Collage Assemblage And The Found Object

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Collage, Assemblage, and the Found Object

Author : Diane Waldman
Publisher : Unknown
Page : 336 pages
File Size : 52,5 Mb
Release : 1992-01-01
Category : Art, Modern
ISBN : 0714828386

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Collage, Assemblage, and the Found Object by Diane Waldman Pdf

In 1912 Georges Braque and Pablo Picasso created the first papiers colles by gluing pieces of oak-grained faux bois wallpaper onto their drawings. In 1917 Marcel Duchamp selected a urinal, signed it R. Mutt, and presented it as an object of art under the title Fountain. In 1919 Kurt Schwitters began gathering scraps of rubbish and assembled them into a series of works that he titled Merz constructions. These acts represent three of the most significant achievements in twentieth-century art. The definitive book on its subject, Collage, Assemblage, and the Found Object offers a comprehensive and dynamic history of the mediums that revolutionized our ideas about the nature of art and influenced virtually every major art movement of the twentieth century. Made up of fragments, of debris, of rejected pieces and common artifacts of popular culture, collage and assemblage are arts of protest, of challenge, of exploration. They emphasize the everyday and commonplace over precious materials and refinement; concept and process over end product; the temporary and ephemeral over the lasting. They propose a dislocation in time and space and, by the nature of their makeup, offer multiple layers of meaning. They also furnish a compelling historical record of their time. All these currents are explored by Diane Waldman, deputy director and senior curator of the Solomon R. Guggenheim Museum, New York. In clear and cogent prose, generously illustrated with examples and comparative works, she traces collage, the found object - and the related development, assemblage - from their Cubist beginnings to the present. Waldman moves from the outrageous experiments of the Dadaists in the 1920s to the irreverent debunkings of the 1960s Pop artists to the provocative appropriation art of the 1990s; from the intricate towers and assemblages of the Russian Constructivists early in this century to the surprising piles of materials put together by such midcentury artists as Robert Rauschenberg, Jasper Johns, and John Chamberlain; from the cerebral and Freudian collages and objects of the Surrealists in the 1920s and 1930s to the probing conundrums posed by the conceptualists of the 1980s and 1990s. A lively book on lively arts, Collage, Assemblage, and the Found Object gives us a comprehensive and dynamic view of what are arguably the most important artistic developments of our time.

Collage, Assemblage, and the Found Object

Author : Diane Waldman
Publisher : ABRAMS
Page : 344 pages
File Size : 46,6 Mb
Release : 1992
Category : Art, Modern
ISBN : UCSD:31822015453665

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Collage, Assemblage, and the Found Object by Diane Waldman Pdf

"In 1912 Georges Braque and Pablo Picasso created the first papiers colles by gluing pieces of oak-grained faux bois wallpaper onto their drawings. In 1917 Marcel Duchamp selected a urinal, signed it R. Mutt, and presented it as an object of art under the title Fountain. In 1919 Kurt Schwitters began gathering scraps of rubbish and assembled them into a series of works that he titled Merz constructions. These acts represent three of the most significant achievements in twentieth-century art." "The definitive book on its subject, Collage, Assemblage, and the Found Object offers a comprehensive and dynamic history of the mediums that revolutionized our ideas about the nature of art and influenced virtually every major art movement of the twentieth century." "Made up of fragments, of debris, of rejected pieces and common artifacts of popular culture, collage and assemblage are arts of protest, of challenge, of exploration. They emphasize the everyday and commonplace over precious materials and refinement; concept and process over end product; the temporary and ephemeral over the lasting. They propose a dislocation in time and space and, by the nature of their makeup, offer multiple layers of meaning. They also furnish a compelling historical record of their time." "All these currents are explored by Diane Waldman, deputy director and senior curator of the Solomon R. Guggenheim Museum, New York. In clear and cogent prose, generously illustrated with examples and comparative works, she traces collage, the found object - and the related development, assemblage - from their Cubist beginnings to the present." "Waldman moves from the outrageous experiments of the Dadaists in the 1920s to the irreverent debunkings of the 1960s Pop artists to the provocative appropriation art of the 1990s; from the intricate towers and assemblages of the Russian Constructivists early in this century to the surprising piles of materials put together by such midcentury artists as Robert Rauschenberg, Jasper Johns, and John Chamberlain; from the cerebral and Freudian collages and objects of the Surrealists in the 1920s and 1930s to the probing conundrums posed by the conceptualists of the 1980s and 1990s." "A lively book on lively arts, Collage, Assemblage, and the Found Object gives us a comprehensive and dynamic view of what are arguably the most important artistic developments of our time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

What Do Pictures Want?

Author : W. J. T. Mitchell
Publisher : University of Chicago Press
Page : 419 pages
File Size : 40,8 Mb
Release : 2013-12-23
Category : Art
ISBN : 9780226245904

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What Do Pictures Want? by W. J. T. Mitchell Pdf

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

The Art of Found Objects

Author : Robert Craig Bunch
Publisher : Texas A&M University Press
Page : 222 pages
File Size : 52,7 Mb
Release : 2016-09-23
Category : Art
ISBN : 9781623494070

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The Art of Found Objects by Robert Craig Bunch Pdf

In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from formative influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.

The Art of Assemblage

Author : William Chapin Seitz
Publisher : Unknown
Page : 188 pages
File Size : 40,6 Mb
Release : 1961
Category : Art
ISBN : UOM:39015009424915

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The Art of Assemblage by William Chapin Seitz Pdf

"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.

Collage and Assemblage

Author : Dona Z. Meilach
Publisher : Crown Pub
Page : 268 pages
File Size : 45,5 Mb
Release : 1974-03
Category : Assemblage (Art)
ISBN : 0517512173

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Collage and Assemblage by Dona Z. Meilach Pdf

Surveys the history of the art form and details the stenciling, laminating, photocopying, wax resist, and other processes used in applying materials to canvas

The Art of Assemblage

Author : William Chapin Seitz
Publisher : Unknown
Page : 188 pages
File Size : 53,9 Mb
Release : 1961
Category : Art
ISBN : UOM:39015009424915

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The Art of Assemblage by William Chapin Seitz Pdf

"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.

An Introduction to the Making of Western Art

Author : Susan L. Green
Publisher : Taylor & Francis
Page : 251 pages
File Size : 44,9 Mb
Release : 2024-03-29
Category : Art
ISBN : 9781003850830

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An Introduction to the Making of Western Art by Susan L. Green Pdf

This book is the first introduction to Western art that not only considers how choice of materials can impact form, but also how objects in different media can alter in appearance over time, and the role of conservators in the preservation of our cultural heritage. The first four chapters cover wall and easel paintings, sculpture, drawings, and prints, from the late Middle Ages to the present day. They examine, with numerous examples, how these works have been produced, how they might have been transformed, and how efforts regarding their preservation can sometimes be misleading or result in controversy. The final two chapters look at how photography, new techniques, and modern materials prompted innovative ways of creating art in the twentieth century, and how the rapid expansion of technology in the twenty-first century has led to a revolution in how artworks are constructed and seen, generating specific challenges for collectors, curators, and conservators alike. This book is primarily directed at undergraduates interested in art history, museum studies, and conservation, but will also be of interest to a more general non-specialist audience.

Junk

Author : Gillian Whiteley
Publisher : Bloomsbury Publishing
Page : 302 pages
File Size : 48,8 Mb
Release : 2010-11-30
Category : Art
ISBN : 9780857731401

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Junk by Gillian Whiteley Pdf

Trash, garbage, rubbish, dross, and detritus - in this enjoyably radical exploration of 'Junk', Gillian Whiteley rethinks art's historical and present appropriation of junk within our eco-conscious and globalised culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition 'The Art of Assemblage' in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.

Art Quilt Workbook

Author : Jane Davila,Elin Waterston
Publisher : C&T Publishing Inc
Page : 100 pages
File Size : 42,5 Mb
Release : 2010-11-05
Category : Crafts & Hobbies
ISBN : 9781607050001

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Art Quilt Workbook by Jane Davila,Elin Waterston Pdf

Do-It-All Guide to Putting the ART in Art Quilts. Learn the basics of good design with simple step-by-step exercises, then add your own personal style. Develop the quilt artist within you. Explore fabric collage, thread painting, innovative piecing, and photo imagery on fabric. Learn about the business side of creating, exhibiting, and marketing your quilts. Take your art quilts to the next level with Jane and Elin guiding the way. Do the lessons and homework, check out all the beautiful gallery quilts for inspiration, and find lots of resources for further study.

Design: The Key Concepts

Author : Catherine McDermott
Publisher : Routledge
Page : 265 pages
File Size : 46,5 Mb
Release : 2007-10-30
Category : Art
ISBN : 9781134361809

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Design: The Key Concepts by Catherine McDermott Pdf

This is the essential student’s guide to Design – its practice, its theory and its history. Respected design writer Catherine McDermott draws from a wide range of international examples.

Mixed Forms of Visual Culture

Author : Mary Anne Francis
Publisher : Bloomsbury Publishing
Page : 249 pages
File Size : 54,9 Mb
Release : 2021-12-02
Category : Art
ISBN : 9781350211391

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Mixed Forms of Visual Culture by Mary Anne Francis Pdf

This book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term 'mixed form' for them. Focusing on key phenomena in the last half millennium such as the cabinet of curiosities, the broadside ballad and the chapbook as early forms of image-text, the scrapbook, assemblage, and, in digital times, so-called 'mixed reality,' the book argues that while the quality of inconsistency is traditionally dismissed, its expression nevertheless plays a vital role in social life. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history. Two of the book's chapters take the form of visual essays, with one comprising an anthology of found scrapbook pages and the other offering an analysis of artists' scrapbooks. The book is richly illustrated throughout.

South of Pico

Author : Kellie Jones
Publisher : Duke University Press
Page : 416 pages
File Size : 43,6 Mb
Release : 2017-03-17
Category : Art
ISBN : 9780822374169

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South of Pico by Kellie Jones Pdf

Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.

Collage and Architecture

Author : Jennifer A.E. Shields
Publisher : Routledge
Page : 287 pages
File Size : 49,8 Mb
Release : 2014-01-03
Category : Architecture
ISBN : 9781134681549

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Collage and Architecture by Jennifer A.E. Shields Pdf

Collage and Architecture is the first book to cover collage as a tool for design in architecture, making it a valuable resource for students and practitioners. Author Jennifer Shields uses the artworks and built projects of leading artists and architects, such as Le Corbusier, Daniel Libeskind, and Teddy Cruz to illustrate the diversity of collage techniques. The six case study projects from Mexico, Argentina, Sweden, Norway, the United States, and Spain give you a global perspective of architecture as collage. Collage is an important instrument for analysis and design, and Shields’s presentation of this versatile medium draws on decades of relevance in art and architecture, to be adapted and transformed in your own work.

Form and Meaning in Avant-Garde Collage and Montage

Author : Magda Dragu
Publisher : Routledge
Page : 257 pages
File Size : 54,7 Mb
Release : 2020-02-06
Category : Art
ISBN : 9781000026221

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Form and Meaning in Avant-Garde Collage and Montage by Magda Dragu Pdf

This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period. Magda Dragu distinguishes between the concepts of collage and montage, as defined across several media (fine arts, literature, music, film, photography), based on the type of artistic meaning they generate, rather than the mechanical procedures involved. The book applies theories of intermediality to collage and montage, which is crucial for understanding collage as a form of cultural production. Throughout, the author considers the political implications, as collages and montages were often used for propagandistic purposes. This book combines research methods used in several areas of inquiry: art history, literary criticism, analytical philosophy, musicology, and aesthetics.