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The Grateful Dead Reader by David G. Dodd,Diana Spaulding Pdf
This collection of writings about the greatest tour band in the history of rock offers both classic and hard-to-find essays, reviews, and reports that piece together a chronological history of the group. 12 photos. 3 line drawings.
Jerry Garcia: Secret Space of Dreams is a hard cover coffee table book that will bring together, for the first time, a comprehensive collection of photographs of Jerry Garcia taken by renowned Grateful Dead photographer Jay Blakesberg. The focus of the book is to present a collection of Jay's iconic images of Garcia from 1978 until Garcia's death in 1995. The book will include photographs of Garcia with members of the Grateful Dead as well as guest musicians and solo projects Jerry worked on. Since Jerry Garcia's passing, the band's popularity has remained immense as evidenced by their continued merchandise sales, acclaimed 50th anniversary "Fare Thee Well" concerts in 2015 and ongoing tours by surviving members. The book will include quotes from many notable musicians who were influenced and inspired by Jerry Garcia.
The Tibetan Book of the Dead for Beginners by Lama Lhanang Rinpoche,Mordy Levine Pdf
Enduring and accessible advice for living with wisdom and compassion―and meeting the end of life with courage and peace Through countless editions and across centuries, The Tibetan Book of the Dead has drawn readers intrigued by the Tibetan Buddhist view of the end of life. In a world that often ignores death or hides it from view, Tibetan Buddhists acknowledge it as the last of a countless series of endings in this lifetime. And after each ending comes a new beginning. The Tibetan Book of the Dead for Beginners draws on this timeless wisdom to help readers today live with more joy and approach the end with more ease. Lama Lhanang Rinpoche, born and raised in Tibet and now teaching in the United States and internationally, partners with student and meditation teacher Mordy Levine to share teachings inspired by The Tibetan Book of the Dead. They make clear that “how we live is how we will die.” The book explores karma, impermanence, the bardos (or the “in-between”), and what happens next, sharing accessible practices to cultivate wisdom and compassion along the way. With empathy and warmth, Lama Lhanang and Levine offer support for readers grappling with their own mortality and those caring for loved ones transitioning from this lifetime. The Tibetan Book of the Dead for Beginners helps readers cultivate courage and embrace the unknown―not just in the final days, but every day.
Onstage and offstage, the Grateful Dead ran their band on their own terms. Each concert was different from the last, and their fans loved them for it. Many of the band's songs were autobiographical, and their fans could relate to life's ups and downs, which included drug and alcohol addiction, death of band members, illness, and breakups of personal relationships. Featuring fascinating sidebars, revealing direct quotations, and accessible language that highlights the sense of community that existed among Deadheads, this book delves into the thirty-plus-year career of the Grateful Dead and looks to the future of its founding members.
The Grateful Dead's 100 Essential Songs by Barry Barnes,Bob Trudeau Pdf
The Grateful Dead’s 100 Essential Songs examines the band’s remarkable musical legacy, delving into 100 songs (plus a few extras) performed by the Dead throughout their career. It includes a playlist of performance and studio recordings, as well as other song analyses and first-hand narratives of hundreds of Dead concerts.
Author : David G. Dodd,Alan Trist Publisher : Simon and Schuster Page : 512 pages File Size : 52,9 Mb Release : 2015-10-13 Category : Music ISBN : 9781501123320
A collection of interviews—some vintage, some recent, and some brand-new—Conversations with the Dead is the first (and only) book in which the Grateful Dead speak in their own words about their music and their lives. David Gans, a self-professed Deadhead and host of "The Grateful Dead Hour," asked Jerry Garcia, Bob Weir, and the rest of the band the questions their fans would have asked if given the chance. And Gans reaches far beyond the musicians, talking with such often-overlooked key players as the recording engineer, sound man, and road crew—those who have had the coveted opportunity to witness the Dead's decades of music-making. This updated and expanded edition includes a rare, never-before-published interview with Seastones composer Ned Lagin and a new introduction by the author. With a readable combination of intensity, inquisitiveness, and candor, Gans has created an unprecedented portrait of a band who, after more than thirty years of music-making, has earned a unique place in American culture.
The Grateful Dead rose out of San Francisco's '60s underground rock scene with an unprecedented sound and image. Its members steeped in rock folk classical and blues; their instrumental prowess; and their refusal to bow to commercial conventions helped originate jam band music. Unapologetic in its advocacy of drug use as a means toward mind expansion the Dead helped catapult psychedelic music. After performing at the Monterey International Pop Festival and Woodstock the group became iconic without ever scoring a hit single. A large devoted fan base ä Deadheads ä began to follow the band everywhere. The group suffered a tragedy when bandleader Jerry Garcia slipped into a coma in 1986 but returned the next year with a top-selling album and surprise hit single Touch of Grey. By 1993 the Dead was the top-grossing live act in the United States. The band ended when Garcia died in 1995 but the music lives on with a stream of live releases. In ÊGrateful Dead FAQÊ Tony Sclafani examines the band's impact and influence on rock music and pop culture. This book ventures into unexplored areas and features a host of rare images making it a must-have for both Deadheads and casual fans.
"Robert Hunter is an essential member of the Grateful Dead, an offstage presence who has written the lyrics for most of their songs for nearly three decades, primarily working in partnership with guitarist Jerry Garcia."--Jacket.
The staff of The Onion presents a satirical collection of mock headlines and news stories, including an account of the Pentagon's development of an A-bomb-resistant desk for schoolchildren.
Dwellers of Memory is an ethnographic study of how urban youth in Colombia came to be at the intersection of multiple forms of political, drug-related, and territorial violence in a country undergoing forty years of internal armed conflict. It examines the ways in which youth in the city of Medelln reconfigure their lives and cultural worlds in the face of widespread violence. This violence has transgressed familiar boundaries and destroyed basic social supports and networks of trust. This volume attempts to map and understand its patterns and flows. The author explores how Medelln's youth locate themselves and make sense of violence through contradictory and shifting memory practices. The violence has not completely taken over their cultural worlds or their subjectivities. Practices of remembering and forgetting are key methods by which these youth rework their identities and make sense of the impact of violence on their lives. While the experience of violence is rooted in urban space and urban youth, the memory dwellers use a sense of place, oral histories of death, and narratives of fear as survival strategies for inhabiting violent neighborhoods. The book also examines fissures in memory, the contradictory constructions of young people's subjective selves, and practices of gendered violence and terror. All have and continue to pose risks to the historical memory and cultural survival of the residents of Medelln. Dwellers of Memory offers an alternative ethnographic approach to the study of memory and violence, one that calls into question whether the role of the ethnographer of violence is to be a mere witness of terror, or to oppose it by writing against it. It will be of interest to sociologists, anthropologists, and students of ethnography. Pilar Riao-Alcal is assistant professor, School of Social Work and Family Studies, University of British Columbia, Canada.
Author : John H. Long Publisher : University Press of Kentucky Page : 291 pages File Size : 46,9 Mb Release : 2021-10-21 Category : Literary Criticism ISBN : 9780813186344
Music in English Renaissance Drama by John H. Long Pdf
Nowhere is the richness and variety of the English Renaissance better shown than in the dramatic works of the period which combined to an unusual degree the arts of poetry, music, acting, and dance. This collection of essays by a number of distinguished scholars offers a series of views of the music of this drama—ranging from the mystery cycles still performed in the late sixteenth century to the cavalier drama of the early seventeenth. The essays included here are mainly concerned with the minor dramatic forms—the mystery plays, the "entertainments," the masques, and the works of such playwrights as Marston and Cartwright—which reveal more extensively the blending of music and drama; and they illustrate a variety of approaches to the dramatic art. The collection as a whole demonstrates the need for an interdisciplinary consideration of this important area of study. Of especial value to musicologists is the bibliography of extant music used in dramatic works of the period.
Accompany Them with Singing--The Christian Funeral by Thomas G. Long Pdf
Thomas Long begins this fascinating volume by describing how the Christian funeral developed historically, theologically, and liturgically, and then discusses recent cultural trends in funeral practices, including the rise in both cremations and memorial services. He describes the basic pattern for a funeral service, details options in funeral planning, identifies characteristics of a "good funeral," and provides thoughtful guidance for preaching at a funeral. Long also notes a disturbing trend toward funeral services that seem theologically right and pastorally caring, but actually depart from the primary aims of the Christian funeral. He argues that a new, less-theological and less-satisfying service that focuses on the mourner has begun to erode the Christian view. He contrasts the ancient grand community drama with today's trend toward body-less memorial services that focus primarily on the living and grief management. This is a loss for the church, he argues, and he calls for the church to reclaim the classic metaphor.
Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.