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Listening to Classic American Popular Songs by Allen Forte,Richard Lalli,Gary Chapman Pdf
In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” (1924) to Irving Berlin’s “Steppin’ Out with My Baby” (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music. Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs’ distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for “Embraceable You” and “Come Rain or Come Shine”. Learn about these favorite songs and more: “How Long Has This Been Going On?” “What Is This Thing Called Love?” “Embraceable You” “Autumn in New York” “I’ve Got You Under My Skin” “The Nearness of You” “That Old Black Magic” “Come Rain or Come Shine”
Classic Italian Songs for Medium Voice by Alessandro Parisotti Pdf
Fine compilation of 17th- and 18th-century arias, ariettas, and canzonettas. Representing the finest work of 19 composers, these short works are ideal for performance on all levels. Carissimi's Vittoria, vittoria!, Caldara's Sebben crudele, Cesti's Intorno all'idol mio, Gluck's O del mio dolce ardor, Handel's Ah, mio cor, and others.
Paul McCartney: The Stories Behind 50 Classic Songs, 1970-2020 by Mike Evans Pdf
Paul McCartney's songwriting output as a member of the Beatles, mainly with his co-writer John Lennon, has been exhaustively documented over the years. Now, taking 50 key songs from his five-decade career since the break-up of the Fab Four, Paul McCartney: The Stories Behind 50 Classic Songs takes an in-depth look at the post-Sixties work of one of popular music's most versatile and prolific composers and performers. Paul McCartney has been a genuine pop idol, a cutting-edge experimenter, and in later years recognized as an international musical treasure. The 50 selections from his vast songwriting catalogue highlighted in Paul McCartney: The Stories Behind 50 Classic Songs mark half a century of musical creativity by a true icon of popular music. Each song includes full session details, personnel lists and chart data and is described in detail, from original inspiration to the final release. Quotes from session musicians and studio personnel – and star guests such as Stevie Wonder, Elvis Costello and Kanye West – bring the making of every song to life, alongside a wealth of related photographs in and out of the studio.
Classic American Popular Song by David Jenness,Donald Velsey Pdf
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.
Quicklet on The Best Ramones Songs: Lyrics and Analysis by David Cassel Pdf
ABOUT THE BOOK Via Sugar Sweet Sunshine It's like the world is still quivering from that night they took the stage in New York City — counting out just a little too fast, “1, 2, 3, 4...” When the four Ramones first played “Blitzkrieg Bop” in 1974, they were raw, ragged, and revolutionary. They played a new kind of rock that was more intense —darker, faster, funnier, and more free. It was Dee Dee, Tommy, Johnny, and Joey Ramone who were the first to imagine a world where the music sounded so different. Over the years we realized their band was resurrecting those taboo rock joys they'd first experienced as young teenagers, when radio rock was a freak-welcoming place, and everyone could share a wild abandonment together. In trying to reclaim that power — the dark magic they remembered — the Ramones spewed out their own pumped-up mystery, distilled from comic-book horrors, the evils both in the world around us and from their own lives, and, most of all, that powerful early fascination with what rock had meant to them and their refusal to forget what rock could mean... I actually met the Ramones just a few years after they launched, at one of their personal appearances in California. They’d already burned through two drummers, and the four tough-looking musicians were all lined up behind a table at a record store, staring back dangerously. Awed by their reputation, all I could think to ask was, “What's it like being a Ramone?” “It's very rewarding,” replied their new drummer Richie, adding “I recommend it” — a semi-sarcastic answer that was part put-on, part mystique. It was just like the way every musician who played in the band took the last name “Ramone,” even though none of them were in any way related. Though they cultivated this mock mysteriousness, the best thing about the Ramones was ultimately their kids-from-the-neighborhood attitude, their daring to believe in the idea that you could be famous without changing. In so doing, they changed the relationship between performers and audiences forever, smashing their guitars against that big wall between the media and the rest of us. Their songs catch the tension between pop music and raw reality, that love-hate dance between fame and grit, or the stage and the street, with one very radical idea: that real was enough. One of the surprises of their career is that they lived many of the cartoon horrors they described, that their life was as startling as their music. Their songs actually capture pieces of their life — that's part of what makes the songs feel so real — and they left them behind as part of a legend which can still haunt the musicians of today. In the end, it was almost as though a cruel universe felt it had to hunt down the Ramones and kill them. The voice behind the Ramones was their lovably ordinary vocalist Joey Ramone, who died of cancer in 2001 at the age of 49. And just thirteen months later, the man who’d laid down the relentless bass lines on their first albums, Dee Dee Ramone, died of a heroin overdose at the age of 50. By 2004, cancer had also claimed their fierce guitarist Johnny Ramone at the age of 55. The only original band member to even reach the age of 60 was drummer Tommy, who also co-produced their first albums (and continues producing music to this day). Though the line-up of the band sometimes changed, the Ramones' sound was always a reaction to the decline of rock in the 1970s...and an attempt to shove it in a new direction. But there was also always a tension between darkness and light — a mad hope that these wild real-life stories could somehow ascend into pop music heaven. It was a 20-year war that created love, death, and heroes, while slowly attracting believers and eventually a movement.
Quicklet on The Best The White Stripes Songs: Lyrics and Analysis by Winston Macallum Pdf
ABOUT THE BOOK When country music legend Loretta Lynn first heard The White Stripes, she said the duo of Jack White and Meg White “sounded like someone was breaking into a bank.” She was describing the aggressive, loud and original sounds of the Detroit band that was changing rock ‘n’ roll with its fusion of garage-style rock and blues arrangements. Once thought to be brother and sister, Jack White and Meg White came crashing into the music scene circa 2002 with their megahit, “Fell In Love With A Girl.” When they left the music scene for good on Feb. 2, 2011, they left the world with rock ‘n’ roll hits that will survive beyond their creators. Even after it was discovered the Whites were actually ex-husband and ex-wife, no one stopped listening. Critics were too busy hailing The White Stripes as saviors of rock ‘n’ roll with hits such as “Seven Nation Army” and “Dead Leaves and the Dirty Ground.” Via Creative Commons For years, the band was a bit of a rock enigma, even to each other. They went on hiatus for a few years before reuniting for 2007’s Icky Thump, a commercial and critical success. But in the fall of 2007, the band cancelled the rest of their U.S. tour due to Meg White’s “acute anxiety.” Jack White was the talkative, lead figure of the band, while Meg White was the introverted one no one seemed to understand. In a 2009 interview with The Guardian, Jack White explained how he too tries to get past the enigma of Meg White. “My ears prick up when she actually mentions something about what we've done. I'm so interested to hear what her take on it is. But it quickly dissolves into: ‘I don't know what she's taking from that... I'm just so happy that she knew that we played that one show!"’ Meg White’s distinctive primitive drumming style made The White Stripes different from any other rock band at the time, and Jack White’s virtuoso guitar skills made them superior. Despite only two members, the band filled arenas and festivals with their ground-shaking sound.
More Stories Behind the Best-Loved Songs of Christmas by Ace Collins Pdf
Ace Collins has dug deep to uncover the true stories behind your favorite Christmas songs. Explore how these songs came into being, and discover a deeper appreciation for these melodic messages of peace, hope, and joy that celebrate the birth of Jesus.
Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 330 pages File Size : 43,8 Mb Release : 2017-07-01 Category : Music ISBN : 9781540003171
First 50 Classic Rock Songs You Should Play on Piano by Hal Leonard Corp. Pdf
(Easy Piano Songbook). 50 top classic rock hits arranged for easy piano, perfect for beginners who want to play their favorite songs! Includes: Angie * Behind Blue Eyes * Changes * Dream On * The End of the Innocence * Free Bird * Gimme Some Lovin' * Hey Jude * In Your Eyes * Jump * Kiss on My List * Listen to Your Heart * More Than a Feeling * November Rain * Open Arms * Proud Mary * Sweet Home Alabama * We Are the Champions * and more.
THE STORY: Hoping to reconnect with his music and shatter the artistic block that's plagued his career, Stephen Hoffman, a young American piano prodigy, ventures to Vienna in the spring of 1986. He is assigned to an elderly vocal teacher, Professor
Favorite Sacred Classics for Solo Singers - Medium Low Voice by Patrick M. Liebergen Pdf
This versatile collection contains 18 songs for solo voice and piano appropriate for recitals, concerts, contests and worship services. Includes songs by J.S. Bach, Beethoven, Dvorak, Mendelssohn, Mozart and more!
Edgy, witty, and opinionated critical analysis of “classic rock” in the 21st century, discussing everything from modern remixes of classic albums (why?) to concert ticket prices, Record Store Day, the vinyl revival, milking deceased artists, reunions, tribute acts, and more. When Dave Thompson’s I Hate New Music: The Classic Rock Manifesto in 2008, the book did not so much divide the world of rock reading as leave it in an uproar. It started arguments, it ended debates, and for the author of over 150 music books, it not only received the strongest reader response of any book he’d written, it also still crops up in author interviews today. Almost fifteen years later, however, much has changed, and the classics have lost some of their bite as well. In I Hate Old Music, Too, Thompson recasts the story of “classic rock” in the 21st century. Among the targets of his ire are lavish box sets that mostly just duplicate the albums you already own; comebacks and reunions featuring half or even fewer of the band members; the dark side of the “vinyl revival;” the continued cult of The Beatles; and much more.
A SCOTS QUAIR: Sunset Song, Cloud Howe & Grey Granite (World's Classics Series) by Lewis Grassic Gibbon Pdf
This carefully crafted ebook: “A SCOTS QUAIR: Sunset Song, Cloud Howe & Grey Granite (World's Classics Series)” is formatted for your eReader with a functional and detailed table of contents. Sunset Song is the first book of the trilogy A Scots Quair and widely regarded as one of the most important Scottish novels of the 20th century. Chris Guthrie, the female protagonist, is a strong character who grows up in a dysfunctional farming family. Life is hard after her dad's death and she must take some tough decisions to save her farms under the inevitable threat of World War I. Cloud HoweII is the story of Chris Guthrie and her second husband Robert. They move to Segget, a mill town where a class struggle is taking shape and Robert is at the helm of political affairs. Grey Granite is the final book of the trilogy and the story of Ewan, Chris's son in the depression era. Ewan is forced to become a communist activist due to violence and police brutality. But everything is threatened when the cause becomes bigger than the people around him. Lewis Grassic Gibbon was the pseudonym of James Leslie Mitchell (1901 – 1935), a Scottish writer famous for his contribution to the Scottish Renaissance and portrayal of strong female characters.
Old Scores and New Readings: Discussions on Music & Certain Musicians by John F. Runciman Pdf
"Old Scores and New Readings: Discussions on Music & Certain Musicians" is a collection of essays on the greatest musicians of all times and their creations. The book is full of interesting details about different moments in the lives of the great masters. It contains a professional analysis of some of the greatest music works, such as "Lohengrin" or "Tristan and Isolda."
The Book of Songs by The Arthur Waley Estate,Arthur Waley Pdf
First published in 1937. The Book of Songs is a collection of ancient Chinese songs, dating from 800 to 600 B.C. Until this was published in 1937 it had not been translated into English since the middle of nineteenth century, when sinology was still in its infancy. For the first time the original meaning of 290 out of the 305 songs is given, use being made of the advances in the study of old Chinese. The result is not merely a clear picture of early Chinese life, but also the restoration to its proper place in world literature of one of the finest collection of traditional songs.
