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John Donne and Contemporary Poetry by Judith Scherer Herz Pdf
This collection of poems and essays by both poets and scholars explores how John Donne’s writing has entered into the language, the imagination, and the navigation of erotic and spiritual desires and experiences of twentieth- and twenty-first-century writers. The chapters chart a winding path from a description of the Donne and Contemporary Poetry Project at Fordham University to an encounter with the Holy Sonnets to a set of modern holy sonnets and then through the work of a poet who used Donne’s Devotions on Emergent Occasions to chart his own dying. There are further poems on sickness and recovery, an essay on Donne and disease that brings in the work of an Australian poet, and several chapters of poems with various Donnean echoes. Of the final four chapters, one places Donne in relation to another poet and one to the Psalms, followed by two chapters on Donne’s speech figures and his poetics.
The Cambridge Companion to John Donne by Achsah Guibbory Pdf
The Cambridge Companion to John Donne introduces students (undergraduate and graduate) to the range, brilliance, and complexity of John Donne. Sixteen essays, written by an international array of leading scholars and critics, cover Donne's poetry (erotic, satirical, devotional) and his prose (including his Sermons and occasional letters). Providing readings of his texts and also fully situating them in the historical and cultural context of early modern England, these essays offer the most up-to-date scholarship and introduce students to the current thinking and debates about Donne, while providing tools for students to read Donne with greater understanding and enjoyment. Special features include a chronology; a short biography; essays on political and religious contexts; an essay on the experience of reading his lyrics; a meditation on Donne by the contemporary novelist A. S. Byatt; and an extensive bibliography of editions and criticism.
Author : John Donne Publisher : Oxford University Press, USA Page : 532 pages File Size : 46,7 Mb Release : 2000 Category : English poetry ISBN : 019284041X
This authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Donne's poetry and prose - all the major poems, complemented by rarely published letters and extracts from Donne'ssermons - to give the essence of his work and thinking. John Donne (1572-1631) is today celebrated as one of the greatest of the metaphysical poets, whose verse was daringly original and whose use of imagery and conceits marked a new, intellectual approach to poetry. His Satires, Elegies, and Songs and Sonnets, which contain his most famous love poems,were complemented by his religious writing, both verse and prose. He was one of the most renowned preachers of his day, and this volume does equal justice to the full range of his work. In addition to nearly all his English poetry this volume includes over 130 extracts from Donne's sermons, aswell as the full text of his last sermon, 'Death's Duel'. A distinguishing feature of the selection is that the works are arranged in the chronological order of their composition.
John Donne: In the Shadow of Religion explores the life of one of the most significant figures of the English Renaissance. The book not only provides an overview of Donne’s life and work, but connects his writing and thinking to the ideas, institutions, and networks that influenced him. The book shows how Donne’s faith underpinned his career, from aspirational courtier to phenomenally successful clergyman and preacher, when he became dean of St. Paul’s Cathedral. Donne emerges as a figure obsessed with himself, tormented by the fear that his transgressions may have condemned him to eternal damnation. This fine new account uses Donne’s correspondence, writing, and poetry to give a rounded portrait of a bold, experimental thinker, who was never afraid of taking risks that few others would have countenanced.
As Nehemiah rebuilt the walls of Jerusalem, Gashmu and the enemies of Israel mocked him: "It is reported among the heathen, and Gashmu saith it, that thou and the Jews think to rebel..." (Neh. 6:6). Too many Christians building communities today take the taunts of every modern-day Gashmu seriously. Community is a buzzword, and it turns out there's a lot of bad advice about how to build one. In Gashmu Saith It, Douglas Wilson includes forty years of experience for Christians wanting to build robust communities without retreat or compromise on the foundation of the Gospel. This book is full of wisdom: Get calluses. Be loyal. Fight sin. Build walls on the outside and a church in the middle.
Arthur F. Marotti has produced the first systematic study of John Donne's poetry as coterie literature, offering fresh interpretations of the poems in their biographical and sociohistorical contexts. It will be of interest and value to students and scholars of English Renaissance literature, to critics interested in the application of revisionist history to literary study, and to those concerned with the processes by which literature became institutionalized in the early modern period. Donne treated poetry as an avocation, restricting his verse to carefully chosed readers: friends, acquaintances, patrons, and the woman he later married. This study employs socio-historical and psychoanalytic methods to examine this poetry as work designed for readers to respond in knowledgeable ways to a complex interplay of literary text and social context. Marotti argues that it is necessary to relate literary language to the languages of social, economic, and political transactions and to define the social and ideological affiliations of literary genres and modes. After setting Donne's practice in the framework of the sixteenth-century systems of manuscript literary transmission, Marotti treats the verse chronologically and according to audience, paying particular attention to the rhetorical enactment of the author's relationships to peers and superiors through the conflicting styles of egalitarian assertion, social iconoclasm, and deferential politeness. Marotti relates the poetry to Donne's contemporary prose, discussing the author's choice of various literary forms in the context of his sociopolitical life as well in terms of the shift from Elizabethan to Jacobean rule, the latter change resulting in a realignment of genres within the culture's literary system. He reads Donne's formal satires, humanist verse letters, erotic elegies, and commentary epistles aware of the social coordinates of those particular genres, and defines the markedly different circumstances to which Donne's libertine, courtly, satiric, sentimental, complimentary, and religious lyrics individually belonged. Marotti deals also with Donne's inventive mixing of genres in both shorter and longer poems. Marotti's groundbreaking work offers new models of historical interpretation of Donne's poetry, complementing previous formalist, intellectual-historical, and literary-historical readings. It particularly highlights the importance of attending to the socioliterary conditions of literature designed for manuscript transmission rather than for publication, work that includes, for example, much of the lyric poetry of Renaissance England.
Probably the most famous of the Metaphysical poets, John Donne worked with and influenced many of the leading poets of the age. This excellent introduction to his life and works sets his writing firmly in the context of his times.
John Donne's "desire of More" by M. Thomas Hester Pdf
This volume is composed of thirteen essays by an international group of acclaimed Renaissance scholars on the presence of Anne More Donne in the poetry of her husband. In his epitaph for his wife upon her death in 1617, John Donne called her "Faeminae lectissimae, dilectissimaeque"--A woman "most choice" and "most beloved and loving": but these Latin terms of endearment also figured her as a woman both "well-read" and "very well-read." This book aims to endorse and to explore that view of her that is espoused by the poet in his epitaph through readings of his "readings" of her presence and absence as central subjects of Donne's own presentations of himself, his world, and his God.
This, the first book to focus solely on Donne's religious writing, also places his work in a literary context and attempts to reach a more realistic assessment of its originality than has been possible hitherto. The prose works that are examined in detail include the controversial treatises Bianthanatos and Pseudo-Martyr, the satirical Ignatius His Conclave, the much-quoted Essays and Devotions and, of course, Donne's sermons.
The Greatest Poems of John Donne by John Donne Pdf
DigiCat presents to you this carefully created volume of "The Greatest Poems of John Donne". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: A Valediction Forbidding Mourning; The Flea; The Good-Morrow; Song : Go and catch a falling star; Woman's Constancy; The Undertaking; The Sun Rising; The Indifferent; Love's Usury; The Canonization; The Triple Fool; Lovers' Infiniteness; Song : Sweetest love, I do not go; The Legacy; A Fever; Air and Angels; Break of Day; [Another of the same] [Break of Day]; The Anniversary; A Valediction of my Name, in the Window; Twickenham Garden; Valediction to his Book; Community; Love's Growth; Love's Exchange; Confined Love; The Dream; A Valediction of Weeping; Love's Alchemy; The Curse; The Message; A Nocturnal upon Saint Lucy's Day; Witchcraft by a Picture; The Bait; The Apparition; The Broken Heart; The Ecstacy; Love's Deity; Love's Diet; The Will; The Funeral; The Blossom; The Primrose; The Relic; The Damp; The Dissolution; A Jet Ring Sent; Negative Love; The Prohibition; The Expiration; The Computation; The Paradox; Song: Soul's joy, now I am gone; Farewell to Love; A Lecture Upon the Shadow; A Dialogue Between Sir Henry Wotton and Mr. Donne; The Token; Self-Love "A Valediction: Forbidding Mourning" is a metaphysical poem written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe. John Donne (1572–1631) was an English poet and cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets.
Saunders explores the dialectic of desire, re-evaluating both Donne's poetry and the complex responses it has inspired. This study takes into account recent developments in the fields of historicism, feminism, queer theory, and postmodern psychoanalysis, while offering dazzling close readings of many of Donne's most famous poems.
Ever since their rediscovery in the 1920s, John Donne's writings have been praised for their energy, vigour and drama – yet so far, no attempt has been made to approach and define systematically these major characteristics of his work. Drawing on J. L. Austin's speech act theory, Margret Fetzer's comparative reading of Donne's poetry and prose eschews questions of personal or religious sincerity and instead recreates an image of John Donne as a man of many performances. No matter if engaged in the writing of a sermon or a piece of erotic poetry, Donne placed enormous trust in what words could do. Questions as to how saying something may actually bring about that very thing, or how playing the part of someone else affects an actor's identity, are central to Donne's oeuvre – and moreover highly relevant in the cultural and theological contexts of the early modern period in general. In treating both canonical and lesser known Donne texts, John Donne's Performances hopes to make a significant contribution not only to Donne criticism and research into early modern culture: by using concepts of performance and performativity as its major theoretical backdrop, it aims to establish an interdisciplinary link with the field of performance studies.
