Film And Fiction

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Classics in Film and Fiction

Author : Deborah Cartmell
Publisher : Pluto Press (UK)
Page : 274 pages
File Size : 46,6 Mb
Release : 2000-03-20
Category : Performing Arts
ISBN : STANFORD:36105025049797

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Classics in Film and Fiction by Deborah Cartmell Pdf

Evaluates the term 'classic', discussing a wide range of films and texts including Jane Eyre, The Tempest and Alice in Wonderland.

Narration in the Fiction Film

Author : David Bordwell
Publisher : Routledge
Page : 385 pages
File Size : 55,8 Mb
Release : 2013-09-27
Category : Performing Arts
ISBN : 9781136099168

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Narration in the Fiction Film by David Bordwell Pdf

In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.

The Mouse Machine

Author : J P. Telotte
Publisher : University of Illinois Press
Page : 235 pages
File Size : 45,7 Mb
Release : 2008-06-18
Category : Performing Arts
ISBN : 9780252033278

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The Mouse Machine by J P. Telotte Pdf

Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.

Science Fiction Film

Author : Keith M. Johnston
Publisher : Berg
Page : 193 pages
File Size : 55,8 Mb
Release : 2013-05-09
Category : Performing Arts
ISBN : 9780857850560

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Science Fiction Film by Keith M. Johnston Pdf

Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.

Adapted for the Screen

Author : Hsiu-Chuang Deppman
Publisher : University of Hawaii Press
Page : 258 pages
File Size : 54,6 Mb
Release : 2010-04-30
Category : Performing Arts
ISBN : 9780824833732

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Adapted for the Screen by Hsiu-Chuang Deppman Pdf

Hsiu-Chang Deppman puts landmark contemporary Chinese films in the context of their literary origins & explores how the best Chinese directors adapt fictional narratives & styles for film.

The Essay Film After Fact and Fiction

Author : Nora M. Alter
Publisher : Columbia University Press
Page : 602 pages
File Size : 51,5 Mb
Release : 2018-01-02
Category : Performing Arts
ISBN : 9780231545983

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The Essay Film After Fact and Fiction by Nora M. Alter Pdf

Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre’s origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work.

Class Representation in Modern Fiction and Film

Author : K. Gandal
Publisher : Springer
Page : 226 pages
File Size : 45,7 Mb
Release : 2007-04-16
Category : Literary Criticism
ISBN : 9780230604193

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Class Representation in Modern Fiction and Film by K. Gandal Pdf

A fresh exploration of the representation of poverty and class in American literature and film, through the juxtaposition of films, writings and the unusual lives of Zora Neale Hurston, Stephen Crane, Henry Miller and Michel Foucault. The book argues for Hurston's centrality, not merely to the African-American canon, but to the American tradition.

A Madness of Angels

Author : Kate Griffin
Publisher : Orbit
Page : 358 pages
File Size : 45,7 Mb
Release : 2009-04-06
Category : Fiction
ISBN : 9780316052962

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A Madness of Angels by Kate Griffin Pdf

Enter the London of Matthew Swift, where rival sorcerers, hidden in plain sight, do battle for the very soul of the city, from a World Fantasy Award-winning author. Two years after his untimely death, Matthew Swift finds himself breathing once again, lying in bed in his London home. Except that it's no longer his bed, or his home. And the last time this sorcerer was seen alive, an unknown assailant had gouged a hole so deep in his chest that his death was irrefutable. . .despite his body never being found. He doesn't have long to mull over his resurrection, though, or the changes that have been wrought upon him. His only concern now is vengeance. Vengeance upon his monstrous killer and vengeance upon the one who brought him back.

Science is Fiction

Author : Andy Masaki Bellows,Jean Painlevé,Marina McDougall,Brigitte Berg
Publisher : MIT Press
Page : 240 pages
File Size : 41,6 Mb
Release : 2001
Category : Performing Arts
ISBN : 0262523183

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Science is Fiction by Andy Masaki Bellows,Jean Painlevé,Marina McDougall,Brigitte Berg Pdf

Essays examining the work of maverick scientific documentary filmmaker Jean Painleve.

Science Fiction Cinema

Author : Christine Cornea
Publisher : Edinburgh University Press
Page : 320 pages
File Size : 50,7 Mb
Release : 2007-06-06
Category : Performing Arts
ISBN : 9780748628704

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Science Fiction Cinema by Christine Cornea Pdf

This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.

Monsters of Film, Fiction, and Fable

Author : Lisa Wenger Bro,Mary Ann Gareis,Crystal O'Leary-Davidson
Publisher : Cambridge Scholars Publishing
Page : 412 pages
File Size : 51,9 Mb
Release : 2018-07-27
Category : Performing Arts
ISBN : 9781527514836

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Monsters of Film, Fiction, and Fable by Lisa Wenger Bro,Mary Ann Gareis,Crystal O'Leary-Davidson Pdf

Monsters are a part of every society, and ours is no exception. They are deeply embedded in our history, our mythos, and our culture. However, treating them as simply a facet of children’s stories or escapist entertainment belittles their importance. When examined closely, we see that monsters have always represented the things we fear: that which is different, which we can’t understand, which is dangerous, which is Other. But in many ways, monsters also represent our growing awareness of ourselves and our changing place in a continually shrinking world. Contemporary portrayals of the monstrous often have less to do with what we fear in others than with what we fear about ourselves, what we fear we might be capable of. The nineteen essays in this volume explore the place and function of the monstrous in a variety of media – stories and novels like Baum’s Oz books or Gibson’s Neuromancer; television series and feature films like The Walking Dead or Edward Scissorhands; and myths and legends like Beowulf and The Loch Ness Monster – in order to provide a closer understanding of not just who we are and who we have been, but also who we believe we can be – for better or worse.

Retrovisions

Author : Deborah Cartmell,I.Q. Hunter,Imelda Whelehan
Publisher : Pluto Press (UK)
Page : 184 pages
File Size : 41,9 Mb
Release : 2001
Category : Performing Arts
ISBN : UOM:49015003130870

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Retrovisions by Deborah Cartmell,I.Q. Hunter,Imelda Whelehan Pdf

This innovative book studies how films and texts re-imagine the past, and what it reveals about our contemporary culture.

The Cambridge Companion to Literature on Screen

Author : Deborah Cartmell,Imelda Whelehan
Publisher : Cambridge University Press
Page : 128 pages
File Size : 40,6 Mb
Release : 2007-05-10
Category : Literary Criticism
ISBN : 1139827553

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The Cambridge Companion to Literature on Screen by Deborah Cartmell,Imelda Whelehan Pdf

This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.

Latino Los Angeles in Film and Fiction

Author : Ignacio L—pez-Calvo
Publisher : University of Arizona Press
Page : 272 pages
File Size : 43,7 Mb
Release : 2011-02-15
Category : Literary Criticism
ISBN : 0816529264

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Latino Los Angeles in Film and Fiction by Ignacio L—pez-Calvo Pdf

Los Angeles has long been a place where cultures clash and reshape. The city has a growing number of Latina/o authors and filmmakers who are remapping and reclaiming it through ongoing symbolic appropriation. In this illuminating book, Ignacio L—pez-Calvo foregrounds the emotional experiences of authors, implicit authors, narrators, characters, and readers in order to demonstrate that the evolution of the imaging of Los Angeles in Latino cultural production is closely related to the politics of spatial location. This spatial-temporal approach, he writes, reveals significant social anxieties, repressed rage, and deep racial guilt. Latino Los Angeles in Film and Fiction sets out to reconfigure the scope of Latino literary and cultural studies. Integrating histories of different regions and nations, the book sets the interplay of unresolved contradictions in this particular metropolitan area. The novelists studied here stem from multiple areas, including the U.S. Southwest, Guatemala, and Chile. The study also incorporates non-Latino writers who have contributed to the Latino culture of the city. The first chapter examines Latino cultural production from an ecocritical perspective on urban interethnic relations. Chapter 2 concentrates on the representation of daily life in the barrio and the marginalization of Latino urban youth. The third chapter explores the space of women and how female characters expand their area of operations from the domestic space to the public space of both the barrio and the city. A much-needed contribution to the fields of urban theory, race critical theory, Chicana/oÐLatina/o studies, and Los Angeles writing and film, L—pez-Calvo offers multiple theoretical perspectivesÑincluding urban theory, ecocriticism, ethnic studies, gender studies, and cultural studiesÑ contextualized with notions of transnationalism and post-nationalism.

Fiction, Film, and Indian Popular Cinema

Author : Florian Stadtler
Publisher : Routledge
Page : 214 pages
File Size : 49,6 Mb
Release : 2013-10-30
Category : Literary Criticism
ISBN : 9781135964306

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Fiction, Film, and Indian Popular Cinema by Florian Stadtler Pdf

This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the elaboration of the author’s arguments about post-independence postcolonial India. Focusing on different genres of Indian popular cinema, such as the ‘Social’, ‘Mythological’ and ‘Historical’, Stadtler examines how Rushdie’s writing foregrounds the epic, the mythic, the tragic and the comic, linking them in storylines narrated in cinematic parameters. The book shows that Indian popular cinema’s syncretism becomes an aesthetic marker in Rushdie’s fiction that allows him to elaborate on the multiplicity of Indian identity, both on the subcontinent and abroad, and illustrates how Rushdie uses Indian popular cinema in his narratives to express an aesthetics of hybridity and a particular conceptualization of culture with which ‘India’ has become identified in a global context. Also highlighted are Rushdie’s uses of cinema to inflect his reading of India as a pluralist nation and of the hybrid space occupied by the Indian diaspora across the world. The book connects Rushdie’s storylines with modes of cinematic representation to explore questions about the role, place and space of the individual in relation to a fast-changing social, economic and political space in India and the wider world.