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Filmmaker Wes Craven has consistently and imaginatively scared movie audiences since the early 1970s. His films encompass a variety of styles, elements and themes, from the nihilistic existentialism of The Last House on the Left to the successful A Nightmare on Elm Street (which sent horror in a bold new direction), to the hallucinatory dreamscapes of The Serpent and the Rainbow. And in the nineties, Craven returned with the Scream films, which were simultaneously funny, clever and scary films that overturned the horror cliches of the eighties. The present work provides a history of Craven's film career since 1972, examining all the themes and techniques the filmmaker explored. For each film, a synopsis, cast and credits, historical context, and critical commentary are provided. Also covered in detail are Craven's forays into television, including movies such as Stranger in the House and work on such series as The New Twilight Zone.
Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022 Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker 'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series 'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's his best yet.' Stuart Turton 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'You can taste the authenticity' Daily Mail Detective Sergeant Washington Poe is in court, fighting eviction from his beloved and isolated croft, when he is summoned to a backstreet brothel in Carlisle where a man has been beaten to death with a baseball bat. Poe is confused - he hunts serial killers and this appears to be a straightforward murder-by-pimp - but his attendance was requested personally, by the kind of people who prefer to remain in the shadows. As Poe and the socially awkward programmer Tilly Bradshaw delve deeper into the case, they are faced with seemingly unanswerable questions: despite being heavily vetted for a high-profile job, why does nothing in the victim's background check out? Why was a small ornament left at the murder scene - and why did someone on the investigation team steal it? And what is the connection to a flawlessly executed bank heist three years earlier, a heist where nothing was taken . . . Praise for Dead Ground: 'Unmissable' Sunday Express 'I've been following M.W. Craven's Poe/Tilly series from the very beginning, and it just gets better and better. Dead Ground is a fast-paced crime novel with as many twists and turns as a country lane. I can't wait for the next one.' Peter Robinson 'Dead Ground is both entertaining and engaging with great characters and storyline. I loved this first dip into the world of Tilly and Poe!' BA Paris Praise for M W Craven: 'A brutal and thrilling page turner' Natasha Harding, The Sun 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron 'One of the most engaging teams in crime fiction' Daily Mail 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'A gripping start to a much anticipated new series' Vaseem Khan 'Satisfyingly twisty and clever and the flashes of humour work well to offer the reader respite from the thrill of the read.' Michael J. Malone 'Nothing you've ever read will prepare you for the utterly unique Washington Poe' Keith Nixon 'Beware if you pick up a book by M.W. Craven. Your life will no longer belong to you. He will hold you spellbound.' Linda's Book Bag 'Craven's understanding of the criminal world is obvious in this cracking read' Woman's Weekly 'Breath-taking' Random Things Through My Letterbox '5 Stars... another fantastic literary experience and a welcome addition to the already brilliant Poe and Tilly series' Female First 'An explosive plot, slippery twists and my fave new crime-busting duo...Fantastic!' Peterborough Telegraph
A Critical Companion to Wes Craven by Fernando Gabriel Pagnoni Berns,John Darowski Pdf
In A Critical Companion to Wes Craven, contributors use a variety of theoretical frameworks to analyze distinct areas of Craven’s work, including ecology, auteurism, philosophy, queer studies, and trauma. This book covers both the successes and failures contained in Craven’s extensive filmography, ultimately revealing a variegated portrait of his career. Scholars of film studies, horror, and ecology will find this book particularly interesting.
Craven's Part in the Great War by John T. Clayton Pdf
DigiCat Publishing presents to you this special edition of "Craven's Part in the Great War" by John T. Clayton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
I Heard the Owl Call My Name by Margaret Craven Pdf
Amid the grandeur of the remote Pacific Northwest stands Kingcome, a village so ancient that, according to Kwakiutl myth, it was founded by the two brothers left on earth after the great flood. The Native Americans who still live there call it Quee, a place of such incredible natural richness that hunting and fishing remain primary food sources. But the old culture of totems and potlatch is being replaces by a new culture of prefab housing and alcoholism. Kingcome's younger generation is disenchanted and alienated from its heritage. And now, coming upriver is a young vicar, Mark Brian, on a journey of discovery that can teach him—and us—about life, death, and the transforming power of love.
'Dark, sharp and compelling' PETER JAMES 'Fantastic' MARTINA COLE 'Britain's answer to Harry Bosch' MATT HILTON 'If you haven't read M W Craven yet, now is the time to start' Abir Mukherjee ______________________ It's Christmas and a serial killer is leaving displayed body parts all over Cumbria. A strange message is left at each scene: #BSC6 Called in to investigate, the National Crime Agency's Washington Poe and Tilly Bradshaw are faced with a case that makes no sense. Why were some victims anaesthetized, while others died in appalling agony? Why is their only suspect denying what they can irrefutably prove but admitting to things they weren't even aware of? And why did the victims all take the same two weeks off work three years earlier? And when a disgraced FBI agent gets in touch things take an even darker turn. Because she doesn't think Poe is dealing with a serial killer at all; she thinks he's dealing with someone far, far worse - a man who calls himself the Curator. And nothing will ever be the same again . . . Praise for Black Summer: 'Truly mind-blowing' A. A. Dhand 'A book that shines with tension, wit and invention' William Shaw 'Washington Poe - a rising giant in detective fiction' Alison Bruce 'A twisty thriller with a killer plot Ed James 'I loved this book!' Jo Jakeman 'One of the best British crime novels I've read in a long time . . . Simply an unputdownable page-turner' Nick Oldham 'Grabs you from the very first page. A dark and brilliantly twisted crime thriller, bringing back the inimitable Washington Poe and Tilly Bradshaw' Colin Falconer 'Dark and twisted in all the right places. Poe is a great mix of compelling, complex & charismatic, and well on his way to becoming one of the standout characters in crime fiction' Robert Scragg 'In Tilly and Poe, MW Craven has created a stand-out duo who are two of the most compelling characters in crime fiction in recent years. They deserve to join the ranks of Holmes and Watson, Rebus and Clarke, Hill and Jordan . . .' Fiona Cummins 'Dark, thrilling and unputdownable with sharply drawn characters that stride off the page' Victoria Selman 'Gleefully gory and witty, with a terrific sense of place' Sunday Times
'Mesmerising, macabre and murderously funny. The Botanist is M.W. Craven at his sinister best. I couldn't love this series more' Chris Whitaker 'Another classy thriller from the king of Cumbrian crime' Paul Finch This is going to be the longest week of Washington Poe's life... Detective Sergeant Washington Poe can count on one hand the number of friends he has. And he'd still have his thumb left. There's the guilelessly innocent civilian analyst, Tilly Bradshaw of course. Insanely brilliant, she's a bit of a social hand grenade. He's known his beleaguered boss, Detective Inspector Stephanie Flynn for years as he has his nearest neighbour, full-time shepherd/part-time dog sitter, Victoria. And then there's Estelle Doyle. Dark and dangerous and sexy as hell. It's true the caustic pathologist has never walked down the sunny side of the street, but has she gone too far this time? Shot twice in the head, her father's murder appears to be an open and shut case. Estelle has firearms discharge residue on her hands, and, in a house surrounded by fresh snow, hers are the only footprints. Since her arrest she's only said three words: 'Tell Washington Poe.' Meanwhile, a poisoner called the Botanist is sending the nation's most reviled people poems and pressed flowers. Twisted and ingenious, he seems to be able to walk through walls and, despite the advance notice given to his victims, and regardless of the security measures taken, he is able to kill with impunity. Poe hates locked room mysteries and now he has two to solve. To unravel them he's going to have to draw on every resource he has: Tilly Bradshaw, an organised crime boss, even an alcoholic ex-journalist. Because if he doesn't, the bodies are going to keep piling up . . . Praise for The Botanist: 'Unputdownable, gripping, clever and with a rich seam of trademark Craven humour running through it' Imran Mahmood 'A sinful treat' Vaseem Khan 'Fast, furious, and utterly enjoyable.' Keith Nixon Praise for M W Craven: The Curator shortlisted for the VN Thriller of the Year 2022 & longlisted for the Crime Writers' Association Gold Dagger 2021 Dead Ground longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 & longlisted for the Crime Writers' Association Ian Fleming Steel Dagger 2022 'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker 'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'A brutal and thrilling page turner' The Sun 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'A gripping start to a much anticipated new series' Vaseem Khan
'A brutal and thrilling page-turner' THE SUN 'Gleefully gory and witty, with a terrific sense of place' SUNDAY MIRROR 'Compelling' HEAT *THREE BRAND NEW SHORT STORIES FROM THE WINNER OF THE CWA BEST CRIME NOVEL OF 2019 AWARD* ________________ In The Killing Field, Poe and Tilly are having breakfast, wondering how to spend the rest of their holiday, when their presence is requested at a Cumbrian airfield. An airfield that, during the 2001 foot and mouth crisis, was known as the killing field . . . In Why Don't Sheep Shrink?, a global pandemic forces Poe and Tilly to self-isolate together. Things don't go well. They're bickering and on the verge of falling out until Poe finds an old case file: a locked room mystery he's been mulling over for years. Step forward, Tilly Bradshaw . . . Dead Man's Fingers sees Poe, Tilly and Edgar, Poe's English springer spaniel, enjoying a picnic at a nature reserve. When Edgar chases a rabbit, and Poe and Tilly chase after him, they stumble upon a twenty-year-old mystery, a mystery that couldn't be solved until now . . . ________________ Praise for M. W. Craven: 'Jaw-droppingly shocking and intense' Women & Home 'Pacy, gory and clever, this is our new fave troubled cop/eccentric buddy duo' Crime Monthly 'An intriguing, fast-moving mystery' The Times 'Superb' Daily Mail 'This series really is something special' Morning Star 'Atmospherically moody' Peterborough Telegraph 'Dark, sharp and compelling' Peter James 'Thrilling' Mick Herron 'Fantastic' Martina Cole 'Brilliantly inventive' William Shaw 'Gripping. Taut. Twisty' Imran Mahmood 'Mind-blowing' A.A. Dhand 'Twisted and terrifying, fresh and funny' Chris Whitaker 'Dazzling' Holly Watt 'Intelligent. Sophisticated. Intriguing' Mari Hannah
Elizabeth Craven: Writer, Feminist and European by Julia Gasper Pdf
Elizabeth Craven’s fascinating life was full of travel, love-affairs and scandals but this biography, the first to appear for a century, is the only one to focus on her as a writer and draw attention to the full range of her output, which raises her stature as an author considerably. Born into the upper class of Georgian England, she was pushed into marriage at sixteen to Lord Craven and became a celebrated society hostess and beauty, as well as mother to seven children. Though acutely conscious of her relative lack of education, as a woman, she ventured into writing poetry, stories and plays. Incompatibility and infidelities on both sides ended her marriage and she had to move to France where, living in seclusion, she wrote the little-known feminist work Letters to Her Son. In the years that followed, she travelled extensively all over Europe and turned her letters into a travelogue which is one of her best-known works. On her return she went to live in Germany as the companion and eventually second wife of the Margrave of Ansbach. At his court she organised and appeared in theatricals, and wrote several more plays of great interest, including The Modern Philosopher. In 1792 she and the Margrave settled in England, where they were never fully accepted by the more strait-laced pillars of society but mixed with all the musicians and actors and the more rakish of the Regency set. Craven continued to put on her own theatricals and write for the theatre. In her old age, she moved to Naples where she passed her time sailing, gardening and writing her Memoirs. Even in her final years, scandal dogged her, and Craven made her feminist principles and criticisms of the laws of marriage apparent through her involvement in the notorious divorce case of Queen Caroline.
*WINNER OF THE CWA GOLD DAGGER AWARD 2019 FOR BEST CRIME NOVEL OF THE YEAR* 'Fantastic' Martina Cole 'Dark, sharp and compelling' Peter James 'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron A serial killer is burning people alive in the Lake District's prehistoric stone circles. He leaves no clues and the police are helpless. When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of . . . Reluctantly partnered with the brilliant, but socially awkward, civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it. As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive ... Find out why everyone loves The Puppet Show 'A page turner' Sun 'So dark and twisty' Elly Griffiths 'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!' David Mark 'A gripping start to a much anticipated new series' Vaseem Khan 'Satisfyingly twisty and clever and the flashes of humour work well to offer the reader respite from the thrill of the read' Michael J. Malone 'Britain's answer to Harry Bosch' Matt Hilton 'Dark, disturbing and so very clever. Highly recommended' Anne Cater