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"Three Goat Songs" is a series of variations on a theme. It is divided into three novellas, each about a man who sits on a rocky coast by the seashore, contemplating. Herbs of goats come there to graze. The man is a husband and father of two children. "Three Goat Songs" is an exploration into the existential boundaries, in the "sea-bounded goat world." It is a philosophical look at the essential sameness and, at the same time, the diversity of all stories. It has in common with the other books of Michael Brodsky the theme of the protagonist's struggle to survive, and more than that, to comprehend. Together, this body of work has led critics to compare the writing of Michael Brodsky to that of the masters like Dostoevsky, Becket, Joyce.
The poems in James Najarian's debut collection are by turns tragic and mischievous, always with an exuberant attention to form. Najarian turns his caprine eye to the landscapes and history of Berks Country, Pennsylvania, and to the middle east of his extended Armenian family. These poems examine our bonds to the earth, to animals, to art and to desire. From "Goat Song" I start up in my wide suburban bed, patting the mattress, hoping they are real, and call the names that seem to be for strippers: Candy, Ceffie, Bambi, Serenade. Just as the names come out, I understand them decades--caprine generations--gone, leaving me only with a kind surmise: that somewhere their uncountable-great grandkids are cramming their mouths with rose and thistle, breaking out of other pastures, with some other boy. "In blank verse, free verse, stanzas and syllabics rhymed with delicate quirkiness, the poems of The Goat Songs are sure-footed and nimble."--A.E. Stallings, author of Olives and judge
In a wind-battered Mayo cottage, playwright Jack Ferris tries to salvage something from his broken love affair with Catherine Adams. Drink and despair drove her away; can his imagination call her back? But as he summons up her past, Jack finds he has also called up Catherine's RUC father and a whole dangerous world of opposed traditions.
Acclaimed novelist Brad Kessler lived in New York City but longed for a life on the land where he could grow his own food. After years of searching for a home, he and his wife, photographer Dona Ann McAdams, found a mountain farmhouse on a dead-end road, with seventy-five acres of land. One day, when Dona returned home with fresh goat milk from a neighbor's farm, Kessler made a fresh chèvre, and their life changed forever. They decided to raise dairy goats and make cheese. Goat Song tells about what it's like to live intimately with animals who directly feed you. As Kessler begins to live the life of a herder -- learning how to care for and breed and birth goats -- he encounters the pastoral roots of so many aspects of Western culture. Kessler reflects on the history and literature of herding, and how our diet, our alphabet, our religions, poetry, and economy all grew out of a pastoralist milieu among hoofed animals. Kessler and his wife adapt to a life governed by their goats and the rhythm of the seasons. And their goats give back in immeasurable ways, as Kessler proves to be a remarkable cheesemaker, with his first tomme of goat cheese winning lavish praise from America's premier cheese restaurants. In the tradition of Thoreau's Walden and Annie Dillard's Pilgrim at Tinker Creek, Goat Song is both a spiritual quest and a compelling and beautiful chronicle of living by nature's rules.
The poems in James Najarian’s debut collection are by turns tragic and mischievous, always with an exuberant attention to form. Najarian turns his caprine eye to the landscapes and history of Berks Country, Pennsylvania, and to the middle east of his extended Armenian family. These poems examine our bonds to the earth, to animals, to art and to desire. “In blank verse, free verse, stanzas and syllabics rhymed with delicate quirkiness, the poems of The Goat Songs are sure-footed and nimble.”—A.E. Stallings, author of Olives and judge
Vinyl LP (picture disc) plus booklet.Created during the exhibition David Shrigley: Laughterhouse at DESTE Foundation Project Space, Slaughterhouse, Hydra, Greece (19 June - 30 September 2018).The goat sounds in this piece of music are taken from the documentary film Shrigley made for the exhibition Laughterhouse.The goats in the documentary were filmed in Malta and Scotland, and were a response to the fact that the DESTE Foundation Project Space in Hydra was formally a slaughterhouse; something that hadn't really been made reference to by other artists who have exhibited there.Both dark and funny, Goat Music captures the humour of short video clips found on the internet with a more sobering revelation on what would have happened in the building before it became a space in which to show art.Published in an edition of 1000 copies by DESTE.Co-published by Koenig Books, DESTE and Karen Marta.
Impeccable scholarship and lavish illustration mark this landmark study of American railroad folksong. Norm Cohen provides a sweeping discussion of the human aspects of railroad history, railroad folklore, and the evolution of the American folksong. The heart of the book is a detailed analysis of eighty-five songs, from "John Henry" and "The Wabash Cannonball" to "Hell-Bound Train" and "Casey Jones," with their music, sources, history, and variations, and discographies. A substantial new introduction updates this edition.
A single full-length play loosely based on the Greek myth of Dionysos and encompassing a whole range of European dramatic traditions. The play deals with the contrast of man as beast (our essential nature) and as civilised being (embracing morals, nature and decorum).
When Susan Basquin's brother suggested they join forces and develop an Angora goat farm on Washington Island in Lake Michigan, Susan jumped at the chance. The rural isolation would be a wonderful break from her Santa Fe life. Or so she thought. For six years she struggled, growing fonder of her animals and discovering unknown reserves of strength. This memoir of Susan's life is a chronicle of her affection for her animals, her determination to overcome feelings of insecurity and her reflections on island life.