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Dickens' Women by Miriam Margolyes,Sonia Fraser Pdf
A captivating portrait of some of Charles DickensOCO most memorable female characters presented by popular actress Miriam Margolyes to accompany her hugely successful one-woman show touring the world in 2012. In his novels Dickens presents a series of unrivalled portraits of women, young and old. From Little Nell to Miss Havisham, these girls and women speak to us today, making us laugh and sometimes cry. The popular British actress Miriam Margolyes will be touring the world in 2012, the bicentenary of Dickens birth, with a one-woman show about DickensOCO women, and this book accompanies the show by building on the script and expanding to include many more of the female characters Dickens described and analysed so astutely in his novels. ?Mrs Pipchin was a marvellous ill-favoured, ill-conditioned old lady, of a stooping figure, with a mottled face, like bad marble, a hook nose, and a hard grey eye, that looked as if it might have been hammered at on an anvil without sustaining any injury.OCO"
On the bicentenary of his birth, this short account of the emotional life of Charles Dickens examines his relationships with some of the women to whom he was closest. They include the mother who failed to recognise his early promise; the young woman who spurned him before he was famous; the wife he cast aside in middle age; the benefactress for whom he managed a house for 'fallen women'; and the actress, less than half his age, with whom he spent his final years. Each woman casts light on a different aspect of Dickens's personality. But they were united by a common theme: whatever they gave him, it was rarely enough to satisfy Dickens's sense of entitlement.
Dissenting Women in Dickens' Novels by Brenda Ayres Pdf
Given their pedagogical nature, many Victorian novels are highly politicized; their narratives are filtered through the value schemes, social views, and conscious purposes of their authors. Victorian women were largely expected to dedicate themselves to the social and moral betterment of their families. Women were expected to be soft, meek, quiet, modest, submissive, gentle, patient, and spiritual; men were supposed to be aggressive, assertive, resilient, disciplined, and competitive. These expectations were repeatedly endorsed through the conduct books of the period, which encouraged people to adhere to proper behavior. The Victorian era also viewed fiction as a didactic tool and as a means to propagate morality. Thus novels of the period typically present women as subordinate to men and as angels of the home. Women who conform to the social norms are usually rewarded in these fictitious worlds, whereas women who violate society's standards are often penalized. Certainly the novels of Charles Dickens fall into the larger didactic trend of Victorian fiction, and like other works of the period, his novels overtly support the conventional values of Victorian society. Dickens typically uses descriptive detail to register approval or disapproval of certain women, and these women are rewarded or chastized through his plots. But on a less obvious level, Dickens also challenges the prevailing Victorian attitude toward women. A close look at his works shows that patriarchs do not automatically deserve the respect they command from their privileged social positions. Women—however virtuous—are unable to produce moral or social change, and many women succeed outside the constraints of domesticity. This book provides a penetrating analysis of how Dickens' novels ultimately fail to promote the conventional Victorian behavioral ideal for women and discusses how his works subvert the domestic ideology of the nineteenth century.
Charles Dickens and Nelly Ternan met in 1857; she was 18, a hard-working actress performing in his production of The Frozen Deep, and he was 45, the most lionized writer in England. Out of their meeting came a love affair that lasted thirteen years and destroyed Dickens’s marriage while effacing Nelly Ternan from the public record. In this remarkable work of biography and scholarly reconstruction, the acclaimed biographer of Mary Wollstonecraft, Thomas Hardy, Samuel Pepys and Jane Austen rescues Nelly from the shadows of history, not only returning the neglected actress to her rightful place, but also providing a compelling portrait of the great Victorian novelist himself. The result is a thrilling literary detective story and a deeply compassionate work that encompasses all those women who were exiled from the warm, well-lighted parlors of Victorian England.
This brilliant, classic and scholarly study provides the fullest treatment of a key subject. It is one of the essential works on Dickens's work and life. Dickens's treatment of women is a central aspect of his artistic achievement. Professor Slater examines the novelist's experience of women - as son, brother, lover, husband, and father, and as it affected the deepest emotional currents in his life. His perception of female nature and his conception of women's role in the home and outside it - and the ways in which these found expression in his art - are pivotal topics. Professor Slater has sifted the mass of legends and doubtful traditions about Dickens's private life to present a close examination of his relations with women, and of his views of woman's nature and the womanly ideal.
Catherine Hogarth, who came from a cultured Scots family, married Charles Dickens in 1836, the same year he began serializing his first novel. Together they traveled widely, entertained frequently, and raised ten children. In 1858, the celebrated writer pressured Catherine to leave their home, unjustly alleging that she was mentally disordered-unfit and unloved as wife and mother. Constructing a plotline nearly as powerful as his stories of Scrooge and Little Nell, Dickens created the image of his wife as a depressed and uninteresting figure, using two of her three sisters against her, by measuring her presumed weaknesses against their strengths. This self-serving fiction is still widely accepted. In the first comprehensive biography of Catherine Dickens, Lillian Nayder debunks this tale in retelling it, wresting away from the famous novelist the power to shape his wife's story. Nayder demonstrates that the Dickenses' marriage was long a happy one; more important, she shows that the figure we know only as "Mrs. Charles Dickens" was also a daughter, sister, and friend, a loving mother and grandmother, a capable household manager, and an intelligent person whose company was valued and sought by a wide circle of women and men. Making use of the Dickenses' banking records and legal papers as well as their correspondence with friends and family members, Nayder challenges the long-standing view of Catherine Dickens and offers unparalleled insights into the relations among the four Hogarth sisters, reclaiming those cherished by the famous novelist as Catherine's own and illuminating her special bond with her youngest sister, Helen, her staunchest ally during the marital breakdown. Drawing on little-known, unpublished material and forcing Catherine's husband from center stage, The Other Dickens revolutionizes our perception of the Dickens family dynamic, illuminates the legal and emotional ambiguities of Catherine's position as a "single" wife, and deepens our understanding of what it meant to be a woman in the Victorian age.
Charles Dickens and the House of Fallen Women by Jenny Hartley Pdf
"An account of Charles Dickens' work with destitute girls and young women in mid-eighteenth century London. With support from the millionairess Angela Burdett Coutts, he established a 'safe' house for young women in Shepherd's Bush where they were taken from lives of prostitution and crime and trained for useful employment."--Borders website.
From the New York Times bestselling author of The Stolen Child comes a hypnotic literary horror novel about a young boy trapped inside his own world, whose drawings blur the lines between fantasy and reality. Ever since he nearly drowned in the ocean three years earlier, ten-year-old Jack Peter Keenan has been deathly afraid to venture outdoors. Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy's only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all. In the tradition of The Turn of the Screw, Keith Donohue's The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.
Women in Charles Dickens' Great Expectations by Katrin Zielina Pdf
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2 (B), University of Frankfurt (Main) (Institute for England - und American Studies), course: Charles Dickens - Great Expectatoins, language: English, abstract: 1. Introduction Charles Dickens' novel "Great Expectations" as a Bildungsroman or gothic novel depicts the growth of a young boy from low social class origin to an adult gentleman containing the struggles with women, employers and relatives. The main character Philip 'Pip' Pirrip introduces the reader to the novel as a young boy from about six years, although Pip indeed wrote down the story of his life as an adult. Pip has always dreamt of becoming well-educated and of being introduced to a higher social class than he actually belonged to at first. Fortunately, Pip is granted the chance of social rising and he gets to know a lot of people who influence him and his great expectations from his early youth crucially. In Victorian times women and men were regarded to be different in their nature but never-theless complementary. Women should be a guideline for their husbands in moral and reli-gious questions. When the husbands were at home they were protected from "destructive tendencies of the market" (Farrell). In "Great Expectations" it is not easy to find one woman who fits into this ideal. Especially the three main female characters are rather de-structive than protective for men. However, throughout the novel Pip is confronted with several women of different calibre, from shrewd and hysterical, cold-hearted and distant to caring and loveable. On the follow-ing pages I am going to introduce and characterise the three main female characters who influence Pip's life the most: his sister Mrs. Joe Gargery, Mrs. Havisham and Estella. Of course Pip gets to know more women, but since they play only a more or less minor role in his life, I am not going to put them under consideration. After having descr
The Great Charles Dickens Scandal by Michael Slater Pdf
The true story of the sensational rumors surrounding the Victorian author—and the attempts to cover them up: “Riveting . . . a scholarly detective story” (The Boston Globe). Charles Dickens was regarded as the great proponent of hearth and home in Victorian Britain, but in 1858 this image was nearly shattered. With the breakup of his marriage that year, rumors of a scandalous relationship he may have conducted with the young actress Ellen “Nelly” Ternan flourished. For the remaining twelve years of his life, Dickens managed to contain the gossip. After his death, surviving family members did the same. But when the author’s last living son died in 1934, there was no one to discourage rampant speculation. Dramatic revelations came from every corner—over Nelly’s role as Dickens’s mistress, their clandestine meetings, and even his possibly fathering an illegitimate child. This book presents the most complete account of the scandal and ensuing cover-up ever published. Drawing on the author's letters and other archival sources not previously available, Dickens scholar Michael Slater investigates what Dickens did or may have done, then traces the way the scandal was elaborated over succeeding generations. Slater shows how various writers concocted outlandish yet plausible theories while newspapers and book publishers vied for salacious information. With its tale of intrigue and a cast of well-known figures from Thackeray and Shaw to Orwell and Edmund Wilson, this book will delight not only Dickens fans but anyone who appreciate tales of mystery, cover-up, and clever detection. “Slater’s work is a fascinating investigation into the nature of scandal itself as much as it is a look at the particular episode.” —TheDaily Beast
Dickens and Women Reobserved by Edward Guiliano Pdf
Dickens & Women ReObserved is a rich collection of new essays by scholars and critics from various parts of the world who represent a new appreciation and understanding of Charles Dickens and things woman. / A new generation of scholars and critics, first led by feminist critics of the 1970s, began to re-observe the man and his works with fresh eyes. A second generation of critics--those now schooled in gender studies, cultural studies, psychological theory, play theory, eco-criticism, thing theory, and a range of isms and schisms that flourish in the academy today--have originated a new and more reflective discourse on Dickens and women, and women generally in the nineteenth century. / Collectively, the essays in this volume overturn a prevalent and largely unchallenged belief held for more than 150 years: that Dickens' female characters were one-dimensional Victorian stereotypes only and that, as exemplified by his literary depictions and conflicted personal life, he did not understand or value women as important, capable, or gifted in their own right. / While neither ignoring nor discounting Dickens' troubled relationships with women and reliance on certain Victorian stereotypes, the essays in Dickens & Women ReObserved demonstrate that in a myriad of ways Dickens' appreciation of women in his fiction and his life was far more subtle, sophisticated, and complex than previously understood. Consciously or unconsciously he crafted characters more individualized, independent, rounded, and assertive than typical stock cultural characterizations of women. Additionally, in his exuberant social and professional life, he was drawn to and worked amiably with such "new" women. Dickens life and work today appear evidently modern and nuanced in his regard for women and their abilities. / Dickens & Women ReObserved is an important work for comprehending one of the world's greatest novelists and, by extension, facilitating greater study of contemporary views of Victorian women. In prose accessible to the general reader as well as scholars in literary studies, the diverse essays in this volume investigate a broad range of subjects in Dickens' celebrated artistry, including Modernism, Queen Victoria, Ellen Ternan, adaptations, composition methods, gender, sensuality, agency, major female characters, and French as well as African relevancies.
“A charming, comic, and ultimately poignant story about the creation of the most famous Christmas tale ever written. It’s as foggy and haunted and redemptive as the original; it’s all heart, and I read it in a couple of ebullient, Christmassy gulps.” —Anthony Doerr, #1 New York Times bestselling author of All The Light We Cannot See Laced with humor, rich historical detail from Charles Dickens’ life, and clever winks to his work, Samantha Silva's Mr. Dickens and His Carol is an irresistible new take on a cherished classic. Charles Dickens is not feeling the Christmas spirit. His newest book is an utter flop, the critics have turned against him, relatives near and far hound him for money. While his wife plans a lavish holiday party for their ever-expanding family and circle of friends, Dickens has visions of the poor house. But when his publishers try to blackmail him into writing a Christmas book to save them all from financial ruin, he refuses. And a serious bout of writer’s block sets in. Frazzled and filled with self-doubt, Dickens seeks solace in his great palace of thinking, the city of London itself. On one of his long night walks, in a once-beloved square, he meets the mysterious Eleanor Lovejoy, who might be just the muse he needs. As Dickens’ deadlines close in, Eleanor propels him on a Scrooge-like journey that tests everything he believes about generosity, friendship, ambition, and love. The story he writes will change Christmas forever.
