown up in that town and everyone knew everyone. No secrets were safe, but I carried one that would send my world into chaos if I let it. I was falling for a town transplant and one of my best friends, Sugar. He was everything I wasn't, spontaneous, fun, and knew exactly who he was. What would he see in a boring man like me? Sugar (Shug) I was that fat, nonbinary person who hadn't known the inside of the closet in my life. With a mom like mine I was taught to never live with regrets, but I had a massive one. I fell in love with my straight and gentlemanly best friend. Grey was everything I wasn't. He was clueless but our shared friend group wasn't, how long could they stay silent in a town as small as ours?
The Pulitzer Prize– and National Book Award–winning novel is now a new, boldly reimagined film from producers Oprah Winfrey and Steven Spielberg, starring Taraji P. Henson, Danielle Brooks, and Fantasia Barrino. A PBS Great American Read Top 100 Pick Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God. The letters, spanning 20 years, record a journey of self-discovery and empowerment guided by the light of a few strong women. She meets Shug Avery, her husband’s mistress and a jazz singer with a zest for life, and her stepson’s wife, Sofia, who challenges her to fight for independence. And though the many letters from Celie’s sister are hidden by her husband, Nettie’s unwavering support will prove to be the most breathtaking of all. The Color Purple has sold more than five million copies, inspired an Academy Award-nominated film starring Oprah Winfrey and directed by Steven Spielberg, and been adapted into a Tony-winning Broadway musical. Lauded as a literary masterpiece, this is the groundbreaking novel that placed Walker “in the company of Faulkner” (The Nation), and remains a wrenching—yet intensely uplifting—experience for new generations of readers. This ebook features a new introduction written by the author on the 25th anniversary of publication, and an illustrated biography of Alice Walker including rare photos from the author’s personal collection. The Color Purple is the 1st book in the Color Purple Collection, which also includes The Temple of My Familiar and Possessing the Secret of Joy.
Mama Shug: the Bridge Whom We Loved So Dearly by Bonita Grace Moses Pdf
Growing up in a very small city of Natchitoches, Louisiana, the oldest one in the Louisiana Purchase, author, Bonita Grace Moses, was not only the youngest sibling but also the only girl, along with four brothers, born to Elena Moses. She was reared by her mother and her grandmother, Georgiana Moses, in a small three-room house. In Mama Shug: the Bridge Whom We Loved So Dearly, Moses shares her life story and how it was particularly influenced by her God-fearing grandmother, affectionately known as Mama Shug, who lived to the age of ninety-eight. This memoir narrates how Mama Shug quit school at age seven to care for her siblings, but she instilled the importance of a good education in her grandchildren. Full of wisdom, Moses’ grandmother also preached how faith in the Lord was central to life. She was a woman who lived what she practiced. A testament to the strength, tenacity, spirituality, and love of Mama Shug, this memoir describes the life of one woman who paved the way and provided an important foundation helping her grandchildren achieve success.
Author : Harold Bloom Publisher : Infobase Publishing Page : 201 pages File Size : 52,8 Mb Release : 2008 Category : African American women in literature ISBN : 9781438113760
The Search for a Woman-centered Spirituality by Annette J. Van Dyke Pdf
Examining the work and writings of such figures as Leslie Marmon Silko, Paula Gunn Allen, Audre Lorde, Alice Walker, Starhawk, Marion Zimmer Bradley, Sonial Johnson and Mary Daly, the author illustrates how these writers and activists outline a journey toward wholeness.
Hammock camping--one of the most comfortable ways to enjoy a long-distance thru-hike, a weekend backpacking trip, or just an overnight in the woods. With more than 200 illustrations to guide you, this book helps you get off the ground to discover the freedom, comfort, and convenience of hammock camping. Learn how to set up and use a hammock to stay dry, warm, and bug free in a Leave No Trace-friendly way. This book covers hammock camping basics such as how to get a perfect hang and how to stay dry, warm, and bug free. Plus, it illustrates techniques and tips to get the most out of a hammock shelter, whether you have purchased an all-in-one kit or you've assembled your own customized system.
In blues music, "worrying the line" is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction wr
From Modernist Entombment to Postmodernist Exhumation by Dr Lisa K Perdigao Pdf
How fictional representations of dead bodies develop over the twentieth century is the central concern of Lisa K. Perdigao's study of American writers. Arguing that the crisis of bodily representation can be traced in the move from modernist entombment to postmodernist exhumation, Perdigao considers how works by writers from F. Scott Fitzgerald, William Faulkner, Willa Cather, and Richard Wright to Jody Shields, Toni Morrison, Octavia Butler, and Jeffrey Eugenides reflect changing attitudes about dying, death, and mourning. For example, while modernist writers direct their plots toward a transformation of the dead body by way of metaphor, postmodernist writers exhume the transformed body, reasserting its materiality. Rather than viewing these tropes in oppositional terms, Perdigao examines the implications for narrative of the authors' apparently contradictory attempts to recover meaning at the site of loss. She argues that entombment and exhumation are complementary drives that speak to the tension between the desire to bury the dead and the need to remember, indicating shifts in critical discussions about the body and about the function of aesthetics in relation to materialized violence and loss.
The Modernist Madonna by Jane Silverman Van Buren Pdf
Van Buren's analysis centres on the history of the evolving maternal signifiers presented in the artists' works. She peels away layer after layer of images to uncover the meanings contained in the artistic texts. The maternal metaphor is scrutinized through the lenses of semiological, psychological, psychoanalytic and historical insights.
This poignant book takes you on a journey of adoption, family ties, love and abuse to the eventual defining moment when a choice had to be made, to either continue living in domestic violence or save yourself and create a new life free from violence.
Contemporary American Women Writers by Catherine Rainwater,Willliam J. Scheick Pdf
Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression. The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence. Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes. In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.
Women Healers and Physicians by Lilian R. Furst Pdf
Women traditionally have been expected to tend to the sick as part of their domestic duties, yet throughout history they have faced an uphill struggle to be accepted as healers outside of the household.