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Lueurs d’espoir est un recueil de poésie qui raconte l’histoire de l’auteure, de son enfance jusqu’à l’âge adulte. Ce sont des textes mis en contexte, qui développent plusieurs thèmes, dont l’amour, la perte d’êtres chers, la maladie et bien d’autres. À PROPOS DE L’AUTRICE Dans l’univers poétique, Danielle Boucher a trouvé sa voie grâce à la rencontre avec le poème La passante d’Émile Nelligan. Elle décide alors de se lancer dans l’écriture. Chaque page noircie est une catharsis, lui permettant de transformer son chagrin en beauté littéraire.
In 1957, Farley Mowat shipped out aboard one of Newfoundland’s famous coastal steamers, tramping from outport to outport along the southwest coast. The indomitable spirit of the people and the bleak beauty of the landscape would lure him back again and again over the years. In the process of falling in love with a people and a place, Mowat also met the woman who would be the great love of his life. A stunningly beautiful and talented young artist, Claire Wheeler insouciantly climbed aboard Farley’s beloved but jinxed schooner as it lay on the St. Pierre docks, once again in a cradle for repairs, and changed both their lives forever. This is the story of that love affair, of summers spent sailing the Newfoundland coast, and of their decision to start their life together in Burgeo, one of the province’s last remaining outports. It is also an unforgettable portrait of the last of the outport people and a way of life that had survived for centuries but was now passing forever. Affectionate, unsentimental, this is a burnished gem from an undiminished talent. I was inside my vessel painting the cabin when I heard the sounds of a scuffle nearby. I poked my head out the companionway in time to see a lithesome young woman swarming up the ladder which leaned against Happy Adventure’s flank. Whining expectantly, the shipyard dog was endeavouring to follow this attractive stranger. I could see why. As slim and graceful as a ballet dancer (which, I would later learn, was one of her avocations), she appeared to be wearing a gleaming golden helmet (her own smoothly bobbed head of hair) and was as radiantly lovely as any Saxon goddess. I invited her aboard, while pushing the dog down the ladder. “That’s only Blanche,” I reassured my visitor. “He won’t bite. He’s just, uh . . . being friendly.” “That’s nice to know,” she said sweetly. Then she smiled . . . and I was lost. —From Bay of Spirits
André Malraux's output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux's work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux's writing, and also his life. An understanding of Malraux's determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.
The Arab Radical Left explores the entangled histories of Left-wing trends across the Mashreq and Maghreb regions in the 'Long Sixties'. Based on an analysis of textual and audio-visual materials, it surveys radical Left traditions in the Arab world that took shape between the 1950s and 1970s. The book is divided into three thematic parts that are compiled of case studies utilising a multitude of perspectives in political theory, history, literary studies and sociology. In the first part, the authors study revolutionary circulations of men, representations, and know-how. The second part is devoted to interrogating the multifaceted tensions between local, regional, and global challenges. The final part scrutinises the transformations of political subjectivities and invites reflection on the general shift from a revolutionary configuration of temporality to the closure of time - and the so-called 'Left Melancholy'. The result is a balanced account of Left-wing revolutionaries that provides new insights into the history of the Middle East as well as contemporary radicalisation processes and authoritarian rules.
Ou sont mes ailes ? / Where Are My Wings? by Touré, Soutcho Lydie Pdf
“Don’t sit on your stool, watching life go by,” insists Soutcho Lydie Touré. In this collection of reflections written over a decade, she explores insecurities and vulnerabilities, with which many a reader will relate. She shares about loneliness and feeling different and goes on to ponder everyday life in “Politicking” and “VDN” – a memorable highway in Dakar which pedestrians must cross “under the mocking smile of the sun.” Touré draws on experiences and insights from her life betwixt and between West Africa and North America. In her verses, spiced with nature, color, joy, humor and fantasy, questions and answers compete equally for the reader’s attention. A veritable source of confidence in the force of life and love. Confidence that makes one grow wings.
André Malraux’s output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux’s work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux’s writing, and also his life. An understanding of Malraux’s determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.
The author has championed the cause of ecological literacy in higher education, helping to establish and shape the field of ecological design, and working to raise awareness of the threats to future generations posed by humanity's current unsustainable trajectory.This volume brings together his most important works.
A compelling true story of the author's desperate attempts to save an eighty-ton fin whale trapped in a Newfoundland lagoon. As he tries to persuade wildlife authorities and the Canadian press to help him in his quest, he must fend off curious and uncaring locals, who want to harvest the helpless whale for sport. As it tells one of Mowat's most personal and moving stories, this book becomes an impassioned plea to save a species that seems doomed to extinction. A classic nature book now back in print. In the 1960s, Farley Mowat was living in the tiny fishing community of Burgeo on the southwest coast of Newfoundland. When an 80-ton fin whale became trapped in a nearby saltwater lagoon, Mowat rejoiced: here was the first chance to study at close range one of the most magnificent animals in creation. Some local villagers thought otherwise, blasting the whale with rifle fire and hacking open her back with a motorboat propeller. Mowat appealed desperately to the authorities, but it was too late-ravaged by an infection resulting from her massive wounds, the whale died. A plea for the end of commercial hunting of the whale, this moving account blends all the tension of the life-and-death struggle for one animal's survival with the drama of man's wanton destruction of life-bearing creatures and the environment itself.
When people die by suicide, they leave behind family and friends who suddenly find themselves mourning the person's loss and wondering what happened. This guide addresses many personal issues related to a death by suicide, including telling others, working through the grief, finding what helps people to heal, and grieving in children and youth. This Ontario guide also outlines practical things that need taking care of, such as arranging a funeral and dealing with the deceased's personal, legal and financial matters. A resource section lists organizations, websites and books that may help.