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Author : W. Zwalf Publisher : Trustees of British Museum and British Library Board Page : 304 pages File Size : 45,8 Mb Release : 1985 Category : Art, Buddhist ISBN : UVA:X030340379
Author : Patricia J. Graham Publisher : University of Hawaii Press Page : 401 pages File Size : 45,6 Mb Release : 2007-09-30 Category : Art ISBN : 9780824862466
Faith and Power in Japanese Buddhist Art, 1600–2005 by Patricia J. Graham Pdf
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Author : Thomas R. Martland Publisher : State University of New York Press Page : 238 pages File Size : 53,7 Mb Release : 1982-06-30 Category : Religion ISBN : 9781438412139
Religion in its most authentic part is an art form. Religion does what art does. This idea is richly illustrated and supported by materials of diverse origin. The vast range of the author's experience in the arts and in religious texts and works of aesthetics allows him to lay hold of a great mass of disparate material and to bring out new dimensions in all of it. He always has just the example he needs at his fingertips, a Tibetan Buddhist text next to a French impressionist painting and a remark about early Banogu counterpoint, and each example is seen in a new and interesting way. Through this gentle yoking together of heterogeneous materials, common roots are discovered. Most studies of art and religion describe and explain them as data. Thomas Martland identifies them as expressions of ideals and asks what they are when they are authentic rather than merely what they are when they are self-identified as art and religion. This is an identification through assessment, not an Aristotelian classification, and the means of assessment are provided.
The Flowering of a Foreign Faith by Dr. Janet Baker Pdf
This book presents new research on topics which center around the question of how Chinese Buddhist art evolved and what characterizes it as distinct ly Chinese. Touching upon the Indian roots of Buddhism, the authors focus on the transformations that took place once the belief system entered the Chinese political, social, and philosophical
Absence of the Buddha Image in Early Buddhist Art by Kanoko Tanaka Pdf
Dr. Tanaka, For The First Time Ever, Explores The Absence Of The Buddha-Image In Early Buddhist Art. Applying The Motif Of The Empty Throne , She Undertakes A Comparative Study Of Buddhism And Other Religions.
Karma & Faith. Our names express the idea of this show. It's an exploration of Tibetan Buddhist art influenced by the West and of American art influenced by Tibetan Buddhism. We come together in a blending of cultures with creating Buddhist art at the core. We are both interested in making the Buddhas in a contemporary way and by doing so, making them more accessible to our world and times.
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
"This catalog is published in conjunction with the exhibition Faith and Empire: Art and Politics in Tibetan Buddhism, organized and presented by the Rubin Museum of Art, New York, February 1-July 15, 2019, and curated by Karl Debreczeny, Senior Curator, Collections and Research, with the assistance of Lizzie Doorly"--Colophon.
Drawing from previously untapped Buddhist sources, this book contextualizes Li Gonglin’s Buddhist faith and art through the Chan environment in his hometown (Longmian) and the prevailing Tiantai, Pure Land, Huayan and Chan schools of the Northern Song Dynasty.
Creativity and Spirituality by Earle Jerome Coleman Pdf
Drawing from six living faiths, this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience.
Intended to inspire the devout and provide a focus for religious practice, Buddhist artworks stand at the center of a great religious tradition that swept across Asia during the first millennia. How to Read Buddhist Art assembles fifty-four masterpieces from The Met collection to explore how images of the Buddha crossed linguistic and cultural barriers, and how they took on different (yet remarkably consistent) characteristics in India, Pakistan, Afghanistan, the Himalayas, China, Korea, Japan, Sri Lanka, Thailand, Cambodia, and Indonesia. Works highlighted in this rich, concise overview include reliquaries, images of the Buddha that attempt to capture his transcendence, diverse bodhisattvas who protect and help the devout on their personal path, and representations of important teachers. The book offers the essential iconographic frameworks needed to understand Buddhist art and practice, helping the reader to appreciate how artists gave form to subtle aspects of the teachings, especially in the sublime expression of the Buddha himself.
Zen Buddhism and Its Relation to Art by Arthur Waley Pdf
Chapters include: Zen Buddhism; Buddhist Sects; Buddhapriya; Later Development Of Zen; The Zen Masters; Fashionable Zen; Obaku; Baso; Rinzai; Zen And Art; and, The Rokutsuji School.Books on the Far East often mention a sect of Buddhism called Zen. They say that it was a "school of abstract meditation" and that it exercised a profound influence upon art and literature; but they tell us very little about what Zen actually was, about its relation to ordinary Buddhism, its history, or the exact nature of its influence upon the arts.