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From Mary Karr comes this gorgeously written, often hilarious story of her tumultuous teens and sexual coming-of-age. Picking up where the bestselling The Liars' Club left off, Karr dashes down the trail of her teen years with customary sass, only to run up against the paralyzing self-doubt of a girl in bloom. Fleeing the thrills and terrors of adolescence, she clashes against authority in all its forms and hooks up with an unforgettable band of heads and bona-fide geniuses. Parts of Cherry will leave you gasping with laughter. Karr assembles a self from the smokiest beginnings, delivering a long-awaited sequel that is both "bawdy and wise" (San Francisco Chronicle).
A BEST BOOK OF THE YEAR New York Times Book Review • The New Yorker • Entertainment Weekly • Time • Washington Post • San Francisco Chronicle • Chicago Tribune • Christian Science Monitor • Slate • St. Louise Post-Dispatch • Cleveland Plain Dealer • Seattle Times • NBCC Award Finalist Mary Karr’s unforgettable sequel to her beloved and bestselling memoirs The Liars’ Club and Cherry “lassos you, hogties your emotions and won’t let you go” (Michiko Kakutani, New York Times). Lit is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. Written with Karr's relentless honesty, unflinching self-scrutiny, and irreverent, lacerating humor, it is a truly electrifying story of how to grow up—as only Mary Karr can tell it. The Boston Globe calls Lit a book that “reminds us not only how compelling personal stories can be, but how, in the hands of a master, they can transmute into the highest art." The New York Times Book Review calls it “a master class on the art of the memoir” and Susan Cheever states, simply, that Lit is “the best book about being a woman in America I have read in years."
Ethan Damont's legendary gambling skills have earned him a place at the gaming tables of London's most exclusive homes. He has used his dubious place in Society to aid The Liar's Club. But his latest favor to the group has not only put his life in danger-it has thrown him together with the woman who tempts him to forgo his rakish ways. Lady Jane Pennington is the ravishing niece of a suspected traitor. Now it's Ethan's job to discover if the woman he finds irresistible is naïve to her uncle's deceit-or guilty of treason against the Crown... Jane can barely wait for the Season to end-until she meets Ethan Damont. After a humiliating first encounter, Jane expects a scoundrel like Ethan to joke at her expense. Instead, he behaves like a perfect gentleman. But just as Jane finds herself overcome by her desire for Ethan, he takes her captive. Suddenly, she is pulled into a dangerous world where it's impossible to know who is friend-and who is foe. Will Ethan prove to be her undoing...or the love she has always longed for?
“Wickedly funny and always movingly illuminating, thanks to kick-ass storytelling and a poet's ear.” –Oprah.com The New York Times bestselling, hilarious tale of Mary Karr’s hardscrabble Texas childhood that Oprah.com calls the best memoir of a generation. The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at age twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. This unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.
In her celebrated essay "Against Decoration," published in Parnassus, Mary Karr took aim against the verbal ornaments that too often pass for poetry these days and their attendant justifications: deconstruction and a "new formalism" that elevates form as an end in itself. Her own poems, she says, are "humanist poems," written for everyday readers rather than an exclusive audience--poems that do not require an academic explication in order to be understood. Of The Devil's Tour, her newest collection, she writes: "This is a book of poems about standing in the dark, about trying to memorize the bad news. The tour is a tour of the skull. l am thinking of Satan in Paradise Lost: 'The mind is its own place and it can make a hell of heav'n or a heav'n of hell ... I myself am hell."
It isn't easy moving about Society dressed like a dandy-especially when one is a ruthless spy. But that's precisely the latest mission for Liar's Club agent Dalton Montmorecy. Dalton is posing as Sir Thorogood, the elusive cartoonist whose scathing political caricatures have all of London abuzz. The true identity of Sir Thorogood is a mystery, and Dalton hopes that impersonating him will flush out the real menace before his cartoons do further damage to the Crown. Now, if Dalton could only find a way to get the irksome, yet oddly appealing widow, Clara Simpson, off his trail... When Clara meets Sir Thorogood at a ball, she's certain he is an impostor-because she's the true Sir Thorogood. Secretly penning the cartoons under the frothy nom de plume, Clara hopes to save enough money so that she can leave her in-laws and find a new residence. Now she is determined to reveal an imposter's identity-and that means doing some undercover work herself. But pretending to be someone you're not has a funny way of making a woman do things she wouldn't ordinarily dream of-even if it drives her straight into the arms of her devilishly handsome adversary!
Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well. For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre. Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate. Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.
In her first book since "The Liar's Club", Karr delves into the autobiographical subject matter of her two early collections. Various beloveds are birthed and buried in these lyrics, some of which--as the title suggests--deal with drink. Exact and surprising, her poems "take on the bedevilments of fate and grief with a diabolical edge of their own" ("Poetry").
Collis Tremayne could make any female swoon; yet no one would guess the hidden desperation that drove him to become the most skilled spy in service to the Crown. All that stands in his way...is Rose Lacey, a confounding chit who manages to outsmart him with cunning and courage. She is the only woman he cannot melt with his smile. With every breath, he wishes he never laid eyes on her. And with every flash of her green eyes, he craves to possess her... Rose Lacey fought hard to meet the challenge of becoming a spy for the infamous Liars Club. And if it weren't for Collis Tremayne, who manages to make her blood boil with his arrogance, and leave her breathless with white hot longing, she'd achieve her dream. Now, they must work together on a secret mission to uncover a dangerous plot-one in which the very safety of England hangs in the balance. Armed with wit and wiles, they must face deadly intrigue, clever enemies, and-if they can manage not to murder one another-the intoxicating lure of unbidden passion...
James Cunnington has a pressing mission at had: He must find the daughter of a missing code breaker for the Liar's Club, a man suspected of turning traitor for Napoleon. Time is of the utmost concern. While it is evident that his ward's new tutor has something to hide, James in unaware that the woman he seeks now resides under his very roof... Desperate and near destitute, Philippa Atwater must don gentleman's clothing to pass herself off as a scholarly young tutor. Her clever--if itchy--disguise allows her time to pursue her quest to find her father, ruthlessly abducted by French spies. Closely guarding the cryptic notebook he entrusted to her care, she sense danger all around her--even in the home of her roguishly handsome new employer, James Cunnington. Now Philippa is about to discover that the desire can be as lethal as a well-aimed bullet...
Mary Karr describes herself as a black-belt sinner, and this -- her fourth collection of poems --traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote "Give me chastity, Lord -- but not yet!" has anyone brought such smart-assed hilarity to a conversion story. Karr's battle is grounded in common loss (a bitter romance, friends' deaths, a teenage son's leaving home) as well as in elegies for a complicated mother. The poems disarm with the arresting humor familiar to readers of her memoirs, The Liars' Club and Cherry. An illuminating cycle of spiritual poems have roots in Karr's eight-month tutelage in Jesuit prayer practice, and as an afterword, her celebrated essay on faith weaves the tale of how the language of poetry, which relieved her suffering so young, eventually became the language of prayer. Those of us who fret that poetry denies consolation will find clear-eyed joy in this collection.
As featured on Loose Women's Loose Books as their November book club pick. The Liar's Chair is Rebecca Whitney's stunning psychological thriller debut set in Brighton. Who can she trust If she can't trust herself? Rachel Teller and her husband David appear happy, prosperous and fulfilled. The big house, the successful business . . . They have everything. However, control, not love, fuels their relationship and David has no idea his wife indulges in drunken indiscretions. When Rachel kills a man in a hit and run, the meticulously maintained veneer over their life begins to crack. Destroying all evidence of the accident, David insists they continue as normal. Rachel, though, is racked with guilt and as her behaviour becomes increasingly self-destructive she not only inflames David's darker side, but also uncovers her own long-suppressed memories of shame. Can Rachel confront her past and atone for her terrible crime? Not if her husband has anything to do with it . . . A startling, dark and audacious novel set in and around the Brighton streets, The Liar's Chair will keep readers on the edge of their seats until the final page has been turned. A stunning psychological portrait of a woman in a toxic marriage, Rebecca Whitney's debut will show that sometimes the darkest shadow holds the truth you have been hiding from . . . 'A twist-filled tour of a marriage made in hell' Peter Swanson *Perfect for fans of Louise Doughty's Apple Tree Yard*
The author recounts his experiences on the lucrative Wall Street bond market of the 1980s, where young traders made millions in a very short time, in a humorous account of greed and epic folly.