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Civilisation is on the brink of collapse. The people are controlled with Big Lies, mass surveillance and brutal suppression. What price would you pay for freedom? Oric and his lover Belkis are part of a rebel band devoted to liberating people all over the world from totalitarian oppression. When Belkis is brutally murdered, Oric's world is torn apart. Haunted by the thought that he could have done more to save her, he continues the fight for freedom that they began together. But Oric knows he doesn't have long left before his nemeses, the self-professed Saviours, return for him too. As the Saviours forge new alliances and grow ever stronger, Oric must stay one step ahead to complete the mission he was born to fulfill. Here, in the darkest hour, Oric will discover that even the smallest of gestures can bring the greatest gift to humankind – hope.
In My End Is My Beginning is the story of Mary Queen of Scots (1542–87), the tragic heroine par excellence. Queen of an unfamiliar and troubled nation when she was a week old, it was her misfortune to be a pawn in the game of international politics throughout her life. Even in the brief period from 1561 to 1567 when she was ruler of Scotland in fact as well as in name, she was beset with problems that would have defeated a much stronger, more experienced monarch. A talented poet and a charismatic leader, she contended with a treacherous, self-serving nobility, the religious ferment of the Reformation, and the political ambitions of larger and more powerful neighbours. With little real authority and few resources, Mary’s reign was successful, until her disastrous marriage to the dissolute Darnley set in motion the events that brought about her downfall. For the last 20 years of her life she was a prisoner in the hands of her cousin, Elizabeth I of England, and the subject of treacherous plots and conspiracies. A hostage to fortune, she represented a threat and a rallying-point for English Catholics. Her tragic end was inevitable. Yet her life, with all its adventurous, failures and disasters, produced the son – James – who ultimately brought about the union of Scotland and England. In the End Is My Beginning uncovers the true facts of Mary’s life in the context of Anglo-Scottish relations and shows why, after more than 400 years, she remains arguably the greatest character in popular Scottish history.
Warned by a Hong Kong fortune-teller not to risk flying for a whole year, Tiziano Terzani — a vastly experienced Asia correspondent — took what he called “the first step into an unknown world. . . . It turned out to be one of the most extraordinary years I have ever spent: I was marked for death, and instead I was reborn.” Traveling by foot, boat, bus, car, and train, he visited Burma, Thailand, Laos, Cambodia, Vietnam, China, Mongolia, Japan, Indonesia, Singapore, and Malaysia. Geography expanded under his feet. He consulted soothsayers, sorcerers, and shamans and received much advice — some wise, some otherwise — about his future. With time to think, he learned to understand, respect, and fear for older ways of life and beliefs now threatened by the crasser forms of Western modernity. He rediscovered a place he had been reporting on for decades. And it reinvigorated him. The result is an immensely engaging, insightful, and idiosyncratic journey, filled with unexpected delights and strange encounters. A bestseller and major prizewinner in Italy, A Fortune-Teller Told Me is a powerful warning against the new missionaries of materialism.
Dr. H. J. Sharp's vision of The Work is vast in scope, whether expressed in Gurdjieffian terms; in terms of other esoteric traditions; or in terms of modern scientific discoveries. My End is My Beginning represents the accumulated knowledge of one man in his quest for ultimate truth, and can serve as an important guide for each of us in our own search for truth.
Jamal Cyrus: The End of My Beginning by Anonim Pdf
Transnational cultural hybrids of the Afro-Atlantic The first full-length monograph of Houston-based visual artist Jamal Cyrus (born 1973), this publication features an overview of Cyrus' practice of cobbling modern artifacts that trace the evolution of Black identity as it migrates across the African Diaspora, Middle Passage, jazz age and civil rights movements from the 1960s to now. Published to accompany Cyrus' first career survey exhibition at the Blaffer Art Museum, the catalog includes materially diverse and conceptually charged textile-based pieces, assemblages, performances, installations, paintings and works on paper produced in the past two decades, including his ongoing Pride Records installation series. Together, these multidisciplinary artworks demonstrate Cyrus' commemoration, translation and reactivation of sociopolitical struggles in African American history--forging a revised chronicle of histories, hybridity and redemption.
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
In this book, David Lehman, the longtime series editor of the Best American Poetry, offers a masterclass in writing in form and collaborative composition. An inspired compilation of his weekly column on the American Scholar website, Next Line, Please makes the case for poetry open to all. Next Line, Please gathers in one place the popular column’s plethora of exercises and prompts that Lehman designed to unlock the imaginations of poets and creative writers. He offers his generous and playful mentorship on forms such as the sonnet, haiku, tanka, sestina, limerick, and the cento and shares strategies for how to build one line from the last. This groundbreaking book shows how pop-up crowds of poets can inspire one another, making art, with what poet and guest editor Angela Ball refers to as "spontaneous feats of language." How can poetry thrive in the digital age? Next Line, Please shows the way. Lehman writes, "There is something magical about poetry, and though we think of the poet as working alone, working in the dark, it is all the better when a community of like-minded individuals emerges, sharing their joy in the written word."
'In my end is my beginning', wrote T. S. Eliot at the close of his poem East Coker, and that line gave me the title for this book. With it I should like to express the power of the Christian hope, for Christian hope is the power of resurrection from life's failures and defeats. It is the power of the rebirth of life out of the shadows of death. It is the power for the new beginning at the place where guilt has made life impossible. From the Introduction by Jurgen Moltmann In this short doctrine of hope, Jurgen Moltmann examines the personal experiences in life, in which the future is awaited, times when we search for new beginnings and find them. In three parts that correspond to the three beginnings in life: birth, rebirth and resurrection, Moltmann extols the true value of Christian hope that powers new beginnings. Jurgen Moltmann is Emeritus Professor of Systematic Theology at the University of Tubingen, Germany. He is the author of a number of books published by SCM Press, including Theology of Hope, The Crucified God and The Church in the Power of the Spirit.
I had to accept that I wasn’t just Arthur Leywin anymore, and that I could no longer be limited by the circumstances of my birth. If I was going to escape, if I was going to go toe-to-toe with the most powerful beings in this world, I needed to push myself to my utmost limit...and then I needed to push even further. After nearly dying as a victim of his own strength, Arthur Leywin wakes to find himself far from the continent where he was born for the second time. Alone, broken, and with no way to tell his family he’s alive, Arthur must rebuild his strength to survive. As he ascends through an ancient dungeon filled with hostile beasts and devious trials, he discovers an ancient, absolute power - a power that will either ruin him or take him to new heights. But the dungeon won’t give up its knowledge easily. Before he can plunder its depths, Arthur must learn to untangle the threads of fate. He must band together with the unlikeliest of allies if he hopes to escape with his life.
WINNER OF THE HALLOWEEN BOOK FESTIVAL 2011 (YOUNG ADULT FICTION CATEGORY) Ivory has lived her entire 16 years of life trapped within the cold, hard walls of an institution. "For your own protection," they say. "The world, as we knew it, has ended." Is it all a lie? When Ivory piques the interest of Aidan, the only boy who did not grow up in the same institution, a love affair begins. Their secret meetings take a turn for the worse, and soon they find themselves on their own, facing unimaginable threats. It is up to Ivory to save Aidan and the world she has grown to love. "Kline has woven a rich tapestry of romance, science fiction, and adventure. Ivory's journey through an Orwellian post-apocalypse grabs hold of you and never lets go." -Terry Matalas, television writer - FOX TV "TERRA NOVA" "Kline's descriptive and lush writing style, reminiscent of Richard Matheson and early Stephen King, paints a visually rich world with vibrant characters that keeps you turning pages till there's no more left to turn." -Sean Bishop, Dreamworks feature Animation "Kline pulls you in from the start! A story full of twists, turns, and surprise; a captivating tale of love, hope, and new beginnings." -Andrea Costantine, co-author of How to Bring Your Book to Life This Year "Ivory - a heroine we can all relate to in these changing and uncertain times. She is passionate for life, courageously faces her fears, and never loses faith that love can conquer all." -Marcella Nordbeck, Artist, Author & Advocate for Suicide Prevention & Art Therapy "An exciting, futuristic adventure-romance. Author Kline has crafted it imaginatively, yet realistically with abundant detail to create the scenes." -Patricia Ann Reid, author of SEANS SECRET ROOM - Ghostly Guide to an Old West Town "A sensational and exhilarating read!" -Lisa Shultz, author of Speaking Your Truth and How To Bring Your Book To Life This Year
Through the magnificent literary, scholarly, and psychological analysis of the text that is her trademark, Avivah Gottlieb Zornberg tackles the enduring puzzlement of the book of Numbers. What should have been for the Israelites a brief journey from Mount Sinai to the Holy Land becomes a forty-year death march. Both before and after the devastating report of the Spies, the narrative centers on the people's desire to return to slavery in Egypt. At its heart are speeches of complaint and lament. But in the narrative of the book of Numbers that is found in mystical and Hasidic sources, the generation of the wilderness emerges as one of extraordinary spiritual experience, fed on miracles and nurtured directly by God: a generation of ecstatic faith, human partners in an unprecedented conversation with the Deity. Drawing on kabbalistic sources, the Hasidic commentators depict a people who transcend prudent considerations in order to follow God into the wilderness, where their spiritual yearning comes to full expression. Is there a way to integrate this narrative of dark murmurings, of obsessive fantasies of a return to Egypt, with the celebration of a love-intoxicated wilderness discourse? What effect does the cumulative trauma of slavery, the miracles of Exodus, and the revelation at Sinai have on a nation that is beginning to speak? In Bewilderments, one of our most admired biblical commentators suggests fascinating answers to these questions.
The End and the Beginning by Hermynia Zur Mühlen Pdf
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Psychoanalysis, History and Subjectivity by Roger Kennedy Pdf
Clinical psychoanalysis since Freud has put reconstruction of the patient's history at the forefront of its task but in recent years, this approach has not been so prominent. This book aims to explore and re-evaluate the relationship between history and psychoanalysis. Roger Kennedy develops new perspectives on historiography by applying psychoanalytic insight to the key issues of narrative, time and subjectivity in the construction of historical accounts. He also throws new light on the importance of history for and within psychoanalytic treatment. It is argued that human subjectivity is a major element in any historical enterprise, both the subjectivity of the historian or clinician and that of those being studied. Illustrated with clinical examples, Psychoanalysis, History and Subjectivity covers areas such as postmodernism, the nature of memory, clinical evidence and the place of trauma. Psychoanalysis, History and Subjectivity will be of great interest both to professionals in the psychoanalytic and therapeutic fields and to historians.
