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The most action-packed banana-peel gag ever! What happens when mischievous Hyena puts a banana peel on unsuspecting Giraffe's path? A lot of hilarious chaos, it turns out. Kids will laugh and laugh at the crazy chain of events Hyena's practical joke sets in motion. In the end though, the joke's on Hyena, and readers will learn the smelly consequences of laughing too much at others' misfortunes.
That's Not Funny by Matt Sienkiewicz,Nick Marx Pdf
A 2022 Best Comedy Book, Vulture A rousing call for liberals and progressives to pay attention to the emergence of right-wing comedy and the political power of humor. "Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take readers--particularly self-described liberals--on a tour of contemporary conservative comedy and the "right-wing comedy complex." In That's Not Funny, "complex" takes on an important double meaning. On the one hand, liberals have developed a social-psychological complex--it feels difficult, even dangerous, to acknowledge that their political opposition can produce comedy. At the same time, the right has been slowly building up a comedy-industrial complex, utilizing the humorous, irony-laden media strategies of liberals such as Jon Stewart, Samantha Bee, and John Oliver to garner audiences and supporters. Right-wing comedy has been hiding in plain sight, finding its way into mainstream conservative media through figures ranging from Fox News's Greg Gutfeld to libertarian podcasters like Joe Rogan. That's Not Funny taps interviews with conservative comedians and observations of them in action to guide readers through media history, text, and technique. You will find many of these comedians utterly appalling, some surprisingly funny, and others just plain weird. They are all, however, culturally and politically relevant--the American right is attempting to seize spaces of comedy and irony previously held firmly by the left. You might not like this brand of humor, but you can't ignore it.
When he and his grandfather go to town, Alfie finds humor in seeing unpleasant things happen to other people, but he feels differently when an elephant lands on him at the circus.
New York Times bestselling author of This Is a Book and Point Your Face at This, Demetri Martin is back with another collection of hilarious drawings: IF IT'S NOT FUNNY IT'S ART Packed with hundreds of new illustrations and one-liners, IF IT'S NOT FUNNY IT'S ART is a peek into the ingenious mind of author/comedian/filmmaker Demetri Martin. Exploring the meaning of art, life, death, ennui and the elegant fart joke with a sensibility all its own, this collection is a perfect gift for word lovers, art appreciators and fans of Demetri's unique brand of comedy. Sure to make you laugh out loud, and if it doesn't, then you know it's art.
Humor has always been an essential part of North American aboriginal culture. This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.
It's Not Funny If I Have to Explain It by Scott Adams Pdf
Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier.
That's Not Funny, That's Sick: The National Lampoon and the Comedy Insurgents Who Captured the Mainstream by Ellin Stein Pdf
"Smart, knowing, and deeply reported, the definitive history of one of modern American humor’s wellsprings." —Kurt Andersen, author of Fantasyland, host of NPR’s Studio 360 Labor Day, 1969. Two recent college graduates move to New York to edit a new magazine called The National Lampoon. Over the next decade, Henry Beard and Doug Kenney, along with a loose amalgamation of fellow satirists including Michael O’Donoghue and P. J. O’Rourke, popularized a smart, caustic, ironic brand of humor that has become the dominant voice of American comedy. Ranging from sophisticated political satire to broad raunchy jokes, the National Lampoon introduced iconoclasm to the mainstream, selling millions of copies to an audience both large and devoted. Its excursions into live shows, records, and radio helped shape the anarchic earthiness of John Belushi, the suave slapstick of Chevy Chase, and the deadpan wit of Bill Murray, and brought them together with other talents such as Harold Ramis, Christopher Guest, and Gilda Radner. A new generation of humorists emerged from the crucible of the Lampoon to help create Saturday Night Live and the influential film Animal House, among many other notable comedy landmarks. Journalist Ellin Stein, an observer of the scene since the early 1970s, draws on a wealth of revealing, firsthand interviews with the architects and impresarios of this comedy explosion to offer crucial insight into a cultural transformation that still echoes today. Brimming with insider stories and set against the roiling political and cultural landscape of the 1970s, That’s Not Funny, That’s Sick goes behind the jokes to witness the fights, the parties, the collaborations—and the competition—among this fraternity of the self-consciously disenchanted. Decades later, their brand of subversive humor that provokes, offends, and often illuminates is as relevant and necessary as ever.
I Laugh But Everything's Not Funny by Kentlin Hopkins Pdf
This is a story about Kurtis Camble, who has been fighting his demons his whole life. Kurtis-KC, as he is better known-has chosen to allow the streets to raise him. Deep in his heart, he wants to leave the streets and make a change, but the streets refuse to allow him to leave. When these same streets murder his son, he confronts these streets and they respond by threatening to destroy him as well.
Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan's Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life—which means getting into the right high school to get into the right college to get the right job—Craig studies night and day to ace the entrance exam, and does. That's when things start to get crazy. At his new school, Craig realizes that he isn't brilliant compared to the other kids; he's just average, and maybe not even that. He soon sees his once-perfect future crumbling away.
Not Funny Then, But Funny Now by Gerry Robertson Pdf
Delve into the first-hand account of a life dedicated to making a difference through performing humanitarian work. At 7 years of age, after being emotionally moved by a documentary depicting the suffering of humans caused by humans in conflict, Gerard Robertson immediately knew that somehow he would be a part of easing the pain that he witnessed. The path that best suited his ideals was to volunteer with the Red Cross in his homeland of New Zealand in 1995. This eventually led to the opportunity to work for the International Committee of the Red Cross. Reluctant to call himself a hero, he has nonetheless put his own life on the line traveling to the most dangerous and terrible places on this planet in an effort to make a difference. Discover the potential risks from exposure to diseases and the perilous conditions that are commonplace, and yet are not enough to deter the most loyal workers. About the Author: Gerard Robertson was born and raised in a small town in New Zealand. He met his wife while they were both working in Liberia in 2004. After a one year sabbatical, the two are looking forward to a one year mission in Kyrgyzstan. He is the father of an eighteen year old daughter. Publisher's website: http: //www.strategicpublishinggroup.com/title/NotFunnyThenButFunnyNow.html
An invaluable guide on how to "lighten up" from a distinguished pro who has provided laughs for JAY LENO, BILLY CRYSTAL, STEVE MARTIN, ROBIN WILLIAMS, BRAD GARRETT, WHOOPI GOLDBERG, AND MANY MORE. Who hasn't wished for the perfect withering comeback line, a clever tension-breaking quip, or a winning flirtatious remark? Being funny is hard work and not everyone is a natural. How to Be Funny is a witty guide that teaches readers precisely how to be funnier in everyday life. It's a must-read for anyone who has to speak in public, be engaging and funny at work or at play, or who hopes to one day go out on a date. Jon Macks, a comedy writer for The Tonight Show with Jay Leno, the Academy Awards, the Emmy Awards, Hollywood Squares, and the nation's top comedians, politicians, and corporate leaders, knows his funny business. Here he demystifies the process of making people laugh, breaks down the basic building blocks and types of humor -- which include self-deprecation, misdirection, deadpan delivery, sarcasm, and "the reverse" -- and reveals the best approaches to use in common situations. How to Be Funny features helpful (and hilarious) tips and anecdotes from the comic legends Mack's worked with -- including Jay Leno, Arsenio Hall, Gilbert Gottfried, Billy Crystal, Rita Rudner, Dave Barry, and Carrie Fisher -- in his eleven years as one of the nation's top television writers. Whether the goal is to give a memorable public address or deliver a killer line with friends, How to Be Funny is a charming, instructive, and practical read.
It's Not Funny, I Lost My Money by Melody Carlson Pdf
Hannah's crazy search to find her lost coin, and the lively illustrations and engaging verse that go along with this retelling of Jesus' parable, will delight children.
Author : Peter McGraw,Joel Warner Publisher : Simon and Schuster Page : 256 pages File Size : 45,7 Mb Release : 2015-04-28 Category : Business & Economics ISBN : 9781451665420
Part road-trip comedy and part social science experiment, a scientist and a journalist travel the globe to discover the secret behind what makes things funny, questioning countless experts, including Louis C.K., along the way.
