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Stevie Smith's Resistant Antics by Laura Severin Pdf
The author explores the connections between Smiths work and mass media production; twentieth-century historical events; her romantic and Victorian predecessors; and such contemporaries as Virginia Woolf, Dorothy Parker, Aldous Huxley, and Evelyn Waugh. By presenting Smith in the cultural milieu surrounding World War II, Severin illuminates the still dark period of British womens writing from 1930 to 1960. Focusing on the complete works of Stevie Smith, Severin suggests that Smiths boundary-crossing art forms, which transgress genres and even media, represent an attempt to undo the coherence of femininity as defined in the conservative period of World War II.
'Stevie Smith: The poems of Not Waving but Drowning are punctuated everywhere with a strong will to freedom.' Discuss. by Sylvia Hadjetian Pdf
Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of London (English Department), course: Women, Writing and Feminism, 0 entries in the bibliography, language: English, abstract: Introduction Stevie Smith’s fifth volume of verse Not Waving but Drowning was published in 1957. Pain, sadness, despair and death are common subjects in these poems and they are all punctuated everywhere by a strong will to freedom. Freedom is the right to live or act without being restricted by anyone or anything; freedom is the state of not being a prisoner or a slave. In her poems, Stevie Smith deals with different kinds of freedom. The will to freedom is not always fulfilled easily or at all. This essay will discuss the reasons for the will of freedom that are presented in certain poems of Not Waving but Drowning, it will deal with the possible fulfilment of freedom and the conditions for it.
This volume argues that aphorism represents a tool for the social management of emotion. Rhetorically corralled into a slick, collectable shape, the aphorism promises arresting and instantaneous epiphany. However, the accomplished elegance which positions the aphorism's message as self-evidently true in fact works to repel further enquiry, and ultimately ensures that it will be forgotten or bypassed in favour of another aphorism: no less eagerly embraced for the earlier disappointment. Aphorism, therefore, is a form in which dangerous ideas and emotions can be safely displayed and, simultaneously, effaced. Because aphorism's style defuses the imperative to act on what is clearly known, writers like Stevie Smith can use the form to stage a withdrawal from the burden of making an impact on the world. This book finds that Smith's use of aphorism and its related forms (proverb, epitaph, caption, and fragment) offers a route into her texts. With her disconcerting pen-and-ink drawings, dark comedy, and social ventriloquism which stops short of satire, the rhetorical force of Smith's poetry fascinates and arrests its readers, but nevertheless leaves them unable to react coherently or identify the use-value which her writing appears to promise. Drawing on hitherto unpublished archival material, this project argues that Smith's texts resist analysis because, like the aphorisms embedded throughout them, they offer and exemplify a mode of clearly-declared revelation which, at the same time, makes itself unusable.
In this first book-length study of Stevie Smith, Romana Huk reassesses the work of this major twentieth-century woman writer as emerging not only from the practices of female literary modernism, but also from within the tumultuous cultural context of mid-century Europe. Huk considers both the poems and the novels in the light of their cultural and literary context. Amongst the work treated here is Smith's rarely discussed trilogy of novels: Novel on Yellow Paper , Over the Frontier and The Holiday .
Modern British Women Writers by Vicki K. Janik,Del Ivan Janik Pdf
The 20th century witnessed several major cultural movements, including modernism, anti-modernism, and postmodernism. These and other means of understanding and perceiving the world shaped the literature of that era and, with the rise of feminism, resulted in a particularly rich body of literature by women writers. This reference includes alphabetically arranged entries on 58 British women writers of the 20th century. Some of these writers were born in England, while others, such as Katherine Mansfield and Doris Lessing, came from countries of the former Empire or Commonwealth. The volume also includes entries for women of color, such as Kamala Markandaya and Buchi Emecheta. Each entry is written by an expert contributor and includes an overview of the writer's background, an analysis of her works, an assessment of her achievements, and lists of primary and secondary sources. The volume closes with a selected, general bibliography.
A Study Guide for Stevie Smith's "Not Waving but Drowning" by Gale, Cengage Learning Pdf
A Study Guide for Stevie Smith's "Not Waving but Drowning," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
The Oxford Encyclopedia of British Literature by David Scott Kastan Pdf
A comprehensive reference presents over five hundred full essays on authors and a variety of topics, including censorship, genre, patronage, and dictionaries.
George Orwell and the Radical Eccentrics by K. Bluemel Pdf
George Orwell and the Radical Eccentrics celebrates the lives, literature, and politics of a group of four 'radical eccentrics' - the Tory anarchist poet Stevie Smith, the Marxist Indian nationalist Mulk Raj Anand, and the glamour-girl-turned-socialist Inez Holden - who formed a friendly circle around the famously radical and eccentric George Orwell. Demonstrating that Smith, Anand, and Holden matter for literary history just as they mattered for Orwell, George Orwell and the Radical Eccentrics gives name and shape to a neglected movement within interwar and wartime English writing. It focuses on the lives and texts of Smith, Anand, and Holden in order to argue that these three writers throw into question limiting assumptions about art and politics-about standard relations between literary form and sex, gender, race, class, and empire-in ways that their group's most influential radical, Orwell, cannot. Embarking upon a kind of biographical-political-cultural-literary criticism, this book brings the radical eccentrics' vital, potentially transformative conversation to the attention of scholars of English literature for the first time, suggesting fascinating new approaches to the study of literary London during the thirties and forties.
This book brings together essays which, in diverse ways, not only revise exisitng views on thirties writing, but also provide ways of accounting for its critical neglect. The essays examine, f0orm a variety of theoretical and critical perspectives, a body of work that reflects the true diversity of the literary and cultural contexts of the thirties, and includes studies on the work of Louis MacNeice, Frank Sheed, Christopher Dawson, Alick West, Christopher Caudwell, Stevie Smith, Storm Jameson, Phyllis Bottome, Ivy Compton-Burnett, Graham Greene, Eric Ambler, George Orwell, Christina Stead, Randall Swingler, and Ralph Fox.
Rhythms of Feeling in Edward Lear, T. S. Eliot, and Stevie Smith by Jasmine Jagger Pdf
Rich with unpublished material and detailed insight, Rhythms of Feeling offers a new reading of three of the most celebrated poets: Edward Lear, T.S. Eliot, and Stevie Smith. Tracing exciting lines of interplay, affinity, and influence between these writers for the first time, the book shifts the terms of critical debate on Lear, Eliot, and Smith and subtly reorients the traditional account of the genealogies of Modernism. Going beyond a biographically-framed close reading or a more general analysis framed by affect theory, the volume traces these poets' 'affective rhythms' (fits, tears, nerves) to consider the way that poetics, the mental and physical process of writing and reading, and the ebbs and flows of their emotional weather might be in dialogue. Attentive, acute, and often forensic, the book broadens its reach to contemporary writers and medical accounts of creativity and cognition. Alongside deep critical study, this volume seeks to bring emotional intelligence to criticism, finding ways of speaking lucidly and humanely about emotional and physical states that defy lucidity and stretch our sense of the human.
Cultural Exchange in German Literature by Eleoma Joshua,Robert Vilain Pdf
The influence of foreign cultures on German literature and other cultural productions since the 18th century. The Edinburgh German Yearbook is devoted to German Studies in an international context. It publishes original English- and German-language contributions on a wide range of topics from scholars around the world. Each volumeis based on a single broad theme: the first includes papers from the highly successful conference Kennst du das Land: Cultural Exchange in German Literature, held in Edinburgh in December 2006, supplemented by additional essays. The conviction that German culture and the German spirit are triumphantly unique has played a notorious role in Germany's history. It is nonetheless acknowledged that German literature has been significantly influenced by non-German sources, and the search for what is unique about Germany and German literature must incorporate an awareness of these. This volume provides a wide-ranging investigation into how German literature from the 18th century tothe present day reflects interactions between German and non-German cultures. Alongside theoretical and historical reflections on the nature of cultural exchange, contributions explore literary reception, the boundaries of and movement between cultures, and Germany's literary, political, cultural, and religious relations with both near neighbors and far-flung cultural interlocutors. Contributoers: Christian Moser, Birgit Tautz, Silvia Horsch, Eleoma Joshua, Gauti Kristmannsson, Sabine Wilke, Daniela Krämer, Jon Hughes, Thomas Martinec, Margaret Litter, Lyn Marven, Dirk Göttsche, Susanne Kord Eleoma Joshua is Lecturer in German at Edinburgh University. RobertVilain is Professor of German and Comparative Literature at Royal Holloway, University of London. The journal's General Editor is Sarah Colvin, Professor of German at Edinburgh University.
Encyclopedia of British Women’s Writing 1900–1950 by Ashlie Sponenberg Pdf
This study provides a comprehensive and wide-ranging resource which includes information on many previously neglected British women writers (novelists, poets, dramatists, autobiographers) and topics. It provides contextualizing material, with concise introductions to related topics, including organizations, movements, genres and publications.
Encyclopedia of British Writers, 1800 to the Present by George Stade,Karen Karbiener Pdf
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.