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Inventing Troy Donahue by Michael Gregg Michaud Pdf
In 1960, Troy Donahue won the Golden Globe Award for Most Promising Male Newcomer. By 1962, he was a top box office star, received 7,000 fan letters a week, and won the Photoplay Magazine Award for the Most Popular Male Star. In 1971, he was penniless, drug-addicted, homeless and living in the bushes in Central Park. This is the story of teen idol/actor Troy Donahue.
The Man who Invented Rock Hudson by Robert Hofler Pdf
Traces how former press agent and talent scout Henry Willson discovered and coordinated career-making publicity events for such stars as Rock Hudson, Robert Wagner, and Troy Donahue.
The Image of Librarians in Cinema, 1917Ð1999 by Ray Tevis,Brenda Tevis Pdf
From its earliest days to the present, the onscreen image of the librarian has remained largely the same. A silent 1921 film set the precedent for two female librarian characters: a dowdy spinster wears glasses and a bun hairstyle, and an attractive young woman is overworked and underpaid. Silent films, however, employed a variety of characteristics for librarians, showed them at work on many different tasks, and featured them in a range of dramatic, romantic, and comedic situations. The sound era (during which librarians appeared in more than 200 films) frequently exaggerated these characteristics and situations, strongly influencing the general image of librarians. This chronologically arranged work analyzes the stereotypical image of librarians, male and female, in primarily American and British motion pictures from the silent era to the 21st century. The work briefly describes each film, offering some critical commentary, and then examines its librarian, considering every aspect of the total character from socio-economic conditions and motivations for leaving or not leaving the library, to personal attributes (such as clothing, hair, and age) and entanglements with the opposite sex, to commonly used props, plot situations and lines (“Shush!”). The work comments on whether librarians and library work are depicted accurately and analyzes the development of the public’s image of a librarian. The accompanying filmography lists librarian characters and notes stereotypes such as buns and eyeglasses. With bibliography and index.
Although he was a visual stylist who once referred to actors as cattle, Alfred Hitchcock also had a remarkable talent for innovative and creative casting choices. The director launched the careers of several actors and completely changed the trajectory of others, many of whom created some of the most iconic screen performances in history. However, Hitchcock’s ability to fit his leading men and women into just the right parts has been a largely overlooked aspect of his filmmaking skills. In Hitchcock’s Stars: Alfred Hitchcock and the Hollywood Studio System, Lesley L. Coffin looks at how the director made the most of the actors who were at his disposal for several decades. From his first American production in 1940 to his final feature in 1976, Hitchcock’s films were examples of creative casting that strayed far from the norm during the structured Hollywood star system. Rather than examining the cinematic aspects of his work, this book explores the collaboration the director engaged in with some of the most
Art and Film Since 1945 by Kerry Brougher,Museum of Contemporary Art (Los Angeles, Calif.) Pdf
This collection of essays explores the relationship between cinema and theisual arts from the postwar era to the present, featuring filmamkers andrtists such as Alfred hitchcock, Salvador Dali, Jean-Luc Godard,ichelangelo Antonioni, Andy Warhol and Edward Ruscha. It contains essays byilm scholars and art historians, and coincides with an exhibition at Theuseum of Contemporary Arts in Los Angeles.
Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith’s The Birth of a Nation (1915). In the same year, under Griffith’s tutelage, Walsh began to direct on his own. Soon he left Griffith’s company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker “the one-eyed bandit.” During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.
For the past 35 years, Henry Geldzahler, controversial first curator of the Metropolitan Museum of Art's Department of Twentieth Century Art has been at the centre of America's lively and vital art scene. Written in his disarmingly intimate, inciteful and amusing style, this is his first collection of essays, interviews and talks with some of the most innovative artists of the last thirty years such as Frank Stella, Alice Neel, Louise Bourgeois, Warhol and Hockney to name a few. With a foreword by David Hockney.
This is a study of the "returned gaze" from the cinema screen, demonstrating that the films that we watch watch us, guide us, control our gaze, and enforce societal codes.
Diane McBain is an American film and television actress who was born in Ohio, and raised in Glendale, California. She reached her peak of popularity as a Warner Bros. contract star during the late 1950s and early 1960s. She is perhaps best known for starring in the 1960-62 hit ABC-TV series, Surfside Six, and appearing opposite Elvis Presley in Spinout. Her more than 25 feature films include Ice Palace, Parrish, Claudelle Inglish, Black Gold, The Caretakers, Mary Mary, A Distant Trumpet, and such cult classics as Maryjane, Thunder Alley, I Sailed to Tahiti With An All Girl Crew, and The Mini-Skirt Mob. She has guest-starred in dozens of television dramas, and numerous situation comedies, including such classics as Maverick, The Wild, Wild West, 77 Sunset Strip, Hawaiian Eye, The Man From U.N.C.L.E. One of her most memorable television guest roles was on the original Batman series, playing "Pinky Pinkston." Miss McBain's personal and professional travels have taken her to Europe, South America and Asia. She supports many charitable causes, and is an outspoken advocate for victims of sexual assault. She received the "Special Service Award" from the USO for her trips to Vietnam to visit American troops in 1966 and 1967.
Paul Newman, who died in 2008, achieved superstar status by playing charismatic renegades, broken heroes, and winsome anti-heroes in such classic films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict and The Color of Money. And for all the diverse parts he played on the silver screen, Newman occupied nearly as many roles off it. He was a loving husband and family man, a fund raiser, sold his own brand of pasta sauce to make millions for charity, drove racing cars, and much more. Shawn Levy reveals the many sides of this legendary actor in the most comprehensive biography of the star yet published. We see Newman the consummate professional, a stickler for details and a driven worker. In his private life he played the roles of loyal son and brother, supportive husband – married to Joanne Woodward for 50 years – and responsible provider for six children. But Levy shows that Newman and his life were by no means perfect: there was a dalliance with another woman and failings as a father. The death of his only son Scott from a drug overdose in 1978 would haunt Newman for the rest of his life. Ultimately, the author reveals how Newman was able to blend his many roles and become a man of great integrity who was successful at almost everything he tried. It is a fascinating portrait of an extraordinarily gifted man and will leave readers feeling that they have slipped through the security gate and got to know a movie star who was famously guarded about his private life.
Television Fright Films of the 1970s by David Deal Pdf
If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them—especially during the 1970s—and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don’t Be Afraid of the Dark to the better-forgotten Look What’s Happened to Rosemary’s Baby, it’s a trustworthy and entertaining guide to the golden age of the televised horror movie.
In this witty, graceful memoir, Karl Malden, one of our most respected stars of stage, screen and television, tells of the heartbreaks and triumphs of an acting life that has spanned more than 50 years and included associations with such figures as Marlon Brando, Montgomery Clift, and Vivien Leigh. 16 photos.
In the words of television and movie actress Tisha Sterling, the daughter of renowned Hollywood actress Ann Sothern: "My cards were dealt generously. From my parents and the good Lord, I inherited beauty and was blessed with a sparkling future. On the surface, I had a life most people could only dream of having." However... "Every morning for four years, I had been swallowing 100 milligrams of methadone, mixed with Kool-Aid from a little white paper cup. Like clockwork, I dressed in yesterday's dirty clothes picked up from my tiny apartment I shared with my 16-year-old daughter and headed for the West Los Angeles Methadone Clinic. That morning what I felt inside: anger, fear and shame. I thought about my mother, a one-time important film actress whose career had flourished from the 1920's to the present time and stupidly compared it to my own career that was by now in the toilet, almost nonexistent. Yet I stubbornly hung on to a glimmer of hope (maybe my only salvation) that some successful auditions for me on television and film would be forthcoming and that soon I would be back to work on a Hollywood set doing what I did best acting." And thus Tisha begins her heartfelt memoir chronicling what on the surface appeared to be a dream life as Ann Sothern's daughter, but which at times was precisely the opposite. Along the way, Tisha paints an intimate portrait of Hollywood and its personalities during Hollywood's bygone Golden Age in the 1930s through the 1960s, a portrait that only one who lived and worked inside the Hollywood of that glamorous era could present. "