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“A groundbreaking work about race and the American landscape, and a deep meditation on nature…wise and beautiful.”—Helen Macdonald, author of H is for Hawk A Foreword Reviews Best Book of the Year and Nautilus Silver Award Winner In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored. Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.” By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today. “When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.”—Star Tribune “A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.”—National Geographic
A successful lawyer is pulled back into her troubled family's life in rural Montana in the wake of her sister's death in this mesmerizing, emotionally evocative, and atmospheric literary novel For a Terrebonne, the home place is the safe haven, the convergence of waters, the place where the beloved dead are as real as the living. . . . The only Terrebonne who made it out, Alma thought she was done with Montana, with its cruel poverty, bleak winters, and stifling ways. Hard work and steely resolve got her to Yale, and now she's an attorney in a high-profile Seattle law firm, too consumed by her career to think about the past. But an unexpected call from the Montana police takes the successful lawyer back to her provincial hometown and pulls her into the family trouble she thought she'd escaped. Her lying, party-loving younger sister, Vicky, is dead. The Billings police say that a very drunk Vicky wandered away from a party and died of exposure after a night in the brutal cold. The strong one who fled Billings and saved herself, Alma returns to make Vicky's funeral arrangements and see to her eleven-year-old niece, Brittany. Once she is back in town, Alma discovers that Vicky's death may not have been an accident. Needing to make her peace with the sister she left behind, Alma sets out to find the truth, an emotional journey that leads her to the home place, her grandmother Maddie's house on the Montana plains that has been the center of the Terrebonne family for generations. She re-encounters Chance, her first love, whose presence reminds her of everything that once was . . . and everything that might be. But before she can face the future, Alma must acknowledge the truth of her own life—the choices that have haunted her and ultimately led her back to this place. The Home Place is a story of secrets that will not lie still, human bonds that will not break, and crippling memories that will not be silenced. It is a story of rural towns and runaways, of tensions corporate and racial, of childhood trauma and adolescent betrayal, and of the guilt that even forgiveness cannot ease. Most of all, it is a story of the place we carry in us always: home.
The year is 1878. The widowed Christopher Gore, his son David and their housekeeper Margaret, the woman with whom they are both in love, live at The Lodge in Ballybeg. But in this era of unrest at the dawn of Home Rule, their seemingly serene life is threatened by the arrival of Christopher's English cousin, who unwittingly ignites deep animosity among the villagers of Ballybeg. The Home Place premiered at the Gate Theatre, Dublin, in February 2005.
Farming the Home Place by Valerie J. Matsumoto Pdf
In 1919, against a backdrop of a long history of anti-Asian nativism, a handful of Japanese families established Cortez Colony in a bleak pocket of the San Joachin Valley. Valerie Matsumoto chronicles conflicts within the community as well as obstacles from without as the colonists responded to the challenges of settlement, the setbacks of the Great Depression, the hardships of World War II internment, and the opportunities of postwar reconstruction. Tracing the evolution of gender and family roles of members of Cortez as well as their cultural, religious, and educational institutions, she documents the persistence and flexibility of ethnic community and demonstrates its range of meaning from geographic location and web of social relations to state of mind.
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers. This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man?s shoes, well-used kitchen utensils, and weathered siding. Muncy?s journey of discovery takes the measure of the man he has become and of what he has left behind.
Home Is the Place (Family Tree #4) by Ann M. Martin Pdf
Far and near. Lost and found. Four girls. Four generations. Georgia cannot figure out what's going on in her family. Her mother, Francie, is extremely overprotective. Her grandmother, Dana, and her great-grandmother, Abby, don't speak to each other. And Georgia's great-great-grandmother also had some secrets that nobody else knows about.Georgia knows this because she's found her great-great grandmother's diary hidden in a wall in the family's house in Maine. Reading the diary makes her think of her own struggles - and draws her even closer to the mysteries of her family as Abby's hundredth birthday approaches.HOME IS THE PLACE is the heartfelt, remarkable conclusion to Ann M. Martin's Family Tree series, which has followed Abby, Dana, Francie, and now Georgia from girlhood to womanhood, showing readers the intertwining, extraordinary ways we grow up.
An anthology of writings by contemporary Native American authors on the theme of home places, including stories from oral traditions, autobiographical writings, songs, and poems.
Create the home--and life--you've always wanted with the help of popular blogger and author of Cozy Minimalist Home Myquillyn Smith (The Nester) as she helps you free yourself to take risks and find beauty in imperfection. Myquillyn Smith is all about embracing reality--especially when it comes to decorating a home bursting with kids, pets, and all the unpredictable messes of life. In The Nesting Place, Myquillyn shares the secrets of decorating for real people--and it has nothing to do with creating a flawless look to wow your guests and everything to do with making peace with the natural imperfection and joy of daily living. Drawing on her years of experience creating beauty in her 13 different homes and countless seasons of life, Myquillyn will show you how to think differently about the true purpose of your home, and simply and creatively tailor it to reflect you and your unique style--without breaking the bank. Full of simple steps, practical advice, and beautiful, full-color photos, The Nesting Place gives you the tools you need to: Cultivate a home that works for you and your family Transform your home into a place that's inviting and warm for family and friends Discover your own personal style There is beauty in embracing the lived-in, loved-on, and just-about-used-up aspects of our homes and our daily lives--let Myquillyn show you how. Praise for The Nesting Place: "This book made me look at every room in my house differently, with a new lens of creativity and beauty and possibility. It inspired me to reclaim my home as sacred space, ripe with opportunities to celebrate and create memories and moments." --Shauna Niequist, New York Times bestselling author of Present Over Perfect and I Guess I Haven't Learned That Yet "This highly personal account about embracing imperfection and finding contentment in your home is like sitting down with a good friend and talking about the stuff that really matters. The Nesting Place is full of approachable ideas, encouragement, and a whole lot of heart." --Sherry Petersik, home blogger; bestselling author of Young House Love
First released in 1990, the essays in Home Place range from the personal—the search for a childhood vision of pristine grassland, the boy who goes from hunting to respecting wildlife and the living space around him—to theory on land use, environmental law, agriculture, education, and technology as it affects the relationships between humanity and the Ecosphere.
"You are a rare bird, easy to see but invisible just the same." That thought is close at hand in Sparrow Envy: Field Guide to Birds and Lesser Beasts, as renowned naturalist and writer J. Drew Lanham explores his obsession with birds and all things wild in a mixture of poetry and prose. He questions vital assumptions taken for granted by so many birdwatchers: can birding be an escape if the birder is not in a safe place? Who is watching him as he watches birds? With a refreshing balance of reverence and candor, Lanham paints a unique portrait of the natural world: listening to cicadas, tracking sandpipers, towhees, wrens, and cataloging fellow birdwatchers at a conference where he is one of two black birders. The resulting insights are as honest as they are illuminating.
“Culled from the rarefied air of James Lee Burke, Greg Iles, and John Hart, Kevin Wolf has fashioned a painstakingly perfect tale of murder, angst, and the enduring power of the human spirit. If the late, great Pat Conroy had ever decided to write a mystery, this would be it.” —Jon Land “Kevin Wolf’s debut novel, The Homeplace, succeeds in every way. He has crafted a gripping, fast-paced narrative with beautifully drawn characters in an authentic and interesting small-town Colorado setting. Not only is the mystery compelling, but so are the characters. Even if there were no murders to solve, you would still want to spend time with these fascinating people whose lives echo the sparse and gorgeous landscape they inhabit and whose pasts refuse to leave them to their futures.” —Christine Carbo, author of The Wild Inside Chase Ford was the first of four generations of Ford men to leave Comanche County, Colorado. For Chase, leaving saved the best and hid the worst. But now, he has come home. His friends are right there waiting for him. And so are his enemies. Then the murder of a boy, a high school basketball star just like Chase, rocks the small town. When another death is discovered—one that also shares unsettling connections to him—law enforcement’s attention turns towards Chase, causing him to wonder just what he came home to. A suspenseful, dramatic crime novel, The Homeplace captures the stark beauty of life on the Colorado plains.
For award-winning architect Gil Schafer, the most successful houses are the ones that celebrate the small moments of life—houses with timeless charm that are imbued with memory and anchored in a distinct sense of place. Essentially, Schafer believes a house is truly successful when the people who live there consider it home. It’s this belief—and Schafer’s rare ability to translate his clients’ deeply personal visions of how they want to live into a physical home that reflects those dreams—that has established him as one of the most sought-after, highly-regarded architects of our time. In his new book, A Place to Call Home Schafer follows up his bestselling The Great American House, by pulling the curtain back on his distinctive approach, sharing his process (complete with unexpected, accessible ideas readers can work into their own projects) and taking readers on a detailed tour of seven beautifully realized houses in a range of styles located around the country—each in a unique place, and each with a character all its own. 250 lush, full color photographs of these seven houses and other never-before-seen projects, including exterior, interior, and landscape details, invite readers into Schafer’s world of comfortable classicism. Opening with memories of the childhood homes and experiences that have shaped Schafer’s own history, A Place to Call Home gives the reader the sense that for Schafer, architecture is not just a career but a way of life, a calling. He describes how the many varied houses of his youth were informed as much by their style as by their sense of place, and how these experiences of home informed his idea of classicism as a set of values that he applies to many different kinds of architecture in places as varied as the ones he grew up in. Because while Schafer is absolutely a classical architect, he is in fact a modern traditionalist, and A Place to Call Home showcases how he effortlessly interprets traditional principles for a multiplicity of architectural styles within contemporary ways of living. Sections in Part I include the delicate balance of modern and traditional aesthetics, the juxtaposition of fancy and simple, and the details that make each project special and livable. Schafer also delves into what he refers to as “the spaces in between,” those often overlooked spaces like closets, mudrooms, and laundry rooms, explaining their underappreciated value in the broader context of a home. Part of Schafer’s skill lies in the way he gives the minutiae of a project as much attention as the grand aesthetic gestures, and ultimately, it’s this combination that brings his homes to life. Part II of the book is the story of seven houses and the places they inhabit—each with a completely different character and soul: a charming cottage completely rebuilt into a casual but gracious house for a young family in bucolic Mill Valley, California; a reconstructed historic 1930s Colonial house and gardens set in lush woodlands in Connecticut; a new, Adirondack camp-inspired house for an active family perched on the edge of Lake Placid with stunning views of nearby Whiteface Mountain; an elegant but family-friendly Fifth Avenue apartment with a panoramic view of Central Park; a new timber frame and stone barn situated to take advantage of the summer sun on a lovely, rambling property in New England; a new residence and outbuildings on a 6,000 acre hunting preserve in Georgia, inspired by the historic 1920s and 1930s hunting plantation houses in the region; and Schafer’s own, deeply personal, newly-renovated and surprisingly modern house located just a few feet from the Atlantic Ocean in coastal Maine. In Schafer’s hands, the stories of these houses are irresistibly readable. He guides the reader through each of the design decisions, sharing anecdotes about the process and fascinating historical background and contextual influences of the settings. Ultimately, the houses featured in A Place to Call Home are more than just beautiful buildings in beautiful places. In each of them, Schafer has created a dialogue between past and present, a personalized world that people can inhabit gracefully, in sync with their own notions of home. Because, as Schafer writes in the book, he designs houses “not for an architect’s ego, but [for] the beauty of life, the joys of family, and, not least, a heartfelt celebration of place.”
"He wants to sit and visit at the kitchen table, and he can hardly wait to get on the road again." —From Chapter 1 Robert Kroetsch, one of Canada's most important writers, was a fierce regionalist with a porous yet resilient sense of "home." Although his criticism and fiction have received extensive attention, his poetry remains underexplored. This exuberantly polyvocal text, insightfully written by dennis cooley—who knew Kroetsch and worked with him for decades—seeks to correct that imbalance. The Home Place offers a dazzling, playful, and intellectually complex conversation drawing together personal recollections, Kroetsch's archival materials, and the international body of Kroetsch scholarship. For literary scholars and anyone who appreciates Canadian literature, The Home Place will represent the standard critical evaluation of Kroetsch's poetry for years to come.
