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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Grass of Parnassus: Rhymes Old and New Thirty new pieces, either unpublished or hitherto uncollected, have been added. Some of these had appeared in Serz'ener's, Long/nan's, and Blackwood's Magazines, in the Scots Observer, and the Illustrated London News. One or two omissions have also been made. The author cannot resist the pleasure of mentioning that the versions from the Greek Anthology were prompted by the encouraging kindness of the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Grass of Parnassus. First and Last Rhymes by Andrew Lang Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
In a remarkable literary career, Andrew Lang challenged the increasing specialism that accompanied the advance of modernity and science in the last quarter of the nineteenth century, authoring an extraordinary body of rigorous, scholarly works in the fields of social anthropology, folklore, Homeric studies, history, and religion, while simultaneously turning out novels, poems for periodicals, and inexhaustible columns of prose journalism to make money. He was widely regarded as one of the most influential men of letters and reviewers of his day. He was a founding member and later President of the Folklore Society, and, with his wife, helped transform the taste in children's literature with their anthologized fairy stories for young people. G. K. Chesterton, paying tribute on Lang's death in 1912 to the scale and diversity of his legacy to the humanities, compared him to a 'kind of Indian god with a hundred hands'. Drawing on a wealth of unpublished correspondence and new sources of information, this first full biography of Lang documents in compelling detail his double existence as a scholar and journalist, the intellectual impact of his cross-disciplinary approach to learning and writing, and the critical controversies he courted as a writer and thinker to advance knowledge in the human sciences. The book also throws new light on Lang's personal life: on the uncomfortable legacy of his grandfather, whose notorious part in the Sutherland Clearances earlier in the century left its mark on the family; on the enduring influence on him of his early Scottish education and its generalist traditions of learning; and on his friendships with fellow writers, among them Robert Louis Stevenson, Henry James, Rider Haggard, Edmund Gosse, Rhoda Broughton, and William Henley. The result is a fascinating portrait of a man who lived one of the most productive lives in literature, sought to make knowledge available to everyone, and bridged, as no other, the university and the literary world, the proverbial 'Grub Street and the ivory tower'.
