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Amadís de Gaula is a work of medieval literature in Spanish and one of the most famous of the so-called books of chivalry, which had enormous acceptance during the 16th century in the Iberian Peninsula. The original story dates from the 13th or 14th century, and its authorship is disputed.
Publications of the Modern Language Association of America by Anonim Pdf
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
The Chivalric World of Don Quijote by Howard Mancing Pdf
The purpose of this book is to examine the characters, style, themes, structure, and narrative technique of that chivalric world. I hope to show, among other things, that Don Quijote begins to retreat from his chivalric fantasy and to reach an accord with reality in part I of the novel rather than in part II as is generally believed; that Sancho Panza both undermines and sustains his master's fantasy from the start; that the priest and the barber are not, as first presented, Don Quijote's friends, but rather his greatest enemies; and that Cide Hamete Benengeli becomes increasingly unreliable as a narrator and increasingly comic as a character in the second part of the novel.
La conclusión del Amadís de Gaula by María Elena Soliño Pdf
Although the three authors studied, Ana Maria Matute, Carmen Martin Gaite, and Esther Tusquets, are sophisticated intellectuals, they have chosen fairy tales and texts from other marginalized genres originally for female consumption (such as the novela rosa and the Hollywood women's picture) as the major intertexts in their novels for adults as well as in their fictions for children. Against the backdrop feminist theory and recent critical studies of fairy tales and children's literature, Solino studies the works of these authors as "gendered texts." Solino's book opens with a chapter that traces the historical development of the fairy tale genre, examines their didactic intent, and critiques the images of women in fairy tales. The second chapter explores the manners by which fairy tales were used as a tool for indoctrination during the formative years of the three authors under consideration. These introductory chapters are followed by individual chapters devoted to Martin Gaite, Matute, and Tusquets in which Solino explores the connections between the literature these authors published for children and the novels they penned for an adult readership.
This is a book about readers: readers reading, and readers writing. They are readers of all ages and from all ages: young and old, male and female, from Europe and the Americas. The book they are reading is the Spanish chivalric romance Amadís de Gaula, known in English as Amadis de Gaule. Famous throughout the sixteenth century as the pinnacle of its fictional genre, the cultural functions of Amadis were further elaborated by the publication of Cervantes's Don Quixote in 1605, in which Amadis features as Quixote's favourite book. Amadis thereby becomes, as the philosopher Ortega y Gasset terms it, 'enclosed' within the modern novel and part of the imaginative landscape of British reader-authors such Mary Shelley, Smollett, Keats, Southey, Scott, and Thackeray. Amadis in English ranges from the sixteenth to the twentieth centuries, demonstrating through this 'biography' of a book the deep cultural, intellectual, and political connections of English, French, and Spanish literature across five centuries. Simultaneously an ambitious work of transnational literary history and a new intervention in the history of reading, this study argues that romance is historically located, culturally responsive, and uniquely flexible in the re-creative possibilities it offers readers. By revealing this hitherto unexamined reading experience connecting readers of all backgrounds, Amadis in English also offers many new insights into the politicisation of literary history; the construction and misconstruction of literary relations between England, France, and Spain; the practice and pleasures of reading fiction; and the enduring power of imagination.
The Oxford Handbook of Cervantes by Aaron M. Kahn Pdf
Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the Early-Modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of The Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547-1616). This volume contains seven sections, exploring in depth Cervantes's life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. Here we explore his famous novelDon Quixote de la Mancha, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.
