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Author : George Heard Hamilton
Publisher : Prentice Hall
Page : 484 pages
File Size : 40,7 Mb
Release : 1972
Category : Art
ISBN : 0136226396
PAINTING - SCULPTURE - ARCHITECTURE.
Author : Michelle Facos
Publisher : Unknown
Page : 435 pages
File Size : 47,9 Mb
Release : 2011
Category : Art
ISBN : 0415780705
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
Author : Robin Gibson
Publisher : Unknown
Page : 284 pages
File Size : 48,6 Mb
Release : 2001
Category : Painting, Modern
ISBN : UOM:39076002131873
For art lovers everywhere, a beautiful collection of portraiture from 1920 to 2000, with over 100 master reproductions by Picasso, Bacon, Warhol, Dali and others in full-color.
Author : Giorgio Morandi,Laura Mattioli
Publisher : David Zwirner Books
Page : 97 pages
File Size : 54,7 Mb
Release : 2017-05-23
Category : Art
ISBN : 9781941701560
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
Author : Jean Stern,Molly Siple
Publisher : Rizzoli Publications
Page : 278 pages
File Size : 52,7 Mb
Release : 2011-04-12
Category : Art
ISBN : 9780847836253
A first-of-its-kind celebration of the California Art Club, a society whose members have for one hundred years captured California’s staggeringly beautiful landscapes in resplendent plein air paintings. At the dawn of the twentieth century, California became home to artists from all over America and Europe who aspired to depict the state’s awe-inspiring natural landscapes on canvas. In 1909, these artists founded the California Art Club, which stands today as one of the most esteemed painting societies in the United States. The club has achieved distinction for its commitment to plein air painting, an Impressionistic style in which painters work outdoors in order to capture the ephemeral moment when the natural lighting of a landscape elevates an already beautiful scene into something sublime. Celebrating a century of unique artwork, this volume presents impeccable images of the art club’s masterworks, including unforgettable paintings of California’s stunning and varied beauty—desert vistas, plunging coastlines, verdant vineyards, charming towns, and snow-topped mountains.
Author : Shalon Parker
Publisher : Rowman & Littlefield
Page : 185 pages
File Size : 45,9 Mb
Release : 2018-11-19
Category : Art
ISBN : 9781611496710
In late nineteenth-century France, when Charles Darwin’s theories of evolution had finally begun to permeate French culture and society, several academic artists turned to a relatively new sub-genre of history painting, the prehistoric-themed subject. This artistic interest in Darwin’s theories was manifested as paintings and sculptures of prehistoric humanity engaged in physical conflict with each other or other animals, struggling for food, or hunting—all nineteenth-century popular understandings of “survival of the fittest.” This book examines how this sub-genre captured the imagination of French Salon painters from the 1880s to early 1900s, in particular that of Fernand Cormon (1845–1924), one of the foremost academic painters during the final quarter of the nineteenth century. A central argument of this book concerns the unique interpretation of prehistoric humanity that Cormon visualized in his paintings. While the vast majority of prehistoric-themed images made by his salon colleagues focused on violence, combat, and sexual conquest, Cormon’s paintings depict a conflict-free humanity, in which collaboration and cooperation dominate, rather than physical struggle. This study probes the French intellectual understanding and appropriation of Darwin’s theories and considers how the French (mis)translation of The Origin of Species by Clémence-Auguste Royer, the first French translator of the text—along with Neo-Lamarckism and republican ideology in Third Republic France—may have collectively shaped Cormon’s representation of early humanity. The art press overwhelmingly favored Cormon’s visualization of the prehistoric world over that of his Salon peers. Through extended analysis of the art criticism concerning Cormon’s work, Shalon Parker argues that critics’ very clear preference for Cormon’s paintings was rooted in their awareness that he utilized the sub-genre of the prehistoric as a forum in which to reimagine and revive academic figurative painting at a time when the critical reception of Salon art had reached its nadir. Additionally, this study provides a broad overview of the visual models, in particular the anthropological and ethnographic texts and imagery, most readily available to Cormon as sources for shaping his vision of the prehistoric world.
Author : Dr Øystein Sjåstad
Publisher : Ashgate Publishing, Ltd.
Page : 193 pages
File Size : 54,8 Mb
Release : 2014-07-25
Category : Art
ISBN : 9781472429445
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists’ rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cézanne, Seurat, and Signac painted exclusively with patches or dots. Through a series of close readings, this book looks at the tache as one of the most important features in nineteenth-century modernism. The tache is a potential meeting point between text and image and a pure trace of the artist’s body. Even though each manifestation of tacheism generates its own specific cultural effects, this book represents the first time a scholar has looked at tacheism as a hidden continuum within modern art.
Author : Joseph-Emile Muller,Frank Elgar
Publisher : Unknown
Page : 206 pages
File Size : 44,7 Mb
Release : 1972
Category : Art
ISBN : UCSD:31822025333311
Author : Rose-Marie Hagen,Rainer Hagen
Publisher : Taschen America Llc
Page : 191 pages
File Size : 43,6 Mb
Release : 2001
Category : Art
ISBN : 3822855588
The authors analyze eighteen important 16th century paintings, while providing background information on their painters and history. Includes dozens of full color reproductions.
Author : TASCHEN
Publisher : Taschen
Page : 840 pages
File Size : 52,5 Mb
Release : 2020-11-15
Category : Electronic
ISBN : 3836584085
Explore the turbulent times and revolutionary ideas of 20th-century art. From Surrealism to Land Art, Fluxus to Bauhaus, this readable and comprehensive survey is your be-all, end-all guide to the people and works that redefined 'art' as we knew it, from 1900 to 2000. Ranging across the full spectrum of disciplines, including photography and new media, this encyclopedic masterwork does just what it says on the cover.
Author : Philip Hook,Mark Poltimore
Publisher : Unknown
Page : 642 pages
File Size : 54,7 Mb
Release : 1986
Category : Antiques & Collectibles
ISBN : UOM:39015017082739
Author : David Hopkins
Publisher : OUP Oxford
Page : 351 pages
File Size : 46,5 Mb
Release : 2000-09-14
Category : Art
ISBN : 9780191037092
Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2000, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and the art of the nineties.
Author : Paul Nash
Publisher : Lund Humphries Publishers Limited
Page : 0 pages
File Size : 41,9 Mb
Release : 2016
Category : Artists
ISBN : 1848221886
Paul Nash was one of the most important British artists of the 20th century. An official war artist in both the First and the Second World Wars, his paintings include some of the most definitive artistic visions of those conflicts. This volume is being published to coincide with a major Nash retrospective and incorporates an abridged version of the unpublished 'Memoirs of Paul Nash' by his wife Margaret.
Author : Patricia Hills,Whitney Museum of American Art
Publisher : Unknown
Page : 200 pages
File Size : 40,5 Mb
Release : 1977
Category : Art
ISBN : UOM:39015007235081
Author : Donald Burton Kuspit
Publisher : Unknown
Page : 259 pages
File Size : 55,8 Mb
Release : 2000
Category : Art
ISBN : 0521662184
The Rebirth of Painting in the Late Twentieth Century examines the continued validity and variety of painting in the postmodern era. Bringing a psychological perspective to the issues, Donald Kuspit argues that painting remains the premiere medium of the visual arts. He discusses a range of representational and abstract painting in the United States and Europe by artists such as Gregory Amenoff, Vincent Desiderio and Odd Nerdrum, and also examines works by Picasso, Mondrian, Pollock, Johns, and Soutine, among others, with an eye to reevaluating their art historical significance.
