Bricks Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Bricks book. This book definitely worth reading, it is an incredibly well-written.
What does it mean to work for a living? Told in short prose, Glass Bricks tells the story of Lesters experience working both traditional and non-traditional jobs. Sometimes raw and often humourous, Lester shares stories about learning to work, working, and moving on. Glass Bricks explores the significance of our basic human right to work in an era where the struggle to find meaningful, full-time employment is all too real.
A visceral, vital, unblinking debut collection of poems exploring kinesthetic memory and longing, inherited violence, and the body as a geographical site. We're often told that we are given only what we can bear. For some of us our first lessons are in how much pain we're made to think we deserve--and the resulting scars are always meant to be kept secret. Assiyah Jamilla Touré's debut collection is a record of those scars--not those inflicted on us by the thousands of little wars we live in everyday, but those that come afterwards, those we inflict upon ourselves to mark the path. Each and every poem in Autowar was written on a cell phone, transcribing an urgent revisiting of old sites of pain, and also a revisiting of one young person's power and ability--to hurt themself, or others. These poems are powerful evocations of how even our scars have worlds and lives. here in the dark, me-space i am insatiable for my flesh i just can't get enough of tiny after-wounds that's me giving, still too soft for my own teeth
"Please stay with me, please stay here, please cause poltergeists in my stupid apartment..." Late in the evening of December 13, 2007, Andrea Actis found her father, Jeff, facedown dead in her East Vancouver apartment. So began her passage through grief, self-reckoning, and graduate school in Providence, Rhode Island, where the poetics she studied (and sometimes repudiated) became integral to her gradual reconstruction of wholeness. An assemblage of "evidence" recovered from emails about paranormal encounters sent and received by Jeff ([email protected]), junk mail from false prophets, an annotated excerpt from Laura (Riding) Jackson's "The Serious Angels: A True Story," and transcripts of Actis' dreams, conversations, and messages to the dead, Grey All Over not only celebrates a rare, close, complicated father-daughter bond, it also boldly expands the empathetic and critical capacities of poetry itself. In pulling us outside the comfort zones of received aesthetics and social norms, Actis asks us to embrace with whole seriousness "the pragmatics of intuition" in all the ways we read, live, and love. "When a loved one dies, there's all this stuff to deal with, and in the midst of grief we begin to collect, sort, document, store, and discard. Andrea Actis has taken the stuff surrounding her father's death and created a book that is, like grief, in turns heartbreaking, wise, chaotic, drunk, wry, and always unflinchingly honest. This powerful testament of survival is for anyone who has felt the 'déjà vu in reverse' of grief. It is for the living." --Sachiko Murakami, author of Render "Love letter, experimental poem, meditation, conversation with the dead--Andrea Actis's compelling debut is unlike any memoir I've ever read. In one passage, Actis digs out the biggest piece of bone she can find in the vessel of her father's ashes and gently bites on it. Reading Grey All Over I had a similar sensation. Ash. Bone. Love." --Jen Currin, author of Hider/Seeker "This absolutely beautiful work makes plain that seriousness feels like love." --Aisha Sasha John, author of I have to live.
Author : Kurt Cyrus Publisher : Henry Holt and Company (BYR) Page : 32 pages File Size : 43,5 Mb Release : 2016-10-11 Category : Juvenile Fiction ISBN : 9781250138248
Two, four, six. Look at all the bricks! Grab a hard hat and all your tools, and get ready for a construction adventure in counting! This clever, rhyming picture book leads readers through a day in the life of a construction crew building with bricks. A brick may seem like just a simple block, but in groupings of ten, twenty, and more, it can create many impressive structures, from hotels to schools to skyscrapers. Billions of Bricks from Kurt Cyrus is a terrific introduction to counting in quantities for children. A Christy Ottaviano Book
Poetry. ALL THE NAMES BETWEEN is Julia McCarthy's third collection. Grounded in the experience of presence in which the external and internal meet, a crossroads of consciousness where "a language without a name / remembers us" and the poem is a votive act, ALL THE NAMES BETWEEN reflects the shadow-light of being, of what is and what isn't, of the seen and the unseen, the forgotten and the remembered; here "every elegy has an ode at its centre / every ode has an elegy around its edges."
Poems about a young two-spirit Indigenous man moving through shadow and trauma toward strength and awareness. Bones, Tyler Pennock's wise and arresting debut, is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. Here, the poems journey inward, guided by the world of dreams, seeking memories of a loving sister lost beneath layers of tragedy and abuse. With bravery, the poems stand up to the demons lurking in the many shadows of their lines, seeking glimpses of a good that is always just out of reach. At moments heartrending and gut-punching, at others still and sweet, Bones is a collection of deep and painstaking work that examines the human spirit in all of us. This is a hero's journey and a stark look at the many conditions of the soul. This is a book for survivors, for fighters, for dreamers, and for believers. "Here is a spare and urgent voice that speaks of 'wounds and beauty, ' that gestures to a story of trauma and abuse while offering us a potent journey of self-reckoning and reclamation. Bones entwines brutality with the deepest tenderness and in its clear-eyed way asks us, as poetry must, to re-see the world." --Catherine Bush, author of Accusation and The Rules of Engagement "Tyler Pennock's poetry unfurls like breath: measured, light, caught, whispering, and vital. It charts memory with a steady hand and unerring allegiance to locating the 'beauty/in terrible things.' Bones addresses the effects of intergenerational, state-sponsored trauma with an enviable grace, inscribing and affirming life on the other side of overwhelming pain, abuse, and grief. It carries on, resilient, defiant, gazing at the stars, one breath at a time." --Laurie D. Graham, author of Settler Education "Tyler Pennock's Bones is a soft meandering through the memories of the narrator's hearthome: a place in which trauma, kinship, abuse, and nostalgia cradle one another in a circle. Here, poetics are deployed to inspect the most minute of objects with such wild abandon that the narrator transplants us into a world rife with sharpness so as to make the image complete, focussed, lifelike, photographic even as he continually 'wish[es he] were like water'. Here we find memory and dream animated in equal measure: two spirits sitting in a basement, a headless mother, a white bear, wihtiko, and a sister slowly vanishing. Lyrical, witty, heart-wrenching, and empowering, Pennock's debut book of poetry is a contemplative epic asking us to ponder the ethics of remembrance in all of its lacings of razing and revitalization." --Joshua Whitehead, author of Full-Metal Indigiqueer and Jonny Appleseed
A wise and embodied collection of dreamscapes, sutras and prayer poems from a writer at her peak In Blue Sonoma, award-winning poet Jane Munro draws on her well-honed talents to address what Eliot called the gifts reserved for age. A beloved partner's crossing into Alzheimer's is at the heart of this book, and his battered blue Sonoma is an evocation of numerous other crossings: between empirical reportage and meditative apprehension, dreaming and wakefulness, Eastern and Western poetic traditions. Rich in both pathos and sharp shards of insight, Munro's wisdom here is deeply embedded, shot through with moments of wit and candour. In the tradition of Taoist poets like Wang Wei and Po-Chu-i, her sixth and best book opens a wide poetic space, and renders difficult conditions with the lightest of touches. Grey wood twisted tight within the framework of the tree- impossible to snap off, forged as it dries. And in me, parts I can't imagine myself without - silvering. - from The live arbutus carries dead branches ...
The poems in Souwesto Home are fresh, youthful meditations on such diverse subjects as the Little Lakes near Stratford, Ontario, the flora of Elgin County, the Donnelly feud, lichens, a Department Store Jesus, and so on. The collection ranges widely in tone and technique, from the lyrical to the satirical, from the direct and straightforward to the linguistically playful. As ever, Reaney's signature voice, his inimitable combination of sophistication and child-like simplicity, may be heard in every line. Like his contemporaries, P.K. Page, Margaret Avison and Colleen Thibaudeau (his wife), he has lost nothing of his poetic prowess to advancing years
Governor General's Award-winning poet Arleen Paré combines the story of two first best friends with questions of the mystery of cosmic first cause. The poems in First, Arleen Paré's seventh collection, search for a long-lost first friend. They conjure the subtle layers of meaning in that early friendship to riff on to a search for how we might possibly understand the primal First: the beginnings of the cosmos that contains our own particular lives, beginnings and longings. This layered evocation of the past--of childhood in 1950s Dorval, "a green mesh of girls friendships and fights"--and the intensity of the desire to know, give First its haunting beauty. "[T]he word though old fashioned," Paré writes, "is whence . . . unconditioned origins" when "no worthy question is ever answered on the same plane that it was asked; how to frame the question not knowing the plane on which I must ask it." "Arleen Paré's First is an intriguing Gertrude Stein as Nancy Drew mystery. Using prose poem narrative and an intense syntactic poetics, Paré discovers the cracks in memory as she documents the search for her first best friend. The cracks in this lyrical puzzle are heightened by a very active and assertive poetic language that compels as it decodes the investigation of childhood memory and desire. The writing in First demonstrates a powerful juxtaposition of the continuous present with the continuous past." --Fred Wah "This brilliant collection revolves around firsts, especially a first friend, 'the impress of her never gone.' So too with these poems--tough, sweet and poignant, so surely rendered and musically rich--the impress of these poems never gone." --Lorna Crozier
Griffin Award-winner returns with new poems that are spacious with interiority, alive with a hard-earned lightness. Waves carried a glass float--designed to hold up a fishing net--across the Pacific. Beached it safely. Someone's breath is inside it. In Glass Float, her seventh collection, award-winning poet Jane Munro considers the widening of horizons that border and shape our lives, the familiarity and mystery of conscious experience, and the deepening awareness that comes with a dedicated practice such as yoga. This book is about connections: mind and body; self and others; physical and metaphysical; art and nature; west and east, north and south. In "Convexities," the book's opening poem, Munro quotes the grandfather who taught her to paint: "art is suggestion; art is not representation." No concavities, he said. Only the "little hummocks" that her pencil outlined as she did contour drawings. Munro's deft suggestion, her tracing of convexities, conveys underlying complexities, not by explication, but by looking with eyes and heart open to where mysteries almost surface. US bubbles says the baby, looking out the window at snowflakes the old man tears up two characteristics of the human animal-- to speak, to weep both move me are you moved by words--by tears "Like glass floats themselves, these neat, clear poems contain Munro's breath. They cross oceans. Jane Munro's Glass Float--part travelogue, part journal, part meditation--picks up where Blue Sonoma ends: the speaker finds herself alone, at the live edge of her life. ... You are not merely called on to look at yourself but to 'receive your face.' A gift." --Ian Williams, author of Reproduction
Poetry. In her first collection, THIN AIR OF THE KNOWABLE, the physical landscapes of Wendy Donawa's life--West Coast, Caribbean, prairies--ground many of her poems and often reflect the inner geography of her preoccupations. A road-trip poem moves from prairie winter, "an icy scatter of gravel / the moving centre of this unpeopled world," past a cattle liner on its way to the slaughter house, but it also passes beneath the sky's "blazing scroll of light," and magpies "flashing black and teal in the sun." Landscape also functions metaphorically to suggest how historical settings play out in the exigencies of individual lives. Other preoccupations include poems that reflect on poesis itself--the strange poem-making compulsion to capture that which is largely inexpressible (hence "the thin air of the knowable"), and the role of dreams, memory, and intuition in shaping a poem's knowledge.
An extraordinary debut set in Toronto, unfurling against the backdrop of an ancient Persian love story. The story of Layla and Majnun, made immortal by the Persian poet Nizami Ganjavi in the 12th century, has been retold thousands of times, in thousands of different ways, throughout literature. Against the backdrop of this story, to the sound-track of modern hip-hop, and amid the struggle of an immigrant family to instill an old faith under new conditions, Irfan Ali's Accretion hurtles towards an unsustainable, "greater madness." Majnun, one of the foundational literary characters who haunt Accretion, is also an Arabic epithet for "possessed." In this tradition, Ali has written a book from the places where the self is no longer the self; places where, in order not to shut down forever, the debris must be cleared, and the soul must inch towards love and hope, "on memory's dusty beams." Accretion is written in a contemporary lyricism that honours ancient poetic traditions. It is a familiar story, imbued with a particularity and honesty that only Irfan Ali could bring to the table. "Irfan Ali delves fearlessly into the beauty and cruelty of a utilitarian city and the chasms between people. The struggle between head and heart binds these poems. In fact, Accretion might be considered a roadmap for finding love in everything--ourselves, family, soul mates, urban life, and faith." --Emily Pohl-Weary, author of Ghost Sick "In Black Skin, White Masks, Frantz Fanon prays, pleads, 'O my body, make of me always a man who questions!' Irfan Ali undertakes this mission in Accretion. He knows there's no Faith more unquestionably powerful than Faith that empowers constant self-questioning. ...His speaker's neither a zealot nor an infidel, but someone whose obsessions get mistaken by an imam for piety. Every poet's a theologian, but Ali recognizes that Faith 'is the path between lovers' games'..." --George Elliott Clarke, 7th Parliamentary Poet Laureate of Canada (2016 & 2017)
Moldovan Hotel explores the intergenerational trauma of the Holocaust in Romania through a queer Jewish voice in the Diaspora. In 2017, Leah Horlick travelled to Romania to revisit the region her Jewish ancestors fled. What she unearthed there is an elaborate web connecting conscious worlds to subconscious ones, fascism to neofascisms, Europe to the Americas to the Middle East, typhus to HIV/AIDS, genocide in Romania to land grabs in Palestine, women's lives in farming villages to queer lives in the city, language to its trap doors, and love to its hidden, ancestral obligations. With force, clarity and searing craft, Horlick's poems are equal to the urgency of our political moment. No one ever thinks they might be the dragon, Horlick writes, and yet history repeats its cruelties. This work takes things apart to put them profoundly back together. If Leah Horlick's second book invited us to witness, this time she draws from her Jewish heritage and takes us back to show us how to read the landscape and mind-scape and tell us what the texts left out. This is an accounting, a calling, an invocation, a return, a skilful mediation on how to remember when the 'names of the oppressors are blotted out'. -- Juliane Okot Bitek, author of 100 Days Every poem in Moldovan Hotel is a room thick with ghosts. Here, Horlick takes the language of the past--used to dehumanize and unmoor--and crystalizes it around revelation after revelation. A graceful, striking collection. -- Carmen Maria Machado, author of In the Dream House
2016-2017 Young Hoosier Book Award Intermediate Nominee Booker T. Washington had an incredible passion for learning. Born a slave, he taught himself to read. When the Civil War ended, Booker finally fulfilled his dream of attending school. After graduation, he was invited to teach in Tuskegee, Alabama. Finding many eager students but no school, Booker set out to build his own school—brick by brick. An afterword gives detailed information on how the school was built.
A visual exploration of the world's most extraordinary and inspiring concrete architecture - in a stylish and compact format. "Yes, concrete can be cold and imposing - but as the structures in the book attest, it can also be colourful, playful, and delicate." —Wall Street Journal In this new, reimagined, and easy-to-use stylish size, Concrete takes a fresh look at the world's most versatile and abundant building material. Collating fascinating and beautiful concrete buildings by some of the most celebrated architects of the last century, it features familiar projects from Le Corbusier and Frank Lloyd Wright alongside work from some of the leading lights of contemporary architecture including Zaha Hadid, Herzog & de Meuron, and many lesser-known newcomers.