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Author : Johann Sebastian Bach
Publisher : Warner Bros. Publications
Page : 32 pages
File Size : 44,7 Mb
Release : 1985-03-01
Category : Music
ISBN : 0769244920
Author : Anonim
Publisher : Unknown
Page : 874 pages
File Size : 52,9 Mb
Release : 1963
Category : Music
ISBN : NYPL:33433018643043
Author : Eric Chafe
Publisher : Oxford University Press
Page : 800 pages
File Size : 49,8 Mb
Release : 2015-04-01
Category : Music
ISBN : 9780190217303
In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the Book of Revelations and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In Tears into Wine, renowned Bach scholar Eric Chafe challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, Chafe shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. Chafe artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, Chafe reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, Tears into Wine is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.
Author : Peter Williams
Publisher : Cambridge University Press
Page : 721 pages
File Size : 53,9 Mb
Release : 2016-09
Category : Biography & Autobiography
ISBN : 9781107139251
Peter Williams revisits Bach's biography through the lens of his music, revealing the development of the composer's interests and priorities.
Author : Louis Spohr
Publisher : Unknown
Page : 62 pages
File Size : 55,9 Mb
Release : 1864
Category : Electronic
ISBN : BL:A0022714803
Author : Ben Arnold
Publisher : Bloomsbury Publishing USA
Page : 496 pages
File Size : 40,7 Mb
Release : 2002-06-30
Category : Music
ISBN : 9780313092145
Franz Liszt is most well-known for his compositions for piano and orchestra, but his influence is also strong in chamber music, choral music, and orchestral transcriptions. This new collection of essays presents a scholarly overview of all of the composer's work, providing the most comprehensive and current treatment of both his oeuvre and the immense amount of secondary literature written about it. Highly regarded critics and scholars write for both a general and academic audience, covering all of Liszt's major compositions as well as the neglected gems found among his choral and chamber works. Following an outline of the subject's life, The Liszt Companion goes on to detail Liszt's critical reception in the German press, his writings and letters, his piano and orchestral works, his neglected secular choral works, and his major organ compositions. Also explored here are his little-known chamber pieces and his songs. An exhaustive bibliography and index of works conclude the volume. This work will both elucidate aspects of Liszt's most famous work and revive interest in those pieces that deserve and require greater attention.
Author : David Daniels,David W. Oertel,David A. Rahbee
Publisher : Rowman & Littlefield
Page : 1464 pages
File Size : 47,9 Mb
Release : 2022-06-30
Category : Music
ISBN : 9781442275218
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Author : Elizabeth Wilson
Publisher : Yale University Press
Page : 357 pages
File Size : 49,5 Mb
Release : 2022-03-22
Category : Biography & Autobiography
ISBN : 9780300265682
The first full biography of the fearless and brilliant Maria Yudina, a legendary pianist who was central to Russian intellectual life Maria Yudina was no ordinary musician. An incredibly popular pianist, she lived on the fringes of Soviet society and had close friendships with such towering figures as Boris Pasternak, Pavel Florensky, and Mikhail Bakhtin. Legend has it that she was Stalin’s favorite pianist. Yudina was at the height of her fame during WWII, broadcasting almost daily on the radio, playing concerts for the wounded and troops in hospitals and on submarines, and performing for the inhabitants of besieged Leningrad. By the last years of her life, she had been dismissed for ideological reasons from the three institutions where she taught. And yet according to Shostakovich, Yudina remained “a special case. . . . The ocean was only knee-deep for her.” In this engaging biography, Elizabeth Wilson sets Yudina’s extraordinary life within the context of her times, where her musical career is measured against the intense intellectual and religious ferment of the post-revolutionary period and the ensuing years of Soviet repression.
Author : Alfred Dürr
Publisher : OUP Oxford
Page : 984 pages
File Size : 54,6 Mb
Release : 2005-06-09
Category : Music
ISBN : 9780191058134
This is the only English translation of this important book by the world's most distinguished Bach scholar. This work is widely regarded as the most authoritative and comprehensive treatment of the Bach cantatas. It begins with a historical survey of the seventeenth-century background to the cantatas, and performance practice issues. The core of the book is a work-by-work study in which each cantata in turn is represented by its libretto, a synopsis of its movements, and a detailed analytical commentary. This format makes it extremely useful as a reference work for anyone listening to, performing in, or studying any of the Bach cantatas. All the cantata librettos are given in German-English parallel text. For the English edition the text has been carefully revised to bring it up to date, taking account of recent Bach scholarship.
Author : John Wallace,Alexander McGrattan
Publisher : Yale University Press
Page : 359 pages
File Size : 41,7 Mb
Release : 2011-01-01
Category : Music
ISBN : 9780300112306
Monografie over de geschiedenis van de trompet.
Author : Richard D. P. Jones
Publisher : OUP Oxford
Page : 352 pages
File Size : 46,9 Mb
Release : 2006-12-21
Category : Music
ISBN : 0191513245
This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.
Author : Richard D. P. Jones
Publisher : Oxford University Press on Demand
Page : 350 pages
File Size : 49,6 Mb
Release : 2007
Category : Music
ISBN : 9780198164401
This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, coveringthe early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to beconsidered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development.As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appearedrelating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand whatdistinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.
Author : Melvin P. Unger
Publisher : Scarecrow Press
Page : 796 pages
File Size : 44,6 Mb
Release : 1996-04-16
Category : Music
ISBN : 9781461659051
The German church cantata of the eighteenth century was the culmination of a long tradition of Lutheran "sermon music" that used the proclamation, amplification, and interpretation of scripture to teach and persuade the listener. Bach's cantatas also served this didactic purpose and typically incorporate numerous allusions to scriptural passages or themes in their librettos. Unfortunately, many of these passages remain obscure to the twentieth-century musician because they demand a much closer familiarity with the Bible than is common today. The Handbook to Bach's Sacred Cantata Texts identifies scriptural references for the wording, imagery, and themes that Bach's listeners would have known. In addition, the religious or literary theme of each text is summarized within the specific context of the cantata as a whole. With interlinear translations and a full complement of indexes.
Author : Marjorie Wornell Engels
Publisher : McFarland
Page : 225 pages
File Size : 41,5 Mb
Release : 2006-04-04
Category : Music
ISBN : 9780786425440
Through a musical language involving symbols, numbers, and tonality, J.S. Bach created emotional dimension in the preludes and fugues of The Well-Tempered Clavier. This book explores the use of that musical language, revealing how Bach used harmonic design and melodic and rhythmic motivic formulas to adhere to the basic doctrine of the Theory of Affects--i.e., that one mood will govern one piece. The book examines the significance of key and the emotional dimension Bach discerned in each tonality; the symbolism of melodic and rhythmic motifs; and the symbolism of numbers. It considers the thematic and rhythmic links between a prelude and its companion fugue in each book, and between a prelude and fugue in Book One and those in the same key in Book Two. It also includes reference to other instrumental works by Bach in the same key and melodic patterns.
Author : Gramophone Shop, Inc., New York
Publisher : Unknown
Page : 666 pages
File Size : 50,7 Mb
Release : 1948
Category : Phonograph
ISBN : NYPL:33433018631576