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‘Intensely moving . . . feminist . . . a riveting tale of love’ - Observer Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the Book of Genesis that recount the life of Jacob and his infamous dozen sons. Anita Diamant’s The Red Tent is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah’s voice, it opens with the story of her mothers – the four wives of Jacob – each of whom embodies unique feminine traits, and concludes with Dinah’s own startling and unforgettable story of betrayal, grief and love. Deeply affecting and intimate, The Red Tent is a feminist classic which combines outstandingly rich storytelling with an original insight into women’s society in a fascinating period of early history. Such is its warmth and candour, it is guaranteed to win the hearts and minds of women across the world.
“An excellent novel. A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review). Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.
The story of Dinah receives little more than a mention in the Bible, as it gives rise to a bloody massacre. Not so with Anita Diamant's The Red Tent (Picador 1998). Diamant weaves ancient history and culture with narrative fiction to draw a picture of what life might have been like for the women in Jacob's life. With skill and passion, Sandra Hack Polaski unravels the complexities of the biblical stories of Leah, Rachel, Zil'pah, Bil'hah, and Leah's daughter Dinah, probing aspects of The Red Tent that give us insight into the text and into the lives of women in the ancient Near East. Inside the Red Tent brings readers into the biblical and historical contexts of the world of Dinah and her four mothers, exploring their stories through the tradition of midrash, sound biblical scholarship, and archeological findings. She gives us a glimpse "inside the red tent" at the families, relationships, encounters, goddesses, and God that defined their lives and that define ours. From the Popular Insights series.
Follows the growing friendship between fifty-nine-year-old Kathleen, recently diagnosed with breast cancer, and the slightly younger Joyce, increasingly distant from her teenage daughter and struggling to write a second novel.
When Addie Baum's 22-year old granddaughter asks her about her childhood, Addie realises the moment has come to relive the full history that shaped her. Addie Baum was a Boston Girl, born in 1900 to immigrant Jewish parents who lived a very modest life. But Addie's intelligence and curiosity propelled her to a more modern path. Addie wanted to finish high school and to go to college. She wanted a career, to find true love. She wanted to escape the confines of her family. And she did. Told against the backdrop of World War I, and written with the same immense emotional impact that has made Diamant's previous novels bestsellers, The Boston Girl is a moving portrait of one woman's complicated life in the early 20th Century, and a window into the lives of all women seeking to understand the world around them.
Continuum Contemporaries give readers accessible and informative introductions to some of the most popular, most acclaimed, and most influential novels of recent years. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a through and readable analysis of each of the novels in question. The books in the series all follow the same structure: a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or television adaptations, literary prizes, and so forth; a wide range of suggestions for further reading, including web sites and discussion forums; and a list of questions for reading groups to discuss.
From the bestselling author of The Red Tent and Good Harbor, a collection of intimate, autobiographical reflections on the milestones, revelations, and balancing acts of life as a wife, mother, friend, and member of a religious community. Before The Red Tent won her international literary acclaim, Anita Diamant was a columnist in Boston. Over the course of twenty years, she wrote essays that reflected the shape and evolution of her life, as well as the trends of her generation. In the end, her musings about love and marriage, birth and death, nature versus nurture, politics and religion—and everything from female friendships to quitting smoking—have created a public diary of the progress of her life that resonated deeply with her readers. Now, Pitching My Tent collects the finest columns of a writer who is a reporter by training and a storyteller by heart, all revised and enriched with new material. Personal, inspiring, and often funny, Pitching My Tent displays the warmth, humor, and wisdom that Diamant's legions of fans have come to cherish.
Atlit is a holding camp for "illegal" immigrants in Israel in 1945. There, about 270 men and women await their future and try to recover from their past. Diamant, with infinite compassion and understanding, tells the stories of the women gathered in this place. Shayndel is a Polish Zionist who fought the Germans with a band of partisans. Leonie is a Parisian beauty. Tedi is Dutch, a strapping blond who wants only to forget. Zorah survived Auschwitz. Haunted by unspeakable memories and too many losses to bear, these young women, along with a stunning cast of supporting characters who work in or pass through Atlit, begin to find salvation in the bonds of friendship and shared experience, as they confront the challenge of re-creating themselves and discovering a way to live again.
The only woman in the Bible who is noted to have loved a man, Queen Michal was King David's childhood sweetheart, his first wife, and daughter of his great friend and greater enemy, King Saul. Married to and then abandoned by David at age 14, Michal is forced to marry him again and become his first queen ten years later. Thrown into transition and turmoil, Queen Michal resists the ambition and greed that have become integral to David's personality and kingship. Acting nobly as his queen, but refusing to compromise her soul, Michal is drawn in friendship to the women in the king's court. Among his concubines and mistresses is Bathsheba, who becomes the mother of David's son, Solomon. In Queenmaker, Michal emerges as a wise and loving woman whose female family sustains her and establishes the spiritual foundation of the entire kingdom. Queenmaker depicts in unforgettable detail the characters of one of the greatest periods in Biblical history-their public deed and private thoughts-and gives readers the court of the kings as only a woman could see it.
After Abel and Other Stories by Michal Lemberger Pdf
“Her knowledge of the Bible is evident and her creativity shines through as she weaves nine thoughtful and layered accounts of distant, complicated times.” —Publisher's Weekly “Reminiscent of Anita Diamant’s The Red Tent. . . . These beautifully written stories feel like meeting Eve, Lot’s wife, and many other compelling characters for the first time.” —LAUREL CORONA, author of The Mapmaker’s Daughter and The Four Seasons: A Novel of Vivaldi’s Venice “Stunning.” —MOLLY ANTOPOL, author of The UnAmericans “Gorgeous and captivating.” —DARA HORN, author of A Guide for the Perplexed and The World to Come “Marvelous.” —MICHELLE HUNEVEN, author of Off Course and Blame “What struck me most about these stories is their clear, assured confidence—as if Michal Lemberger had pulled apart some of the lines in the old story, spied a new story tucked in there way off in a corner, shimmied in a fishhook and pulled it out.” —AIMEE BENDER, author of The Color Master and The Particular Sadness of Lemon Cake “Lemberger liberates the voices that are trapped beneath the [biblical] text . . . with artistry and erudition.” —RABBI DAVID WOLPE, Rabbi of Sinai Temple, Los Angeles and author of Why Faith Matters Eve considers motherhood. Miriam tends Moses. Lot’s wife looks back. Vividly reimagined with startling contemporary clarity, Michal Lemberger’s debut collection of short stories gives voice to silent, oft-marginalized biblical women: their ambitions, their love for their children, their values, their tremendous struggles and challenges. Informed by Lemberger’s deep knowledge of the Bible, each of these nine stories story recasts a biblical saga from the perspective of a pivotal woman. Michal Lemberger’s nonfiction and journalism have appeared in Slate, Salon, Tablet, and other publications, and her poetry has been published in a number of print and online journals. A story from After Abel, her first collection of fiction, was featured in Lilith Magazine. Lemberger holds an MA and PhD in English from UCLA and a BA in English and religion from Barnard College. She has taught the Hebrew Bible as Literature at UCLA and the American Jewish University. She was born and raised in New York and now lives in Los Angeles with her husband and two daughters.
"Explores the subject of menstruation, from toxic historic and religious roots to how young activists are challenging the silence and shame that can erode self-esteem and even threaten lives ..."--Page 4 of cover.
WITH A FOREWORD BY ALISA STARKEWEATHER, FOUNDER OF THE RED TENT TEMPLE MOVEMENT. Each Red Tent is a unique reflection of the community of women who create it. But these varied spaces share something in common. The longing for connection and belonging. The sharing of how we are feeling and who we are in our lives. The nourishment of ourselves and each other. The slowing down, the rest, the replenishment. The simple act of sharing time and space with a group of women. The opportunity to let go of the other responsibilities in our lives When women come together, magic happens. We know this to be true from our own experience. And we have also seen that something else happens too when these communities grow: they can become a beacon to others. Red Tents weaves together the voices and experiences of many women to create a shared story about the role Red Tents can play in our lives. We document our shared hope, vision and dream - Red Tents as liberatory community spaces for women around the world. Full of inspiration and practical learning, along with questions and practices to support and stimulate discussion about some of the challenges Red Tents face. Red Tents is written by the founders of the Red Tent Directory, including interviews with over seventy women from diverse backgrounds who run Red Tents, this book provides the practical support women need to establish and sustain a Red Tent in their own community. Common challenges and how to overcome them Building Red Tent spaces that are liberatory and challenge oppression Leading together and making your tent sustainable This book provides you with inspiring, grounded, tried and tested advice for creating a safer and more inclusive space.
“What’s it like, not being real?” In LA, where today’s star is tomorrow’s busboy, discarded “Fictionals”—characters spun into flesh-and-blood by technology—are everywhere. Screenwriter Niles Golan’s therapist is a Fictional. So is his best friend. So (maybe) is the woman in the bar he can’t stop staring at. It’s getting so you can’t tell who’s real and who’s not. Niles isn’t completely sure how real he is… “A fascinating tour-de-force” ***** SFX Magazine “Worthy of comparison with Philip K. Dick” ***** Starburst Magazine “A breathtakingly clever writer” ***** Amazing Stories “A book you want to endlessly quote” ***** Den of Geek
