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Author : Augustus Hughes-Hughes
Publisher : Unknown
Page : 543 pages
File Size : 46,6 Mb
Release : 1965
Category : Electronic
ISBN : OCLC:631991572
Author : British Museum. Department of Manuscripts,Augustus Hughes-Hughes
Publisher : Unknown
Page : 576 pages
File Size : 54,7 Mb
Release : 1909
Category : Manuscripts
ISBN : STANFORD:36105011370553
Author : British Museum. Dept. of Manuscripts
Publisher : Unknown
Page : 128 pages
File Size : 48,8 Mb
Release : 1842
Category : Manuscripts
ISBN : UOM:39015023564555
Author : Leslie Ritchie
Publisher : Routledge
Page : 280 pages
File Size : 40,8 Mb
Release : 2017-07-05
Category : Literary Criticism
ISBN : 9781351536622
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barthmon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Author : British Museum. Department of Manuscripts
Publisher : Unknown
Page : 615 pages
File Size : 51,7 Mb
Release : 1906
Category : Manuscripts
ISBN : OCLC:263589369
Author : British museum dept. of MSS.
Publisher : Unknown
Page : 126 pages
File Size : 47,7 Mb
Release : 1842
Category : Electronic
ISBN : OXFORD:590119308
Author : T. L. Kington-Oliphant
Publisher : Unknown
Page : 124 pages
File Size : 48,8 Mb
Release : 1842
Category : Electronic
ISBN : ONB:+Z259206202
Author : Weldon Whipple
Publisher : Lulu.com
Page : 146 pages
File Size : 53,7 Mb
Release : 2016-02-21
Category : Electronic
ISBN : 9781329801295
A study of Beethoven's organ and composition studies as a youth in Bonn. It includes the three works contained in his collected works, as well as works for mechanical or "barrel" organs. Next the true origins of the organ trios are presented, followed by miscellaneous works of questionable authenticity.
Author : Thomas Oliphant
Publisher : Unknown
Page : 124 pages
File Size : 49,5 Mb
Release : 1842
Category : Electronic
ISBN : BSB:BSB10810254
Author : British Museum Dept of Manuscripts,Augustus Hughes-Hughes
Publisher : Palala Press
Page : 0 pages
File Size : 46,8 Mb
Release : 2018-03
Category : Electronic
ISBN : 1378859103
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : British Museum Dept of Manuscripts
Publisher : Palala Press
Page : 122 pages
File Size : 52,7 Mb
Release : 2015-09-01
Category : Electronic
ISBN : 1341124800
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Richard Charteris
Publisher : Taylor & Francis
Page : 355 pages
File Size : 52,7 Mb
Release : 2023-05-31
Category : Music
ISBN : 9781000951462
For more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.
Author : Aubrey S. Garlington
Publisher : Routledge
Page : 227 pages
File Size : 44,8 Mb
Release : 2018-01-18
Category : Social Science
ISBN : 9781351148863
Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.
Author : Thomas Oliphant
Publisher : Forgotten Books
Page : 118 pages
File Size : 51,6 Mb
Release : 2017-11-20
Category : Music
ISBN : 0331324296
Excerpt from Catalogue of the Manuscript Music in the British Museum A description of the musical instruments mentioned in the Old Testament; ascribed to St. Jerome. Begin. Tibi, Dardane. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : British Museum Dept of Manuscripts
Publisher : Wentworth Press
Page : 110 pages
File Size : 40,6 Mb
Release : 2019-02-27
Category : Electronic
ISBN : 0526103361
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
