Alias Smith And Jones The Story Of Two Pretty Good Bad Men
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Alias Smith & Jones by Sandra K. Sagala,JoAnne M. Bagwell Pdf
Alias Smith and Jones: The Story of Two Pretty Good Bad Men showcases the episodes and provides a behind-the-scenes look at one of the last of television's popular Westerns and includes many rare photos, interviews with cast members, detailed history of the shows.
Alias Smith & Jones by Sandra K. Sagala,Joanne M. Bagwell Pdf
This is the hardback version. The television series that premiered in January 1971 had a short run of only three seasons but its popularity is in inverse proportion to its time on the air. Its fifty episodes were enough to garner fans that have remained loyal to the show for thirty years. Alias Smith and Jones: The Story of Two Pretty Good Bad Men showcases the episodes and provides a behind-the-scenes look at one of the last of television's popular westerns.
Producer-writer Roy Huggins is best known for creating the TV series, Maverick, 77 Sunset Strip, The Fugitive, Run For Your Life and The Rockford Files (with Stephen J. Cannell). This biography details his personal and professional life, aided by exclusive interviews with family, producers, actors and writers who worked with him. The author was granted exclusive access to Huggins' personal memoirs to provide an intimate, firsthand account, including his early career at Columbia, RKO, Warner Bros. and 20th Century-Fox. Huggins' political activism at UCLA and the subsequent House Un-American Activities hearing in 1952 is covered in depth. The book includes an extensive filmography and previously unpublished photographs provided by family members.
Most widely known for his starring role as outlaw Hannibal Heyes in television’s Alias Smith and Jones (1971–1973), actor Pete Duel (originally Peter Deuel) led an unpredictable and often tumultuous life, cut short by his highly publicized suicide on New Year’s Eve 1971, at the height of his celebrity. In the expanded second edition, this biography of Duel reveals more personal aspects of his career and death, including his formative years in New York City and Hollywood. The author draws on extensive interviews with Duel’s closest family and friends, including sister Pamela Deuel, former girlfriends Jill Andre, Beth Griswold, Kim Darby and Dianne Ray, as well actors, producers, directors and writers who worked with Duel.
For nearly two centuries, Americans have embraced the Western like no other artistic genre. Creators and consumers alike have utilized this story form in literature, painting, film, radio and television to explore questions of national identity and purpose. Westerns: The Essential Collection comprises the Journal of Popular Film and Television’s rich and longstanding legacy of scholarship on Westerns with a new special issue devoted exclusively to the genre. This collection examines and analyzes the evolution and significance of the screen Western from its earliest beginnings to its current global reach and relevance in the 21st century. Westerns: The Essential Collection addresses the rise, fall and durability of the genre, and examines its preoccupation with multicultural matters in its organizational structure. Containing eighteen essays published between 1972 and 2011, this seminal work is divided into six sections covering Silent Westerns, Classic Westerns, Race and Westerns, Gender and Westerns, Revisionist Westerns and Westerns in Global Context. A wide range of international contributors offer original critical perspectives on the intricate relationship between American culture and Western films and television series. Westerns: The Essential Collection places the genre squarely within the broader aesthetic, socio-historical, cultural and political dimensions of life in the United States as well as internationally, where the Western has been reinvigorated and reinvented many times. This groundbreaking anthology illustrates how Western films and television series have been used to define the present and discover the future by looking backwards at America’s imagined past.
The true story of the American West on film, through its shooting stars and the directors who shot them... Howard Hughes explores the Western, running from John Ford's 'Stagecoach' to the revisionary 'Tombstone'. Writing with panache and fresh insight, he explores 27 key films, and draws on production notes, cast and crew biographies, and the films' box-office success, to reveal their place in western history. He shows how through reinvention and resurrection, this genre continually postpones the big adios and avoids ending up in Boot Hill...permanently. Major films covered include the best from genre giants John Ford, Howard Hawks and John Wayne, plus classics 'High Noon', 'Shane', 'The Magnificent Seven' and 'Butch Cassidy and the Sundance Kid'. 'Stagecoach to Tombstone' makes many more stops along the way, examining well-known blockbusters and lowly B-movie oaters alike. It examines comedy westerns, adventures 'south of the border', singing cowboys and the varied depiction of Native Americans on screen. Hughes also engagingly charts the genre's timely renovation by Sam Peckinpah ('Ride the High Country' and 'The Wild Bunch' ), Sergio Leone ('Once Upon a Time in the West') and Clint Eastwood ('The Outlaw Josey Wales' and 'Unforgiven'). Presented too are the best of western trivia, a filmography of essential films - and ten aficionados and critics, including Alex Cox, Christopher Frayling, Philip French and Ed Buscombe, give their verdict on the best in the west.
Life and Death on the Mormon Frontier by Stephen C. LeSueur Pdf
This thoroughly researched and vivid account examines a murderous spree by one of the West’s most notorious outlaw gangs and the consequences for a small Mormon community in Arizona’s White Mountains. On March 27, 1900, Frank LeSueur and Gus Gibbons joined a sheriff’s posse to track and arrest five suspected outlaws. The next day, LeSueur and Gibbons, who had become separated from other posse members, were found brutally murdered. The outlaws belonged to Butch Cassidy’s Wild Bunch gang. Frank LeSueur was the great uncle of the book’s author, Stephen C. LeSueur. In writing about the Wild Bunch, historians have played up the outlaws’ daring heists and violent confrontations. Their victims serve primarily as extras in the gang’s stories, bit players and forgotten names whose lives merit little attention. Drawing upon journals, reminiscences, newspaper articles, and other source materials, LeSueur examines this episode from the victims’ perspective. Popular culture often portrays outlaws as misunderstood and even honorable men—Robin Hood figures—but as this history makes clear, they were stone-cold killers who preferred ambush over direct confrontation. They had no qualms about shooting people in the back. The LeSueur and Gibbons families that settled St. Johns, Arizona, served as part of a colonizing vanguard for the Church of Jesus Christ of Latter-day Saints, popularly known as Mormons. They contended with hostile neighbors, an unforgiving environment, and outlaw bands that took advantage of the large mountain expanses to hide and escape justice. Deprivation and death were no strangers to the St. Johns colonizers, but the LeSueur-Gibbons murders shook the entire community, the act being so vicious and unnecessary, the young men so full of promise. By focusing the historian’s lens on this incident and its aftermath, this exciting Western history offers fresh insights into the Wild Bunch gang, while also shedding new light on the Mormon colonizing experience in a gripping tale of life and death on the Arizona frontier. Praise for Life and Death on the Mormon Frontier: "Stephen LeSueur takes the reader on a ride into the dark, murderous world of the Wild Bunch in the Mormon settlements of the Utah-Arizona frontier. A compelling, deeply researched, and well-written study that will grab the attention of Old West historians." — Daniel Buck, co-author of The End of the Road: Butch Cassidy and the Sundance Kid in Bolivia "Stephen LeSueur unearths the circumstances that led a gang of outlaws to kill Frank LeSueur (the author’s great-uncle) and Gus Gibbons near St. Johns, Arizona, in 1900. LeSueur punctures popular myths about the Wild Bunch, but the true history of poverty, faithfulness, criminality, and family is more compelling and just as wild. It's a hard book to put down." — John G. Turner, author of Brigham Young: Pioneer Prophet "Unlike romanticized versions of Western bandits, Life and Death on the Mormon Frontier portrays a grittier, authentic Old West in a manner that draws the reader into another era. As a descendant of one of the many victims of Butch Cassidy's Wild Bunch, LeSueur thoroughly and compellingly recounts the murder and its devastating effect on the family—something often overlooked. In the current climate of winking at contemporary scofflaws, it is good to be reminded that character still counts—and that its opposite still destroys.” — Gregory A. Prince, author of David O. McKay and the Rise of Modern Mormonism and Leonard Arrington and the Writing of Mormon History
This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.
Between 1872 and 1886, before he achieved acclaim for his Wild West show, "Buffalo Bill" led a troupe of traveling actors known as a Combination across the country performing in frontier melodramas. Biographies of William Frederick Cody rarely address these fourteen rather obscure years when Cody honed the skills that would make him the world-renowned entertainer as he is now remembered. In this revision of her earlier book, Buffalo Bill, Actor, Sandra Sagala chronicles the decade and a half of Cody's life as he crisscrossed the country entertaining millions. She analyzes how the lessons he learned during those theatrical years helped shape his Wild West program, as well as Cody, the performer.
Legend has it that the Alleluia Files contain the truth about the god of Samaria. Now, a child raised in captivity among the angels will journey the length and breadth of her world to seek the documents that will alter the face of Samaria forever...
If Two Trains Are Traveling in Opposite Directions . . . . I Don't Care What the Apples Cost by Michelle Gussow Pdf
Using observations from the author’s own life, this book shares memories of things not so funny at the time but recollected on with humor in a way that everyone can relate to and find familiarity in his or her own life experiences. Michelle Gussow’s amusing reflections of growing up Jewish in the Midwest triggered many memories and evoked a certain nostalgia. Whether she is reflecting on felt boards in nursery school, being an overzealous television watcher or recalling a pasta salad that ruined a Bar Mitzvah, she strikes a chord and brings a smile. – Jon Bernstein Screenwriter "Ringmaster"
