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The Review of Contemporary Fiction by Gert Jonke,Kazuo Ishiguro,Emily Holmes Coleman Pdf
The Review of Contemporary Fiction is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization.
Rough Draft: The Modernist Diaries of Emily Holmes Coleman, 1929-1937 is an edited selection, published here for the first time, of the diaries kept by American poet and novelist Coleman during her years as an expatriate in the modernist hubs of France and England. During her time abroad, Coleman developed as a surrealist writer, publishing a novel, The Shutter of Snow, and poems in little magazines like transition. She also began her life's work, her diary, which was sustained for over four decades. This portion of the diary is set against the cultural, social, and political milieu of the early twentieth century in the throes of industrialization, commercialization, and modernization. It showcases Coleman's often larger-than-life, intense personality as she interacted with a multitude of literary, artistic, and intellectual figures of the period like Djuna Barnes, Peggy Guggenheim, Antonia White, John Holms, George Barker, Edwin Muir, Cyril Connolly, Arthur Waley, Humphrey Jennings, Dylan Thomas, and T.S. Eliot. The book offers Coleman's lively, raw, and often iconoclastic account of her complex social network. The personal and professional encouragements, jealousies, and ambitions of her friends unfolded within a world of limitless sexual longing, supplies of alcohol, and aesthetic discussions. The diary documents the disparate ways Coleman celebrated, just as she consistently struggled to reconcile, her multiple identities as an artistic, intellectual, maternal, sexual, and spiritual woman. Rough Draft contributes to the growing modernist canon of life writings of both female and male participants whose autobiographies, memoirs, and diaries offer diverse accounts of the period, like Ernest Hemingway's A Moveable Feast, Gertrude Stein's The Autobiography of Alice B. Toklas, Sylvia Beach's Shakespeare and Company, and Robert McAlmon and Kay Boyle's Being Geniuses Together.
"Dermot Healy wrote intricate and innovative short stories that, along with works by Neil Jordan and Desmond Hogan, relaunched the Irish short story tradition. Set in small-town Ireland and the equally suffocating confines of the Irish expat communities of 1970s London, Healy's stories show compassion toward the marginalized and the dispossessed. Gathering all of Healy's stories together for the first time, this collection includes the long prose-drama "Before the Off" and Healy's final short works, "Along the Lines" and "Images" --
"Wit, humor, satire, the exact fall of a Dublin syllable, the ear for the local turn, the flight of fancy that can spin into a Dublin joke or a Limerick limerick-all these are his."-The New York Times
The Review of Contemporary Fiction by Gert Jonke,Kazuo Ishiguro,Emily Holmes Coleman Pdf
The Review of Contemporary Fiction is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization.
The complete collection of stories about Madeline, the fearless little girl in a French boarding school. Includes some of the original sketches from the author's notebooks and family photographs.
Authors like Annie Proulx, John Banville, Derek Mahon, Dermot Healy, and Higgins himself, represented by a previously uncollected essay, offer a variety of critical and creative commentaries, while scholars such as Keith Hopper, Peter van de Kamp, George O'Brien, and Gerry Dukes contribute exciting new perspectives on all aspects of Higgins's writing, including his radio plays, his critical work, and the Harold Pinter film adaptation of Langrishe, Go Down. Langrishe too is revisited, while convincing cases are made for the major significance of later novels such as Bornholm Night-Ferry and Lions of the Grunewald, as well as Higgins's unorthodox trilogy of autobiographies. This collection confirms the enduring significance of Aidan Higgins as one of the major writers of our time, and also offers testament that Higgins's work is being rediscovered by a new generation of critics and writers.
When The Best of Myles was published in 1968, it was hailed (by S. J. Perelman among others) as one of the supreme comic achievements of the English language. Now, in response to the clamorous demands of men of science and the arts, men of steam, of straw and of the law, comes Further Cuttings from Cruiskeen Lawn. Flann O'Brien adopted the name "Myles na Gopaleen" for the hilarious Cruiskeen Lawn column which he wrote for The Irish Times from 1940-1966. Whereas The Best of Myles covered the first five years of the column's life, this companion edition covers the period from 1947-1957. Here can be found the true transcripts of Myles's clashes with the law courts on charges of larceny, currency offenses, marrying without the consent of his parents, gang warfare, and using bad language; here too are bizarre obituaries, bores, banalities, jovialities and immoralities, and the return of the preposterous Brother. Also included is the first-ever Myles article.
Two orphaned boys, Manus and Finbarr, descend into the house of the disputatious Mr. Collopy. This is a tale of growing up in the midst of eccentricity: of Mr. Collopy's mysterious humanitarian work on behalf of women; of his progressive-sounding (and often blasphemous) arguments with his priest, Father Fahrt. Manus quickly proves himself a master of business, teaching people by post to walk the tightrope in Edwardian Dublin. He soon dispatches Collopy on a trip to Rome, seeking relief from the unexpected effects of his eldest charge's attempts at pharmaceuticals. Finbarr, meanwhile, watches and waits, a young boy with only the foggiest notion of the world he is describing...
Hugh Kenner's theme is the Irish Literary Revival, that seizure of the English language by writers whose relation to it was oddly uncomfortable, even alien -- and their creation of a new idiom that would dominate and define International Modernism. His technique is anecdote and example. In his hands, biography jostles with critical insight, social history erupts into choice quotation, "facts" reveal themselves to be invention.
Twenty-first-century "black" British Writers by R. Victoria Arana Pdf
This volume complements the work of earlier literary historians and of the featured writers themselves by enlarging the reader's knowledge about the cultural ferment going on in Britain at the beginning of the third millennium. The writers included all seek to transform British society by casting a light on cultural realities that can no longer be overlooked.
Chinese Fiction Writers, 1950-2000 by Thomas Moran,Ye Xu Pdf
Bio-bibliographical guide covering the lives and works of Chinese writers of contemporary Chinese literature. The authors covered all had well-established careers by the 1990s; most captured their audiences and gained critical recognition in the 1970s and 1980s. The economic, political, and social changes of the 1990s, including the commercialization of literature and the relaxation of limits on expression, had great influence on the literature of these writers.
Twentieth-century British Book Collectors and Bibliographers by William Baker,Kenneth Womack Pdf
This award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. Dictionary of Literary Biography provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history.Dictionary of Literary Biography systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods.For a listing of Dictionary of Literary Biography volumes sorted by genre click here.
