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'The Binding Song' takes you on a trip to Halvergate Prison. If you're lucky, you'll get to leave. Dr Janet Palmer has just been appointed as lead psychologist at HMP Halvergate in a remote, bleak area of Norfolk. It is a promotion, but not a comfortable one: there have been a string of suicides, and her predecessor seems to have disappeared - along with his notes. The staff are hostile, the threat of violence is ever-present, and there are rumours of a 'woman in white' stalking the corridors, punishing the inmates for their sins. Janet is determined to find out what is really going on. But the longer she stays and the deeper she digs, the more uncertain she feels. Halvergate is haunted by something. But it may be a terror worse than ghosts.
A chilling debut for fans of Mo Hayder and Sharon Bolton. Welcome to HMP Halvergate. If you're lucky, you'll get to leave. Dr Janet Palmer was glad to take a new job as lead psychologist at a remote Norfolk prison. She may live to regret it.... The staff are hostile, violence can break out at any time, no one will tell her what happened to her predecessor, and there are rumours of an eyeless woman stalking the corridors, driving the prisoners to suicide. Janet is determined to find answers. But the deeper she digs, the more she realises: something is rotten in Halvergate. And it's nothing as simple as ghosts...
The Binding of Isaac, Religious Murders & Kabbalah by Lippman Bodoff Pdf
In a series of evocative, groundbreaking articles, the author analyzes the Biblical and Rabbinic basis for what surely are now some of the most hotly debated topics in Jewish religious thought today. These include how the traditional interpretation of the Binding of Isaac has been misapplied in both Christian theology and Jewish martyrology, and how the centuries-long, and newly resurgent belief in mysticism and messianism, in kabbalah and Hasidism, has distorted classical Judaism and thwarted its national and cultural development. The author counters the arguments of those who see Judaism's – and the world's – newfound obsession with mysticism and kabbalah as a natural outgrowth of a progressive trend within rabbinic Judaism, and warns of the impending danger of rejecting the very core of Jewish thought and opinion as it was expounded in the Torah and classical Jewish tradition (the Oral Law). Each section of this magnificent work will give the reader new insights into how different aspects of Judaism have evolved and why they have often been in contention with each other. Nor is he afraid to deal with some of the supercharged issues within Judaism, such as, what are the underlying premises of Jewry's claim to the Divinely Promised Land? And has this claim been affected by its failure to pursue an active program of nationalism? These highly acclaimed articles have been gleaned from today's leading Jewish journals and have stood the test of time. They contain valuable source material and are a ready reference to the many historical and religious topics that are the focus of discussion across all main Jewish denominations.
Poetry has long been regarded as the least accessible of literary genres. But how much does the obscurity that confounds readers of a poem differ from, say, the slang that seduces listeners of hip-hop? Infidel Poetics examines not only the shared incomprensibilities of poetry and slang, but poetry's genetic relation to the spectacle of underground culture. Charting connections between vernacular poetry, lyric obscurity, and types of social relations—networks of darkened streets in preindustrial cities, the historical underworld of taverns and clubs, the subcultures of the avant-garde—Daniel Tiffany shows that obscurity in poetry has functioned for hundreds of years as a medium of alternative societies. For example, he discovers in the submerged tradition of canting poetry and its eccentric genres—thieves’ carols, drinking songs, beggars’ chants—a genealogy of modern nightlife, but also a visible underworld of social and verbal substance, a demimonde for sale. Ranging from Anglo-Saxon riddles to Emily Dickinson, from the icy logos of Parmenides to the monadology of Leibniz, from Mother Goose to Mallarmé, Infidel Poetics offers an exhilarating account of the subversive power of obscurity in word, substance, and deed.
Proverbs, Ecclesiastes, Song of Songs by Duane A. Garrett Pdf
THE NEW AMERICAN COMMENTARY is for the minister or Bible student who wants to understand and expound the Scriptures. Notable features include:* commentary based on THE NEW INTERNATIONAL VERSION;* the NIV text printed in the body of the commentary;* sound scholarly methodology that reflects capable research in the original languages;* interpretation that emphasizes the theological unity of each book and of Scripture as a whole;* readable and applicable exposition.
In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric.
Songs of the Royal Zhōu and the Royal Shào by Dirk Meyer,Adam Craig Schwartz Pdf
The songs of the Royal Zhōu (“Zhōu Nán” 周南) and of the Royal Shào (“Shào Nán” 召南) have formed a conceptual unit since at least the late Spring and Autumn period (771–453 BC). With this book Meyer and Schwartz provide a first complete reading of their earliest, Warring States (453–221 BC), iteration as witnessed by the Ānhuī University manuscripts. As a thought experiment, the authors seek to establish an emic reading of these songs, which they contextualise in the larger framework of studies of the Shī (Songs) and of meaning production during the Warring States period more broadly. The analysis casts light on how the Songs were used by different groups during the Warring States period.
Author : Aharon (Ronald E.) Agus Publisher : State University of New York Press Page : 341 pages File Size : 44,9 Mb Release : 2012-02-01 Category : History ISBN : 9780791494363
The Binding of Isaac and Messiah by Aharon (Ronald E.) Agus Pdf
The author provides an interpretation of the words of Jews living during the intertestamental period and through the third century, including several hassidim. A hermeneutics grounded in the perception of early Rabbinic texts as sharing in events rather than as linguistically autonomous is used. The phenomenology of Jewish martyrdom is read as an acting-out of the Binding of Isaac. The search leads into the question of the bindingness of the La. The The religious soul's passion for the revelation of Law is followed out in its path of temptation to martyrdom. A grand drama of sacrifice and messianic yearnings is thereby unearthed.
Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.
A persuasive account, in brief compass, of the dramatic flow of the Song of Songs. Many sensitive observations on the imagery of the songs are presented in the form of a running commentary. The author offers his own original verse translation of the fourteen poems.