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Author : Mary Klages
Publisher : A&C Black
Page : 146 pages
File Size : 55,9 Mb
Release : 2012-03-29
Category : Literary Criticism
ISBN : 9780826442673
Guide to key terms in literary theory - designed to make difficult terms, concepts and theorists accessible and understandable.
Author : Diane P. Freedman,Olivia Frey,Frances Murphy Zauhar
Publisher : Duke University Press
Page : 324 pages
File Size : 47,8 Mb
Release : 1993
Category : Literary Criticism
ISBN : 0822312921
For a long time now, readers and scholars have strained against the limits of traditional literary criticism, whose precepts--above all, "objectivity"--seem to have so little to do with the highly personal and deeply felt experience of literature. The Intimate Critique marks a movement away from this tradition. With their rich spectrum of personal and passionate voices, these essays challenge and ultimately breach the boundaries between criticism and narrative, experience and expression, literature and life. Grounded in feminism and connected to the race, class, and gender paradigms in cultural studies, the twenty-six contributors to this volume--including Jane Tompkins, Henry Louis Gates, Jr., Shirley Nelson Garner, and Shirley Goek-Lin Lim--respond in new, refreshing ways to literary subjects ranging from Homer to Freud, Middlemarch to The Woman Warrior, Shiva Naipaul to Frederick Douglass. Revealing the beliefs and formative life experiences that inform their essays, these writers characteristically recount the process by which their opinions took shape--a process as conducive to self-discovery as it is to critical insight. The result--which has been referred to as "personal writing," "experimental critical writing," or "intellectual autobiography"--maps a dramatic change in the direction of literary criticism. Contributors. Julia Balen, Dana Beckelman, Ellen Brown, Sandra M. Brown, Rosanne Kanhai-Brunton, Suzanne Bunkers, Peter Carlton, Brenda Daly, Victoria Ekanger, Diane P. Freedman, Olivia Frey, Shirley Nelson Garner, Henry Louis Gates, Jr., Melody Graulich, Gail Griffin, Dolan Hubbard, Kendall, Susan Koppelman, Shirley Geok-Lin Lim, Linda Robertson, Carol Taylor, Jane Tompkins, Cheryl Torsney, Trace Yamamoto, Frances Murphy Zauhar
Author : Averroës
Publisher : Unknown
Page : 192 pages
File Size : 44,9 Mb
Release : 2000
Category : Language Arts & Disciplines
ISBN : UOM:39015053143585
Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.
Author : Evany Rosen
Publisher : arsenal pulp press
Page : 162 pages
File Size : 42,9 Mb
Release : 2017-10-16
Category : Humor
ISBN : 9781551526966
A book of comedic personal essays about the history of the western world – a “femmoir” in which the author reconfigures famous and infamous historical events and personalities from her perspective as a feminist, a comedian, and a “failed academic.” Sly, self effacing, and wickedly funny, these essays offer a bright new take on learning about history.
Author : Robert Hughes
Publisher : Knopf
Page : 624 pages
File Size : 48,6 Mb
Release : 2012-02-22
Category : Art
ISBN : 9780307809599
From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present. As art critic for Time magazine, internationally acclaimed for his study of modern art, The Shock of the New, he is perhaps America’s most widely read and admired writer on art. In this book: nearly a hundred of his finest essays on the subject. For the realism of Thomas Eakins to the Soviet satirists Komar and Melamid, from Watteau to Willem de Kooning to Susan Rothenberg, here is Hughes—astute, vivid and uninhibited—on dozens of famous and not-so-famous artists. He observes that Caravaggio was “one of the hinges of art history; there was art before him and art after him, and they were not the same”; he remarks that Julian Schnabel’s “work is to painting what Stallone’s is to acting”; he calls John Constable’s Wivenhoe Park “almost the last word on Eden-as-Property”; he notes how “distorted traces of [Jackson] Pollock lie like genes in art-world careers that, one might have thought, had nothing to do with his.” He knows how Norman Rockwell made a chicken stand still long enough to be painted, and what Degas said about success (some kinds are indistinguishable from panic). Phrasemaker par excellence, Hughes is at the same time an incisive and profound critic, not only of particular artists, but also of the social context in which art exists and is traded. His fresh perceptions of such figures as Andy Warhol and the French writer Jean Baudrillard are matched in brilliance by his pungent discussions of the art market—its inflated prices and reputations, its damage to the public domain of culture. There is a superb essay on Bernard Berenson, and another on the strange, tangled case of the Mark Rothko estate. And as a finale, Hughes gives us “The SoHoiad,” the mock-epic satire that so amused and annoyed the art world in the mid-1980s. A meteor of a book that enlightens, startles, stimulates and entertains.
Author : Roland Barthes
Publisher : Northwestern University Press
Page : 308 pages
File Size : 45,7 Mb
Release : 1972
Category : Literary Collections
ISBN : 0810105896
The essays in this volume were written during the years that its author's first four books were published in France. They chart the course of Barthe's criticism from the vocabularies of existentialism and Marxism (reflections on the social situation of literature and writer's responsibility before History) to a psychoanalysis of substances (after Bachelard) and a psychoanalytical anthropology (which evidently brought Barthes to his present terms of understanding with Levi-Strauss and Lacan).
Author : Helen H. Palmer,Anne Jane Dyson
Publisher : Hamden, Conn., Shoe String Press
Page : 256 pages
File Size : 46,7 Mb
Release : 1967
Category : American drama
ISBN : UOM:39015033687263
Author : George Orwell
Publisher : Renard Press Ltd
Page : 15 pages
File Size : 44,5 Mb
Release : 2021-01-01
Category : Literary Collections
ISBN : 9781913724269
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author : Martin Puchner
Publisher : Random House Trade Paperbacks
Page : 466 pages
File Size : 55,6 Mb
Release : 2018-07-24
Category : History
ISBN : 9780812988277
The story of literature in sixteen acts—from Homer to Harry Potter, including The Tale of Genji, Don Quixote, The Communist Manifesto, and how they shaped world history In this groundbreaking book, Martin Puchner leads us on a remarkable journey through time and around the globe to reveal the how stories and literature have created the world we have today. Through sixteen foundational texts selected from more than four thousand years of world literature, he shows us how writing has inspired the rise and fall of empires and nations, the spark of philosophical and political ideas, and the birth of religious beliefs. We meet Murasaki, a lady from eleventh-century Japan who wrote the first novel, The Tale of Genji, and follow the adventures of Miguel de Cervantes as he battles pirates, both seafaring and literary. We watch Goethe discover world literature in Sicily, and follow the rise in influence of The Communist Manifesto. Puchner takes us to Troy, Pergamum, and China, speaks with Nobel laureates Derek Walcott in the Caribbean and Orhan Pamuk in Istanbul, and introduces us to the wordsmiths of the oral epic Sunjata in West Africa. This delightful narrative also chronicles the inventions—writing technologies, the printing press, the book itself—that have shaped people, commerce, and history. In a book that Elaine Scarry has praised as “unique and spellbinding,” Puchner shows how literature turned our planet into a written world. Praise for The Written World “It’s with exhilaration . . . that one hails Martin Puchner’s book, which asserts not merely the importance of literature but its all-importance. . . . Storytelling is as human as breathing.”—The New York Times Book Review “Puchner has a keen eye for the ironies of history. . . . His ideal is ‘world literature,’ a phrase he borrows from Goethe. . . . The breathtaking scope and infectious enthusiasm of this book are a tribute to that ideal.”—The Sunday Times (U.K.) “Enthralling . . . Perfect reading for a long chilly night . . . [Puchner] brings these works and their origins to vivid life.”—BookPage “Well worth a read, to find out how come we read.”—Margaret Atwood, via Twitter
Author : J. P. Sullivan
Publisher : Routledge
Page : 256 pages
File Size : 47,7 Mb
Release : 2017-07-20
Category : Literary Collections
ISBN : 9781134876846
First published in 1963, this book is the second of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on satire, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.
Author : Rita Felski
Publisher : University of Chicago Press
Page : 237 pages
File Size : 55,6 Mb
Release : 2015-10-20
Category : Literary Criticism
ISBN : 9780226294032
Why do critics feel impelled to unmask and demystify the works that they read? What is the rationale for their conviction that language is always withholding some important truth, that the critic's task is to unearth what is unsaid, naturalized, or repressed? These are the features of critique, a mode of thought that thoroughly dominates academic criticism. In this book, Rita Felski brilliantly exposes critique's more troubling qualities and proposes alternatives to it. Critique, she argues, is not just a method but also a sensibility--one best captured by Paul Ricoeur's phrase "the hermeneutics of suspicion." As the characteristic affect of critique, suspicion, Felski shows, helps us understand critique's seductions and limitations. The questions that Felski poses about critique have implications well beyond intramural debates among literary scholars. Literary studies, says Felski, is facing a legitimation crisis thanks to a sadly depleted language of value that leaves the field struggling to find reasons why students should care about Beowulf or Baudelaire. Why is literature worth bothering with? For Felski, the tendencies to make literary texts the object of suspicious reading or, conversely, impute to them qualities of critique, forecloses too many other possibilities. Felski offers an alternative model that she calls "postcritical reading." Rather than looking behind the text for its hidden causes, conditions, and motives, she suggests that literary scholars place themselves in front of a text, reflecting on what it calls forth and makes possible. Here Felski enlists the work of Bruno Latour to rethink reading as a co-production between actors, rather than an unraveling of manifest meaning, a form of making rather than unmaking. As a scholar with an abiding respect for theory who has long deployed elements of critique in her own work, Felski is able to provide an insider's account of critique's limits and alternatives that will resonate widely in the humanities.
Author : Matthew Arnold
Publisher : Unknown
Page : 172 pages
File Size : 42,5 Mb
Release : 1895
Category : Criticism
ISBN : HARVARD:32044097036271
Author : Terry Eagleton
Publisher : Yale University Press
Page : 265 pages
File Size : 46,6 Mb
Release : 2012-05-29
Category : Literary Criticism
ISBN : 9780300178814
Offers a thorough examination of the philosophy of literature, looking at the place of literature in human culture, what literature can be defined as and much more.
Author : Edgar Allan Poe
Publisher : Good Press
Page : 1351 pages
File Size : 47,9 Mb
Release : 2024-01-16
Category : Literary Collections
ISBN : EAN:8596547813101
This meticulously edited collection contains complete nonfiction works of Edgar Allan Poe. Poe's writing reflected his literary theories, which he presented in his criticism and also in essays such as "The Poetic Principle". He disliked didacticism and allegory, though he believed that meaning in literature should be an undercurrent just beneath the surface. Poe also had a keen interest in cryptography and autography, writing several works on the subject. Table of Contents: Essays The Philosophy of Composition The Rationale of Verse The Poetic Principle Old English Poetry A Few Words on Secret Writing Maelzel's Chess Player Eureka: A Prose Poem Essays on American Literature American Novel-Writing Pay of American Authors American Poetry Essays of Criticism Criticism Drake and Halleck Bryant's Poems The Old Curiosity Shop The Quacks of Helicon Exordium Ballads and Other Poems Hawthorne's Twice-Told Tales The American Drama Marginalia Other Essays The Philosophy of Furniture Some Secrets of the Magazine Prison-House Literary Small Talk Peter Snook Palæstine Some Account of Stonehenge Anastatic Printing Street-Paving Letter to B—— Instinct Vs Reason — A Black Cat Byron and Miss Chaworth Intemperance Cabs A Moving Chapter Desultory Notes on Cats A Chapter of Suggestions Souvenirs of Youth The Head of St. John the Baptist Other Works The Literati of New York Autography A Chapter on Autography A Chapter on Science and Art Fifty Suggestions Pinakidia Omniana Doings of Gotham Letters The Life and Letters of Edgar Allan Poe Biographies Memorandum – An Autobiographical Note The Dreamer by Mary Newton Stanard Edgar Allan Poe (1809-1849) was an American writer, editor, and literary critic, best known for his poetry and short stories of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States.
Author : Mark C. Taylor
Publisher : Columbia University Press
Page : 339 pages
File Size : 47,5 Mb
Release : 2013-01-29
Category : Literary Criticism
ISBN : 9780231531641
Digital and electronic technologies that act as extensions of our bodies and minds are changing how we live, think, act, and write. Some welcome these developments as bringing humans closer to unified consciousness and eternal life. Others worry that invasive globalized technologies threaten to destroy the self and the world. Whether feared or desired, these innovations provoke emotions that have long fueled the religious imagination, suggesting the presence of a latent spirituality in an era mistakenly deemed secular and posthuman. William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo are American authors who explore this phenomenon thoroughly in their work. Engaging the works of each in conversation, Mark C. Taylor discusses their sophisticated representations of new media, communications, information, and virtual technologies and their transformative effects on the self and society. He focuses on Gaddis's The Recognitions, Powers's Plowing the Dark, Danielewski's House of Leaves, and DeLillo's Underworld, following the interplay of technology and religion in their narratives and their imagining of the transition from human to posthuman states. Their challenging ideas and inventive styles reveal the fascinating ways religious interests affect emerging technologies and how, in turn, these technologies guide spiritual aspirations. To read these novels from this perspective is to see them and the world anew.
