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Author : Christian McWhirter
Publisher : Univ of North Carolina Press
Page : 333 pages
File Size : 45,6 Mb
Release : 2012
Category : History
ISBN : 9780807835500
Battle Hymns
Author : Philip F. Gura
Publisher : UNC Press Books
Page : 364 pages
File Size : 46,7 Mb
Release : 2003
Category : Music
ISBN : 0807828017
The author chronicles the remarkable story of the world's most famous guitar company, using more than 175 illustrations to tell the story of C. F. Martin and the company he created, using letters, account books, inventories, and other documents. (Performing Arts)
Author : Mark Johnson
Publisher : University of Chicago Press
Page : 302 pages
File Size : 53,8 Mb
Release : 2014-12-10
Category : Philosophy
ISBN : 9780226223230
Using path-breaking discoveries of cognitive science, Mark Johnson argues that humans are fundamentally imaginative moral animals, challenging the view that morality is simply a system of universal laws dictated by reason. According to the Western moral tradition, we make ethical decisions by applying universal laws to concrete situations. But Johnson shows how research in cognitive science undermines this view and reveals that imagination has an essential role in ethical deliberation. Expanding his innovative studies of human reason in Metaphors We Live By and The Body in the Mind, Johnson provides the tools for more practical, realistic, and constructive moral reflection.
Author : Benjamin Gal-Or
Publisher : Springer Science & Business Media
Page : 538 pages
File Size : 51,9 Mb
Release : 2013-04-18
Category : Science
ISBN : 9781475711493
by Sir Karl Popper This is a great book, and an exciting book. I say so even though I happen to dis agree with the author in many minor points and one or two major points. Some of the minor points are merely terminological, and therefore very minor. I dislike the term 'dialectic', because of its use since Hegel and Marx; and I dislike the term 'gravitism', perhaps without a good reason. Thus I dislike the name which Professor Gal-Or has given to his theory. But the theory seems to me a great and a very beauti ful theory, so far as I can judge. Other minor points of disagreement are connected with Gal-Or's original and remarkable views of the great philosophers, including Spinoza and Kant. A major point of disagreement is that Gal-Or, following Einstein, is a scientific determinist, while I cannot but regard determinism as a modem super stition. Of course, he may be right and I may be completely mistaken. I mention these critical points rather in order to emphasize how strongly I am impressed by Professor Gal-Or's great book. Even in the very unlikely case that, wherever we disagree, he should be in the wrong and I right, even if that should be the case (which is improbable in the extreme), it would remain a great book: readable, worth reading and enlightening; with a most fascinating cosmological story of time, expansion, and gravitation.
Author : Sergio Della Sala
Publisher : Oxford University Press, USA
Page : 550 pages
File Size : 51,8 Mb
Release : 2007
Category : Psychology
ISBN : 0198568762
Does listening to Mozart make us more intelligent? Does the size of the brain matter? Can we communicate with the dead? This book presents a survey of common myths about the mind & brain. It exposes the truth behind these beliefs, how they are perpetuated, why people believe them, & why they might even exist in the first place.
Author : LeRoy Ashby
Publisher : University Press of Kentucky
Page : 686 pages
File Size : 54,8 Mb
Release : 2006-05-12
Category : Social Science
ISBN : 9780813171326
With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.
Author : United States. Congress. Senate. Committee on Indian Affairs (1993- )
Publisher : Unknown
Page : 152 pages
File Size : 44,6 Mb
Release : 2002
Category : Law
ISBN : PURD:32754070065184
Author : Ann Ostendorf
Publisher : University of Georgia Press
Page : 273 pages
File Size : 42,9 Mb
Release : 2011-09-15
Category : History
ISBN : 9780820341361
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory’s phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.
Author : Laura Tunbridge
Publisher : University of Chicago Press
Page : 248 pages
File Size : 41,6 Mb
Release : 2018-07-11
Category : History
ISBN : 9780226563602
In New York and London during World War I, the performance of lieder—German art songs—was roundly prohibited, representing as they did the music and language of the enemy. But as German musicians returned to the transatlantic circuit in the 1920s, so too did the songs of Franz Schubert, Hugo Wolf, and Richard Strauss. Lieder were encountered in a variety of venues and media—at luxury hotels and on ocean liners, in vaudeville productions and at Carnegie Hall, and on gramophone recordings, radio broadcasts, and films. Laura Tunbridge explores the renewed vitality of this refugee musical form between the world wars, offering a fresh perspective on a period that was pervaded by anxieties of displacement. Through richly varied case studies, Singing in the Age of Anxiety traces how lieder were circulated, presented, and consumed in metropolitan contexts, shedding new light on how music facilitated unlikely crossings of nationalist and internationalist ideologies during the interwar period.
Author : Professor Stacy Wolf
Publisher : Oxford University Press
Page : 352 pages
File Size : 47,6 Mb
Release : 2019-11-15
Category : Performing Arts
ISBN : 9780190639556
The idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice--a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in a century-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.
Author : Stacy Ellen Wolf
Publisher : Oxford University Press, USA
Page : 401 pages
File Size : 47,8 Mb
Release : 2019-12-23
Category : Music
ISBN : 9780190639525
The idea of American musical theatre often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. In Beyond Broadway, author Stacy Wolf looks at thewidespread presence and persistence of musical theatre in U.S. culture, and examines it as a social practice - a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do so many Americans continue to passionately engage in acentury-old artistic practice that requires intense, person-to-person collaboration? And why do audiences still flock to musicals in their hometowns? Touring American elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoortheatres, community theatres, and dinner theatres from California to Tennessee, Wolf illustrates musical theatre's abundance and longevity in the U.S. as a thriving social activity that touches millions of lives.
Author : Roger Mantie,Gareth Dylan Smith
Publisher : Oxford University Press
Page : 697 pages
File Size : 40,6 Mb
Release : 2017
Category : Music
ISBN : 9780190244705
"Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. The contexts discussed are broadly Western, including an eclectic variety of voices from scholars across fields and disciplines, framing complex and multifaceted phenomena that may be helpfully, enlighteningly, and perhaps provocatively framed as music making and leisure. This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for, amongst others, policy makers, scholars, and educators who perhaps risk eliding some or even most of the ways in which music - a vital part of human existence - is integrated into the everyday lives of people. As such, this handbook looks beyond the obvious, asking readers to consider anew, "What might we see when we think of music making as leisure?""--publisher's website
Author : Vivian Cook
Publisher : Profile Books
Page : 336 pages
File Size : 49,5 Mb
Release : 2010-12-09
Category : Language Arts & Disciplines
ISBN : 9781847653192
Cross words, crass words, kind words, bad words, first words, rude words, new words, weazel words, teen words, rap words, power words, colour words, Indian words, Brit words, Blairwords, war words, ad words, p-c words, borrowed words, Shakespeare's amazing words, false words, fine words, wine words, American words, name words, last words, even lost for words - this book has them all. Vivian Cook takes us on a series of excursions down the curious byways of word history and meaning, mingling the fare with games, lists, tests, and quotes. Discover the theojollylogical joys of infixation. Find out if you're a charva, what it means to be nithered, and how to hoy. Delve into the hidden nature of words. Consider how they're born, why they change, and how they die. Learn about the words that are never spoken and others that don't get written. Here's a book overflowing with words and about every kind and variety of word. It offers an irresistible cornucopia of information and entertainment.
Author : Richard Stites
Publisher : Yale University Press
Page : 636 pages
File Size : 44,5 Mb
Release : 2008-02-22
Category : History
ISBN : 9780300137576
Richard Stites explores the dramatic shift in the history of visual and performing arts that took place in the last decades of serfdom in Russia in the 1860s and revisualises the culture of that flamboyant era.
Author : Amalia Ran,Moshe Morad
Publisher : BRILL
Page : 269 pages
File Size : 47,5 Mb
Release : 2016-01-12
Category : Religion
ISBN : 9789004204775
Mazal Tov, Amigos! Jews and Popular Music in the Americas explores the sphere of Jews and Jewishness in the popular music arena in the Americas, by creating a framework for the discussion of new and old trends from an interdisciplinary standpoint.
