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Revolutions is the first book-length critical survey of twenty-first-century Canadian fiction, with in-depth essays examining subjects such as the Scotiabank Giller Prize, the effects of the digital revolution, and the dark legacy of what has come to be know as the Canadian literary establishment. Throughout, close reading is given to many contemporary authors, with particular attention paid to such central figures as Douglas Coupland and David Adams Richards. Alex Good explains and contextualizes this period in Canadian fiction for the general reader, providing a much-needed critical re-assessment of Canadian writing in the new millennium. By offering a contrary yet thoughtful position to that taken by our nation’s most prominent literary tastemakers, Good offers a vigorous commentary on the state of Canadian literature—where we are and how we got here.
"Ten years, ten authors, ten critics. The Canadian Literature Centre/Centre de littâerature canadienne reached into its Brown Bag Lunch Reading Series to present a sampling of some of the most diverse and powerful voices in contemporary Canadian literature from Newfoundland to British Columbia. Each piece is accompanied by a concise critical essay addressing the author's writerly preoccupations and practices. The literary selections and essays will be of interest to engaged readers who want direction in analyzing these authors' work as well as to teachers and students of Canadian literature."--
Catching the Torch examines contemporary novels and plays written about Canada’s participation in World War I. Exploring such works as Jane Urquhart’s The Underpainter and The Stone Carvers, Jack Hodgins’s Broken Ground, Kevin Kerr’s Unity (1918), Stephen Massicotte’s Mary’s Wedding, and Frances Itani’s Deafening, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War. In contrast to British and European remembrances of WWI, which tend to regard it as a cataclysmic destroyer of innocence, or Australian myths that promote an ideal of outsize masculinity, physical bravery, and white superiority, contemporary Canadian texts conjure up notions of distinctively Canadian values: tolerance of ethnic difference, the ability to do one’s duty without complaint or arrogance, and the inclination to show moral as well as physical courage. Paradoxically, Canadians are shown to decry the horrors of war while making use of its productive cultural effects. Through a close analysis of the way sacrifice, service, and the commemoration of war are represented in these literary works, Catching the Torch argues that iterations of a secure mythic notion of national identity, one that is articulated via the representation of straightforward civic and military participation, work to counter current anxieties about the stability of the nation-state, in particular anxieties about the failure of the ideal of a national “character.”
Penguin Book of Contemporary Canadian Women's Short Stories by Lisa Moore Pdf
Master short story writer and novelist Lisa Moore brings her talents to The Penguin Book of Contemporary Canadian Women's Short Stories, spanning the last two decades of the twentieth century to the present. An enthralling and irresistible collection of twenty-two established writers and talented new voices who attest to the richness and continued popularity of the short story. The authors featured include Margaret Atwood, Bonnie Burnard, Mavis Gallant, Alice Munro, and Carol Shields, among others.
The Penguin Book of Contemporary Canadian Women's Short Stories by Lisa Moore Pdf
An enthralling and irresistible collection of twenty-two established writers and talented new voices who attest to the richness and continued popularity of the short story.
Voices of Exile in Contemporary Canadian Francophone Literature by F. Elizabeth Dahab Pdf
Over the last four decades, the largest French-speaking state in North America, QuZbec, has nested more than a dozen vibrant modes of French expression created by members of the varied cultural communities that have settled there. Voices of Exile in Contemporary Canadian Francophone Literature examines the works of several first-generation Canadian authors originating from Lebanon, Iraq, Egypt, and the Maghreb, who produced a trilingual literature that reflects the diversity of their cultural backgrounds. By casting a critical eye on the works of Saad Elkhadem, Naim Kattan, Abla Farhoud, Wajdi Mouawad, and HZdi Bouraoui, F. Elizabeth Dahab explores themes, styles, and structures that characterize the oeuvre of those authors. Dahab demonstrates that their mode is exile, and in so doing, she reveals the ways in which these writers seek to shape their art, using a host of innovative techniques that engage their renewed cultural identity.
Ancient Memories, Modern Identities by Filippo Salvatore Pdf
Ancient Memories, Modern Identities stands for pagan, peasant memories in a postmodern, urban North America. Second- and third-generation authors, young by adoption but old in their vision, express the phenomenon of migration as both a physical displacement and indelible memory.
In-depth interviews with Josef Skvorecky, Roo Borson, Rudy Wiebe, Peter Van Toorn, Nicole Brossard, Christopher Dewdney, Margaret Atwood, Jack Hodgins, Erin Mouré, Mavis Gallant, and Leon Rooke. So To Speak is a relatively random selection of Canadian writerly voices: established writers and new writers, female and male, poets and fictioneers. It demonstrates the disorderly richness of current Canadian writing.
Contemporary Canadian Picture Books by Beverley Brenna,Richard Dionne,Theresa Tavares Pdf
"This is an enriched reference guide for picture books published by Canadian houses between 2017-2019. Chapters cover a brief history of picture books, key themes in contemporary Canadian titles (matching broad curriculum outcomes in education), and response activities, including frameworks for critical literacy discussions, along with annotated bibliographies that specifically recognize titles by Indigenous authors and illustrators. Also included are original interviews with a dozen rising stars in Canadian writing and illustration. While the book is specifically geared for educators, it also supports public libraries, research in Education, and future picture book creation as well as families who are interested in supporting reading development and related literacy activities in the home setting"--
Open Country: Canadian Literature in English: Canadian Short Fiction is a contemporary showcase of the country’s writing. The collection includes extensive annotations that offer new interpretive possibilities for the study and appreciation of Canadian literature. Editor Robert Lecker provides an unparalleled view of Canada’s literary evolution. This volume brings together poetry and fiction by 64 authors who gained prominence after 1950. Organized chronologically, the works of each author are introduced by a detailed bio-critical essay that provides background information about the influences and ideas shaping the selected works as well as the author’s career. Open Country: Canadian Literature in English: Canadian Short Fiction combines recognized works in the Canadian canon with innovative challenges to the tradition, creating a dynamic balance between the established and the new.