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Why do some democracies self-destruct? Using the collapse of democracy in ancient Athens and the Weimar Republic, as well as the uncertain fate of democratic rule in the United States and China today as illustrative examples, Mark Chou examines the conditions and characteristics of democracy that make it prone to self-destruct. In drawing out the political lessons from these past collapses, he explains how a democracy can, simply by being democratic, sow the seeds of its own destruction.
In an era of failing states and ethnic conflict, violent challenges from dissenting groups in the former Yugoslavia, the former Soviet Union, several African countries, and India give cause for grave concern in much of the world. And it is in India where some of the most turbulent of these clashes have been taking place. One resulted in the creation of Pakistan, and militant separatist movements flourish in Kashmir, Punjab, Manipur, Mizoram, Nagaland, and Assam. In India Against Itself, Sanjib Baruah focuses on the insurgency in Assam in order to explore the politics of subnationalism. Baruah offers a bold and lucid interpretation of the political and economic history of Assam from the time it became a part of British India and a leading tea-producing region in the nineteenth century. He traces the history of tensions between pan-Indianism and Assamese subnationalism since the early days of Indian nationalism. The region's insurgencies, human rights abuses by government security forces and insurgents, ethnic violence, and a steady slide toward illiberal democracy, he argues, are largely due to India's formally federal, but actually centralized governmental structure. Baruah argues that in multiethnic polities, loose federations not only make better democracies, in the era of globalization they make more economic sense as well. This challenging and accessible work addresses a pressing contemporary problem with broad relevance for the history of nationality while offering an important contribution to the study of ethnic conflict. A native of northeast India, Baruah draws on a combination of scholarly research, political engagement, and an insider's knowledge of Assamese culture and society.
Spanish Cinema against Itself maps the evolution of Spanish surrealist and politically committed cinematic traditions from their origins in the 1930s—with the work of Luis Buñuel and Salvador Dalí, experimentalist José Val de Omar, and militant documentary filmmaker Carlos Velo—through to the contemporary period. Framed by film theory this book traces the works of understudied and non-canonical Spanish filmmakers, producers, and film collectives to open up alternate, more cosmopolitan and philosophical spaces for film discussion. In an age of the post-national and the postcinematic, Steven Marsh's work challenges conventional historiographical discourse, the concept of "national cinema," and questions of form in cinematic practice.
Western religion today is as phony as an aluminum Christmas tree or a celluloid carnation. Our culture in its customs, laws, and creative arts no longer reckons seriously with supernatural realities--although it pretends to. According to Robert W. Jenson, the present epoch of phony religion gives the church the task and opportunity of making explicit the antireligious nature of the gospel. Indeed, Christian faith is antireligious religion. Dr. Jenson takes up the theme of religionless Christianity and works it out in relation to theology, worship, ethics, parish structure, missionary motivation, and faith. The final chapter consists of sermonic attempts to do what A Religion against Itself says must be done. Three excursuses show how the author's thought differs from that of Thomas J. J. Altizer, William Hamilton, and Harvey Cox. For Christians repelled by their own religion, here is a book that comes to grips with the "logic and music of our condition," in the hope of helping the church make sense of the gospel to itself and perhaps also to others.
A House Divided Against Itself Vol.-lll by Mrs. Oliphant Pdf
" A House Divided Against Itself Vol. III" by way of Mrs. Oliphant intricately unfolds a tale of familial discord, intertwining the lives of complex characters in opposition to the backdrop of societal and ancient upheavals. Renowned for her eager observations of human nature, Mrs. Oliphant masterfully crafts a story that delves into the problematic dynamics of relationships and the outcomes of inner strife. The novel's title, echoing a well-known biblical word, suggestions at the inner conflicts that form the destiny of its characters and the wider international they inhabit. Set towards a vividly painted historical panorama, the book explores themes of love, betrayal, and the transformative power of private and societal alternate. Mrs. Oliphant's eloquent prose and rich characterizations immerse readers in a world in which the divisions inside a house reflect larger fissures in society. With a deft touch, the author navigates the complexities of human feelings, growing a work that resonates with readers on each an emotional and highbrow level. " A House Divided Against Itself Vol. III" stands as a testament to Mrs. Oliphant's storytelling prowess, presenting a compelling adventure via the tumultuous corridors of family and societal strife.
A House Divided Against Itself Vol.-ll by Mrs. Oliphant Pdf
"A House Divided Against Itself Vol. II" by way of Mrs. Oliphant intricately unfolds a tale of familial discord, intertwining the lives of complex characters in opposition to the backdrop of societal and ancient upheavals. Renowned for her eager observations of human nature, Mrs. Oliphant masterfully crafts a story that delves into the problematic dynamics of relationships and the outcomes of inner strife. The novel's title, echoing a well-known biblical word, suggestions at the inner conflicts that form the destiny of its characters and the wider international they inhabit. Set towards a vividly painted historical panorama, the book explores themes of love, betrayal, and the transformative power of private and societal alternate. Mrs. Oliphant's eloquent prose and rich characterizations immerse readers in a world in which the divisions inside a house reflect larger fissures in society. With a deft touch, the author navigates the complexities of human feelings, growing a work that resonates with readers on each an emotional and highbrow level. " A House Divided Against Itself Vol. II" stands as a testament to Mrs. Oliphant's storytelling prowess, presenting a compelling adventure via the tumultuous corridors of family and societal strife.
A House Divided Against Itself Vol.-l by Mrs. Oliphant Pdf
"A House Divided Against Itself Vol. I" by way of Mrs. Oliphant intricately unfolds a tale of familial discord, intertwining the lives of complex characters in opposition to the backdrop of societal and ancient upheavals. Renowned for her eager observations of human nature, Mrs. Oliphant masterfully crafts a story that delves into the problematic dynamics of relationships and the outcomes of inner strife. The novel's title, echoing a well-known biblical word, suggestions at the inner conflicts that form the destiny of its characters and the wider international they inhabit. Set towards a vividly painted historical panorama, the book explores themes of love, betrayal, and the transformative power of private and societal alternate. Mrs. Oliphant's eloquent prose and rich characterizations immerse readers in a world in which the divisions inside a house reflect larger fissures in society. With a deft touch, the author navigates the complexities of human feelings, growing a work that resonates with readers on each an emotional and highbrow level. "A House Divided Against Itself Vol. I" stands as a testament to Mrs. Oliphant's storytelling prowess, presenting a compelling adventure via the tumultuous corridors of family and societal strife.
America Against Itself by Richard John Neuhaus Pdf
An even-tempered (if rather partisan) critique of the American soul as it exhibits itself on the different fronts of our culture war.'' Neuhaus (Unsecular America, 1986, etc.) traces the traumas of our social and political life back to their ontological roots and supplies a prognosis that will undoubtedly scandalize as many as it sways. A Catholic priest and scholar who presides over the Institute of Religion and Public Life, Neuhaus has concentrated his sociological efforts for some years now on the intersection between the political and the spiritual in American life. In doing so, he has run counter to prevailing notions of secularism--held only, he maintains, by an elite minority--that would, he says, collapse all religious impulses into an entirely private realm. Neuhaus skips over the more obvious examples of conflict--school prayer, Nativity scenes in public parks, etc.--and attempts in more theoretical terms to show that liberal democracy (in its American incarnation) requires a religious foundation if it is to succeed as a unifying social force. He draws on his experiences with the civil-rights movement to show how a religious vocabulary can be used--as it was by Martin Luther King--to bring together even the most mutually antagonistic groups. One might question Neuhaus's optimism in light of the increasing lack of cohesion in most mainline churches today, and parts of his argument display an inclination toward the sort of throne-and-altar'' alliance that has bedeviled European reactionaries for two hundred years--but his analysis of the seeming void around which the secular'' consensus is built, and the fragility of the social structures that depend upon that consensus, is challenging, prescient, and ominous. And his chapters on the abortion issue, while hardly impartial, are remarkably free of the usual cant. A trifle glib and overconfident, Neuhaus's tone can irritate. His thesis, however, is original enough to compel attention and forceful enough to provoke thought. -- Copyright (c)1992, Kirkus Associates, LP. All rights reserved.
A House Divided Against Itself; In Three Volumes by Mrs. Oliphant Pdf
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The first and still one of the best critiques of post-1960s cultural radicalism, analyzing why and how the defenders of literature have gone wrong. "A wonderfully trenchant and illuminating inquiry.--Virginia Quarterly Review.
