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Dr. Jeremiah Arkham has rebuilt Arkham Asylum following the design of his mad Uncle Amadeus, but when Jeremiah starts hearing a voice from beyond the grave, it becomes painfully clear that the lunatics really have taken over the Asylum.
Jeremiah Arkham's dream for a new asylum is rapidly turning into a nightmare as he is forced to call in Batman to put down a riot. But who or what is behind the sabotage?
Written by DAVID HINE Art by JEREMY HAUN Cover by CLIFF CHIANG Following Black Mask's destruction of Arkham Asylum, Dr. Jeremiah Arkham has rebuilt the Asylum following the design of his mad Uncle Amadeus. But will the new Arkham be a haven for the criminally insane - or a house of torture? Collecting BATMAN: BATTLE FOR THE COWL - ARKHAM ASYLUM #1, ARKHAM REBORN #1-3 and DETECTIVE COMICS #864-865. On sale August 4- 144 pg, FC, $12.99 US
The nightmare continues as Batman battles Killer Croc, Mr. Freeze, and Clayface while the child-killing Raggedy Man gets his just desserts and Dr. Jeremiah Arkham learns the truth behind the Amadeus Code.
Welcome to Arkham Asylum by Sharon Packer, M.D.,Daniel R. Fredrick Pdf
Arkham Asylum for the Criminally Insane is a staple of the Batman universe, evolving into a franchise comprised of comic books, graphic novels, video games, films, television series and more. The Arkham franchise, supposedly light-weight entertainment, has tackled weighty issues in contemporary psychiatry. Its plotlines reference clinical and ethical controversies that perplex even the most up-to-date professionals. The 25 essays in this collection explore the significance of Arkham's sinister psychiatrists, murderous mental patients, and unethical geneticists. It invites debates about the criminalization of the mentally ill, mental patients who move from defunct state hospitals into expanding prisons, madness versus badness, sociopathy versus psychosis, the "insanity defense" and more. Invoking literary figures from Lovecraft to Poe to Caligari, the 25 essays in this collection are a broad-ranging and thorough assessment of the franchise and its relationship to contemporary psychiatry.
Author : Randy Duncan,Matthew J. Smith Publisher : Bloomsbury Publishing USA Page : 1022 pages File Size : 49,6 Mb Release : 2013-01-29 Category : Social Science ISBN : 9798216100577
Icons of the American Comic Book [2 volumes] by Randy Duncan,Matthew J. Smith Pdf
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
Comic books and superhero stories mirror essential societal values and beliefs. We can be Superman, Batman, Wonder Woman, Spider-Man, Black Panther or Rocket Raccoon through our everyday choices. We can't fly, fix hyper drives or hear human heartbeats a mile away, but we can think about what Matt Murdock would do in a conflict, how Superman would respond to natural disasters and how Captain America would handle humanitarian crises. This book analyzes the impact of dozens of comics by examining the noble personalities, traits and actions of the main characters. Chapters detail how superheroes, comic books and other pop culture phenomena offer more than pure entertainment, and how we can better model ourselves after our favorite heroes. Through our good deeds, quick thinking and positive choices, we can become more like superheroes than we ever imagined.
A fun, frightening, and fascinating deep dive into the psyche of a madman: Batman’s nemesis, the Clown Prince of Crime. Since he first fought Batman in 1940, The Joker has evolved into one of popular culture's most complex and confounding psychological creations: both a criminal mastermind and an unhinged psychopath. In The Joker Psychology: Evil Clowns and the Women Who Love Them, Dr. Travis Langley, author of the bestselling Batman and Psychology, returns to Gotham City to explore the twisted psyche of this great supervillain, as well as the personalities who are inexorably drawn to it. Paying special attention to the strange dynamics of relationships like the one between The Joker and Harley Quinn, this collection includes some very special interviews with people who brought The Joker and Harley Quinn to life in comics and onscreen, and analyzes: · Why a bright, laughing monster who looks like a clown could be the ultimate antagonist to a grim, brooding hero who looks like a monster · The relationship between a therapist and her patient—and what happens when a therapist crosses the line, as Harley Quinn does when she falls for The Joker · How a smart person could fall for the most dangerous of criminals · Why so many fans find Harley Quinn inspirational · How different kinds of therapy could (or could not) help twisted minds like Mister J and Harley Quinn The development of a fictional character that so completely embodies psychopathy (including interviews with creators who have shaped The Joker’s character over the years), and more
Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.
Comic Book Crime by Nickie D. Phillips,Staci Strobl Pdf
“Carrying ahead the project of cultural criminology, Phillips and Strobl dare to take seriously that which amuses and entertains us—and to find in it the most significant of themes. Audiences, images, ideologies of justice and injustice—all populate the pages of Comic Book Crime. The result is an analysis as colorful as a good comic, and as sharp as the point on a superhero's sword.”—Jeff Ferrell, author of Empire of Scrounge Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes' calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero's character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way. Nickie D. Phillips is Associate Professor in the Sociology and Criminal Justice Department at St. Francis College in Brooklyn, NY. Staci Strobl is Associate Professor in the Department of Law, Police Science and Criminal Justice Administration at John Jay College of Criminal Justice. In the Alternative Criminology series
Batman’s Villains and Villainesses by Justin F. Martin,Marco Favaro Pdf
While much of the scholarship on superhero narratives has focused on the heroes themselves, Batman’s Villains and Villainesses: Multidisciplinary Perspectives on Arkham’s Souls takes into view the depiction of the villains and their lives, arguing that they often function as proxies for larger societal and philosophical themes. Approaching Gotham’s villains from a number of disciplinary backgrounds, the essays in this collection highlight how the villains’ multifaceted backgrounds, experiences, motivations, and behaviors allow for in-depth character analysis across varying levels of social life. Through investigating their cultural and scholarly relevance across the humanities and social sciences, the volume encourages both thoughtful reflection on the relationship between individuals and their social contexts and the use of villains (inside and outside of Gotham) as subjects of pedagogical and scholarly inquiry.
Batman and Robin by Grant Morrison,Andy Clarke (Comic artist),Cameron Stewart Pdf
The dynamic duo uncovers clues involving the mysterious death of Bruce Wayne before facing off against each other in a heated battle that both heroes will regret - if they live through it