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The Elementary School Library Collection by Lauren K. Lee,Linda L. Homa Pdf
**** Cited in Sheehy and Walford, this comprehensive reference recommends print and audiovisual materials as well as microcomputer software and CD-ROM products for preschool through sixth grade children. The present edition includes 12,294 recommended titles, 3,070 being new listings. Each entry notes the format(s) available and provides cataloging and ordering information, a critically descriptive annotation, interest and reading level estimates, and priority for acquisition. For school, public, and academic librarians, and preservice and inservice faculty. Published by the Brodart Company, 500 Arch St., Williamsport, PA 17705. Annotation copyright by Book News, Inc., Portland, OR
The Disney Song Encyclopedia by Thomas S. Hischak,Mark A. Robinson Pdf
Songs written for Disney productions over the decades have become a potent part of American popular culture. Since most Americans first discovered these songs in their youth, they hold a special place in one's consciousness. The Disney Song Encyclopedia describes and discusses hundreds of famous and not-so-famous songs from Disney films, television, Broadway, and theme parks from the 1930s to the present day. Over 900 songs are given individual entries and presented in alphabetical order. The songwriters and original singers are identified, as well as the source of the song and other venues in which it might have been used over the years. Notable recordings of the song are also listed. But most important, the song is described and what makes it memorable is discussed. This is not a reference list but a true encyclopedia of Disney songs. The book also contains a preface describing the criteria for selecting the songs, a glossary of song terms, a list of all the Disney songs and their sources, a songwriter's directory in which every song by each composer/lyricist is listed, a bibliography, a guide to recordings and DVDs of Disney productions, and an index of people and titles.
Just as Frank Sinatra had an additional and invaluable career as the great preservationist and evangelist of the American popular song (with particular focus on the Lost and Found), so author-actor-singer-director Bruce Kimmel has additionally served the cause of Broadway and Hollywood beyond measure, producing some of the most memorable vocalists of our time in recordings that give new life to music that might otherwise be forgotten, while renewing and revitalizing the theatrical canon with his impeccable taste and unerring musicality. In his usual engaging and endearing style, he at last gives us a first-hand view of his process. For this terrific chronicle, and for his immeasurable contribution to musical theatre, we can only give our most inadequate thanks. Rupert Holmes, Tony and Edgar award-winning playwright and novelist Bruce Kimmel's rollicking memoir, Theres Mel, Theres Woody, and Theres You, left his fans begging for more. Thankfully, the theatre gods are kind and answered our prayers. Actor, director, composer, playwright, novelist, film-maker...and good at all of them, Kimmel has reinvented himself more times than Madonna and had more lives than a cat. In Album Produced by, he now shape-shifts into what may be his greatest theatrical incarnationas the foremost album producer of theatre music in the last twenty-five years. Through time and labels, his amazing career fluctuates with more highs and lows than the sliding dials on a soundboard and is sweetened with the usual Kimmel witlaced raconteurism.Whether working with the greats (Carol Channing, Lauren Bacall, Dorothy Louden, Ann-Margret, to name a few) or promoting and often discovering the next big musical stars of Broadway, our intrepid hero battles lessthan- visionary bosses, broken promises, harried orchestrators, enraged engineers, the occasional disgruntled diva, and the mysterious crooner, Guy Haines. But he manages to defeat all obstacles and egos in his way, emerging triumphant to dance in divine syncopation with the glorious music he creates. To know the stories behind all those wonderful albums is to listen to them with fresh ears and a new appreciation of the talent, tears, and genius that went into them. Charles Edward Pogue, screenwriter of Dragonheart, DOA, & The Fly
The inside story on Lindsay: love, survival and celebrity. Lindsay Lohan was born in New York in 1986. She started modelling and acting at the tender age of 3 and it didn't take long before showbiz execs recognised her undeniable talent. As Lindsay's father was jailed by the time she was 4, Lindsay soon became the family breadwinner and her mother assumed the role of Lindsay's manager - a job she continues to this day. Having starred in over 60 TV commercials, Lindsay landed her first role on the big screen in the remake of THE PARENT TRAP and went on to star in FREAKY FRIDAY, and perhaps most famously, MEAN GIRLS. But in 2005, Lindsay revealed that she suffered from bulimia and she gained a reputation as a wildchild party animal. By 2007, Lindsay had been arrested for substance abuse. In 2008, Lindsay had a high profile and intense relationship with Samantha Ronson. Battling the odds, Lindsay is trying to get her life back on track following recent stints in rehab. Ally Croft chronicles Lindsay's remarkable and turbulent life with honesty and sensitivity.
Girls Aloud: They're Stylish and They've Got Attitude - This is the Story of Britain's Best Girl Band by Jen Crothers Pdf
Musicians who find fame on reality TV are supposed to provide a bit of entertainment and then fade away - not have three UK Top 10 albums and more than a dozen UK Top 10 singles. Maybe someone forget to tell Girls Aloud the rules.November 2002 saw the birth of the most successful reality TV-formed pop band in UK chart history - but little did the triumphant daughters of Popstars: The Rivals know what was in store. Cheryl Tweedy, Nicola Roberts, Nadine Coyle, Kimberley Walsh and Sarah Harding, in their new guise as Girls Aloud, stormed to the coveted Christmas number one slot with 'Sound Of The Underground', consigning their rivals, One True Voice, to eternal oblivion.Stomping a stiletto-heeled shoe in the face of the pop landscape, Girls Aloud instantly changed what manufactured pop acts were about - with the talents of Brian Higgins' Xenomania behind their full frontal assault on the charts, Girls Aloud were unstoppable...and four-and-a-half-years, still were. The feisty fivesome proved right from the beginning that their unique and unabashed brand of punky girl-power pop would set the charts alight, and the Top 540 would never be the same again.But it hasn't always been straightforward for the girls. It was a hard slog to win over some sneering music critics, and when Cheryl was charged with assault after attacking a toilet attendant in a nightclub, some feared it would spell the end of the group's success. In true Girls Aloud style, however, the lovely ladies bounced back stronger than ever, hailed as the saviours of pop with a salvo of killer tunes and a bucketload of attitude.With the release of their greatest hits album in the autumn of 2006, rumours suggested the band were going to split up, but if anything they're better than ever. Now you can read the full story.
Like any profound technological breakthrough, the advent of sound recording ushered in a period of explosive and imaginative experimentation, growth and competition. Between the commercial debut of Edison's "talking machine" in 1889 and the first commercial radio broadcast three decades later, the recording industry was uncharted territory in terms of both technology and content. This history of the earliest years of sound recording--the time between the phonograph's appearance and the licensing of commercial radio--examines a newly created technology and industry in search of itself. It follows the story from the earliest efforts to capture sound, to the fight among wire, cylinder and disk recordings for primacy in the market, to the growth and development of musical genres, record companies and business practices that remain current today. The work chronicles the people, events and developments that turned a novel, expensive idea into a highly marketable commodity. Two appendices provide extensive lists of popular genre and ethnic recordings made between 1889 and 1919. A bibliography and index accompany the text.
