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When Bill Gaston Released The Cameraman almost a decade ago, critics raved about the writer's brilliance and inventiveness. Now this searing, funny and prescient gem from one of our most gifted writers is available again in a re-edited version. The story is told in "scenes" from the point of view of Francis, a cameraman who has trained his lens on the life of his friend and mentor, an enigmatic director named Koz. The plot pivots around an actress' death-on-film by lethal injection, an act that has sinister implications for director Koz, who knew what was happening, and for cameraman Francis, who didn't. When Koz is brought to trial and Francis is asked to testify, the sordid "truth" is revealed. Here is a novel as timeless, engrossing and transgressive as cinema verite. Book jacket.
They were calling it the Twentieth Century -- "She is a little animal, surely" -- "He's my son, and I'll break his neck any way I want to" -- "The locomotive of juveniles" -- A little hell-raising Huck Finn -- The boy who couldn't be damaged -- "Make me laugh, Keaton" -- Speed mania in the kingdom of shadows -- Pancakes at Childs -- Comique -- Roscoe -- Brooms -- Mabel at the wheel -- Famous players in famous plays -- Home, made -- Rice, shoes, and real estate -- The shadow stage -- Battle-scarred risibilities -- One for you, one for me -- The "darkie shuffle" -- The collapsing façade -- Grief slipped in -- The road through the mountain -- Not a drinker, a drunk -- Old times -- The coming thing in entertainment -- Coda: Eleanor.
The first official White House videographer chronicles his time capturing behind-the-scenes moments of the president and his administration From the early months of the 2008 campaign and through the first two and a half years of the Obama administration, Arun Chaudhary had a unique perspective on the president of the United States. "I'm sort of like President Obama's wedding videographer," he explains, "if every day was a wedding with the same groom but a constantly rotating set of hysterical guests." Some of the moments Chaudhary captures are small, like the president throwing warm-up pitches deep inside Busch Stadium in St. Louis before the All-Star game. Some are intensely emotional, as when Obama comforts a grieving teenager whose father had died in a devastating tornado. And some are just plain bizarre—like getting thrown out of the Indian parliament by his belt, or being trapped in a White House bathroom while Obama conducts a YouTube town hall on the other side of the door. Film and politics have been intertwined ever since the first Edison reels rattled in projection halls a century ago. But with the advent of new technologies and a new public that is hungry for images of their leaders, Chaudhary has been in the right place at the right time to participate in the interplay of film and politics at the very highest level. His entertaining and eye-opening book—which includes stories and images of key players such as Barack and Michelle Obama, Joe Biden, and Hillary Clinton, among others—gives readers a unique view of their government and their president in these historic and challenging times.
“I’ve seen an A-list celebrity making love, been spat at, bricked, attacked and had a gun pointed at my head. I’ve been up in a helium balloon and worn a parachute, been down the deepest mine in Europe, covered some riots, avoided several petrol bombs, watched a princess break down and filmed a junkie shooting up. I’ve sat in the Prime Minister’s kitchen and had a look through his wife’s cookbooks, talked to a murderer, a cocaine-fuelled professional footballer and a dodgy copper, and discussed art with a member of the cabinet and helped look for a lost wig for the secretary state for Northern Ireland. “A missile has locked on to the helicopter I’ve been flying in, I’ve watched dead bodies being taken out of a house and told the wife of an ex-president of the USA to eff off. I’ve had a knife pressed against my throat and nearly drowned trying to swim a lake whilst under the influence. I’ve walked an elephant through the town centre, been on the lash with some popstars and passed out on the balcony of a five-star hotel. I’ve been threatened with arrest, got stuck in the mud 400ft down at the bottom of the lake in a submarine, drunk tea with Paul Gascoigne and had a documentary I worked on in Panama before nominated for a BAFTA.” These are just some of Karl Coates’ fascinating stories. A Cameraman’s Tale is a compilation of anecdotes from his life during his time spent as a TV news cameraman, both with the BBC, where he worked for four years, and Sky News, where he has worked for over 20 years. He has travelled the world, met the great and the good – including kings and queens – covered war, death and destruction and seen and experienced life like no other. Karl was at Lockerbie and he covered Princess Diana’s death. He was also in Bosnia, covering part of the war. A decade was spent covering Blair and Mandelson, and he has many stories about both – most unprintable. A Cameraman’s Tale gives a behind-the-scenes insight to the events that the general public see on the news. Karl has lived a life like no other, and his sometimes humorous and often unbelieveable stories create an unmissable collection that will be enjoyed by everyone, including fans of books similar to John Snow’s Shooting History.
Tales from the Pumpkin King's Cameraman by Pete Kozachik Pdf
A Captivating Tour Behind the Camera on Some of Hollywood’s Most Beloved Films Tales from the Pumpkin King’s Cameraman is a thrilling and entertaining memoir that relates the behind-the-scenes on some of the most renowned cult classic films ever produced including The Nightmare Before Christmas, Corpse Bride, and Star Wars. Author and long-time cinematographer, Pete Kozachik writes about his personal experience working as a cameraman alongside some of the most acclaimed directors and producers including Tim Burton and Henry Selick. Exclusive Look. With a career spanning nearly four decades as director of photography specializing in stop-motion and filming model trick recordings, Kozachik compellingly combines his extensive expertise with his funny and colloquial prose to enchant readers in this inside look into the film industry. With insightful and technical details juxtaposed with the author’s personal interludes about filmmaking, the memoir also includes a collection of rare photographs, both in front and behind the camera on sets including: • The Nightmare Before Christmas • Corpse Bride • James and the Giant Peach • Coraline • The Matrix Reloaded Lights, camera, action. Kozachik’s autobiography is filled with personal observations and unique anecdotes sure to inspire and educate. With great intimacy, Kozachik offers a divulging tour off camera for the very first time.
Materials Relating to the Investigation Into the Activities of Federal Law Enforcement Agencies Toward the Branch Davidians by United States. Congress. House. Committee on the Judiciary Pdf
'Gavin's book is extraordinary: his easy prose and gasp-making encounters make for a gripping and very funny read. It's a rollercoaster ride with a complete professional. I loved it.' JOANNA LUMLEY '[Gavin is] a great cameraman with infinite patience, but also a writer with great powers of observation and expression. Brilliant!' ALAN TITCHMARSH *** From Gavin Thurston, the award-winning Blue Planet II and Planet Earth II cameraman with a foreword by Sir David Attenborough comes extraordinary and adventurous true stories of what it takes to track down and film our planet's most captivating creatures. Gavin has been a wildlife photographer for over thirty years. Against a backdrop of modern world history, he's lurked in the shadows of some of the world's remotest places in order to capture footage of the animal kingdom's finest: prides of lions, silverback gorillas, capuchin monkeys, brown bears, grey whales, penguins, mosquitoes - you name it he's filmed it. From journeys to the deepest depths of the Antarctic Ocean and the wide expanse of the Saharan deserts, to the peaks of the Himalayas and the wild forests of the Congo, Gavin's experiences describe much more than just the incredible array of animals he's filmed. He invites you to come inside the cameraman's hidden world and discover the hours spent patiently waiting for the protagonists to appear; the inevitable dangers in the wings and the challenges faced and overcome; and the heart-warming, life-affirming moments the cameras miss as well as capture.
Virtual Reality: Applications and Explorations provides information pertinent to the fundamental aspects of virtual reality and artificial reality. This book discusses the potential applications of virtual reality. Organized into three parts encompassing 10 chapters, this book begins with an overview of the traditional computer science activities ad discusses how hard problems in computer science can be addressed with virtual reality ideas and technology. This text then explores some applications of virtual reality technology that could potentially touch almost every purposeful activity that humans undertake in a technological civilization. Other chapters consider the use of virtual reality to manage and present to users information that cannot otherwise be comprehended. This book discusses as well the use of artificial worlds in both computer art and virtual reality. The final chapter deals with how the ideas of virtual reality and artificial reality can be of use to anyone who has to manage a business or organization. This book is a valuable resource for computer scientists.
Madness and the Social Link by Jean Max Gaudillière Pdf
This book provides a psychoanalytic reading of works of literature, enhancing the illuminating effect of both fields. The first of two volumes, Madness and the Social Link: The Jean-Max Gaudilliere Seminars 1985-2000 contains seven of the "Madness and the Social Link" seminars given by psychoanalyst Jean-Max Gaudillière at the École des hautes études en sciences sociales (EHESS) in Paris between 1985 and 2000, transcribed by Françoise Davoine from her notes. Each year, the seminar was dedicated to an author who explored madness in his depiction of the catastrophes of history. Surprising the reader at every turn, the seminars speak of the close intertwining of personal lives and catastrophic historical events, and of the possibility of repairing injury to the psyche, the mind, and the body in their wake. These volumes expose the usefulness of literature as a tool for healing, for all those working in therapeutic fields, and will allow lovers of literature to discover a way of reading that gives access to more subtle perspectives and unsuspected interrelations.
Card, Cross, and Jones: Criminal Law by Richard Card,Rupert Cross,Philip Asterley Jones Pdf
This popular title combines breadth of coverage with readability and sets out the principal points of criminal law in a systematic and thorough way. This edition includes the most recent legislative and case law developments.
Meyerhold on Theatre brings together in one volume Vsevolod Meyerhold's most significant writings and utterances, and covers his entire career as a director from 1902 to 1939. It contains a comprehensive selection from all published material, unabridged and translated from the original Russian, updated and supplemented with a critical commentary relating Meyerhold to his period and eye-witness accounts describing all his productions. The book is illustrated with photographs of Meyerhold's designs and productions. Within this diverse collection of sometimes dense, sometimes lyrical, and always fascinating writings, Meyerhold emerges from this book as a forerunner of such directors as Brecht, Piscator, Planchon and Brook, a relentless enemy of naturalism and a supreme exponent of total theatre whose influence continues to be felt throughout the theatre of today. This fourth edition features a new introduction by Prof. Jonathan Pitches, which helps to demystify some of the terminology Meyerhold and his associates used, and indicates the fundamental connection between culture and politics represented in his life and art.
The Camera-Eye Metaphor in Cinema by Christian Quendler Pdf
This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new?
Mungo has filmed popular programmes like Pop Idol, X-Factor and The Apprentice as well as documentaries. This book is a collection of true stories as recounted by him, from behind the lens of the camera.
Factual Television (1966) looks at the techniques and purpose of all facets of factual television – news and current affairs programmes; documentaries; reporting stories; the ethics of reporters and producers. It quotes at length from television writers, producers and television executives, to give very much an insider’s view of the arena.