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Author : Arthur C. Danto,Sheila Hicks,Joan Simon Publisher : Yale University Press Page : 424 pages File Size : 48,8 Mb Release : 2006-01-01 Category : Art ISBN : 0300116853
Sheila Hicks Weaving as Metaphor by Arthur C. Danto,Sheila Hicks,Joan Simon Pdf
This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.
“The compelling true story of the impassioned love shared between a south Texas woman of Hispanic descent and a German military officer.” —Yvonne Freeman, PhD, professor, Department of Language, Literacy, and Intercultural Studies at the University of Texas at Brownsville After World War II, Peter, a handsome German pilot, met Irma, a beautiful Texan woman of Hispanic descent. It was love at first sight. Their meeting had been prophesized—for Irma by her grandmother and for Peter by a palm reader—and together the couple would create an extraordinary life. Irma’s Story: American by Birth, Hispanic by Choice chronicles Irma’s life and the experiences of the “Texan Gawendas” during their tenure in the German military in Europe and the United States. Though Irma, accepted as an American while in Europe, faced discrimination in her home country and contended with the challenges of being a military wife, Peter’s love and companionship remained constant. In his second book, Peter B. Gawenda, author of The Children’s War, offers readers an insider’s view of the joys that the marriage of two people—from two completely different worlds—can bring. Presenting the dynamics of racial issues against the backdrop of military life, the captivating story of Irma Lozano de Gawenda depicts a fearless, fiercely loyal woman willing to do anything for her family. Written with a passion that has spanned five decades, Irma’s Story celebrates the strength of a once-in-a-lifetime love. “He thrills [readers] again, turning to his narrative gifts and rich trove of memories to tell another story with universal appeal—the power of enduring love.” —Robert Becker, veteran journalist and former international wire news editor, Houston Chronicle
Irma’s Gun is the story of a poor Indian woman who obtains a license to kill after saving the president’s life. This “license” is passed down through generations either fearful of the privilege or overly aggressive in wanting to use it. Bryce, Irma's descendant, becomes the main character who grapples to live with the license, not even realizing that she has it. Her whole life is stifled because everyone knows it but her. In the end, she is content to find a small piece of happiness.
In this gripping family tale, Catherine Ehrlich explores her Austrian grandparents’ influential lives at the crossroads of German and Jewish national movements. Weaving her grandmother Irma’s spellbinding memoirs into her narrative, she profiles a charismatic woman who confronts history with courage and rebuilds lives—for herself and Europe’s dispossessed. Starting out in Bohemia’s picturesque countryside, Irma studies languages in Prague alongside Kafka and Einstein—and so joins Europe’s intelligentsia. Tension builds as World War I destroys that world, and Irma marries prominent Zionist, Jakob Ehrlich, bold advocate for Vienna’s 180,000 Jews. Irma’s direct words detail the weeks after Hitler’s arrival when Adolf Eichmann himself appears to liberate Irma and her son from Vienna. Irma’s stunning turnaround in London unfolds amidst a dazzling cohort of luminaries—Chaim and Vera Weizmann, and Viscountess Beatrice Samuel among them. Irma finds her voice as an activist, saving lives and resettling refugees, and ultimately moves on to New York where her work resumes among high-profile friends like Catskills hostess Jennie Grossinger. Along the way, Ehrlich queries her family’s fate: what was behind Eichmann's twisted role in her grandparents’ lives? How was Irma able to focus outwardly when her own life was in crisis? Part intimate memoir, part historical thriller, Irma’s Passport is an inspiring true story about remarkable women whose unsung courage restored the world we know. This is a book for fans of Edmund de Waal, Erik Larson, and Alexander Wolff.
If you are hanging from a trapeze And up sneaks a camel with bony knees, Remember this rule, if you please— Never talk to strangers. This book brilliantly highlights situations that children will find themselves in—whether they’re at home and the doorbell rings, or playing in the park, or mailing a letter on their street—and tells them what to do if a stranger (always portrayed as a large animal, such as a rhino) approaches. Colorful, ’60s-style “psychedelic” artwork and witty, lively rhyme clearly spell out a message about safety that empowers kids, and that has never been more relevant. Irma Joyce wrote many Golden Books during the 1960s. George Buckett was a popular children’s book illustrator during the 1960s.
The stifling, reclusive life of nineteen-year-old Irma Voth, recently married and more recently deserted, is turned on its head when a film crew moves in to make a movie about the strict religous community in which she and her family live. She is drawn to the creative passion and warmth of their world but her domineering father is determined to keep her from it at all costs. The confrontation between them sets her on an irrevocable path towards something that feels like freedom as she and her young sister, Aggie, wise beyond her teenage years, flee to the city, upheld only by their love for each other and their smart wit, even as they begin to understand the tragedy that has their family in its grip. Irma Voth delves into the complicated factors that set us on the road to self-discovery and how we can sometimes find the strength to endure the really hard things that happen. It also asks that most difficult of questions: How do we forgive? And most importantly, how do we forgive ourselves?The new novel from Miriam Toews returns to the subject of a Mennonite community, so powerfully rendered in her award-winning, number-one bestseller A Complicated Kindness.
World renowned Dutch designer Irma Boom is known for her bold experimental approach to her projects, often challenging the convention of traditional books in both physical design and printed content.0In the book 'Book Manifest' Irma Boom presents her vision on the essence, meaning and relevance of the book. The basis for this book is formed by the in-depth research that Irma Boom carried out into the development of the book in the library of the Vatican. The knowledge she gained about this, and the inspiration it gave her, is shared with a selection of more than 350 books she designed, in which she extensively discusses the context and relationship with the old book. With this 1000-page, richly illustrated book, Irma Boom aims to inspire and encourage the new generation of designers to experiment, in order to ensure the book's position for the future.0Boom's books in the permanent collection of MoMA in New York, and Special Collectons of the University of Amsterdam (NL) collect her complete oeuvre: the Irma Boom Archive. 00Exhibition: Allard Pierson Museum, Amsterdam, The Netherlands (01.02.-25.09.2022).
In this completely captivating book, Miriam Toews has created some of the most engaging characters in Canadian literature: Hattie, Logan and Thebes are bewildered, hopeful, angry, and most of all, absolutely alive. Full of richly skewed, richly funny detail, The Flying Troutmans is a uniquely affecting novel. Days after being dumped by her boyfriend Marc in Paris – "he was heading off to an ashram and said we could communicate telepathically" – Hattie hears her sister Min has been checked into a psychiatric hospital, and finds herself flying back to Winnipeg to take care of Thebes and Logan, her niece and nephew. Not knowing what else to do, she loads the kids, a cooler, and a pile of CDs into their van and they set out on a road trip in search of the children's long-lost father, Cherkis. In part because no one has any good idea where Cherkis is, the traveling matters more than the destination. On their wayward, eventful journey down to North Dakota and beyond, the Troutmans stay at scary motels, meet helpful hippies, and try to ignore the threatening noises coming from under the hood of their van. Eleven-year-old Thebes spends her time making huge novelty cheques with arts and crafts supplies in the back, and won't wash, no matter how wild and matted her purple hair gets; she forgot to pack any clothes. Four years older, Logan carves phrases like "Fear Yourself" into the dashboard, and repeatedly disappears in the middle of the night to play basketball; he's in love, he says, with New York Times columnist Deborah Solomon. Meanwhile, Min can't be reached at the hospital, and, more than once, Hattie calls Marc in tears. But though it might seem like an escape from crisis into chaos, this journey is also desperately necessary, a chance for an accidental family to accept, understand or at least find their way through overwhelming times. From interwoven memories and scenes from the past, we learn much more about them: how Min got so sick, why Cherkis left home, why Hattie went to Paris, and what made Thebes and Logan who they are today.
Hurricane Irma covers the enthralling story of one of the most powerful storms in recorded history and its devastating impact on the Floridian peninsula. Features include essential facts, a glossary, selected bibliography, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
A work of fierce originality and brilliance, Miriam Toews' novel explores the ties that bind families together and the forces that tear them apart. It is the world according to Nomi Nickel, a heartbreakingly bewildered and wry young woman trapped in a small Mennonite town that seeks to set her on the path to righteousness and smother her at the same time.'Half of our family, the better-looking half, is missing,' Nomi tells us at the beginning of A Complicated Kindness. Left alone with her father Ray, her days are spent piecing together the reasons her mother Trudie and her sister Tash have gone missing, and trying to figure out what she can do to avoid a career at Happy Family Farms, a chicken abattoir on the outskirts of East Village - not the neighbourhood in Manhattan where Nomi most wants to live but the small town in southern Manitoba. East Village is ministered by Hans, Nomi's pious uncle, otherwise known as The Mouth.As Nomi gets to the bottom of the truth behind her mother's and sister's disappearances, she finds herself on a direct collision course with her uncle and the only community she has ever known. In this funny, compassionate and moving novel, Miriam Toews has created a character who will stay in the hearts of readers long after they've put the book down.
Irma Stern and the Racial Paradox of South African Modern Art by LaNitra M. Berger Pdf
South African artist Irma Stern (1894–1966) is one of the nation's most enigmatic modern figures. Stern held conservative political positions on race even as her subjects openly challenged racism and later the apartheid regime. Using paintings, archival research, and new interviews, this book explores how Stern became South Africa's most prolific painter of Black, Jewish, and Colored (mixed-race) life while maintaining controversial positions on race. Through her art, Stern played a crucial role in both the development of modernism in South Africa and in defining modernism as a global movement. Spanning the Boer War to Nazi Germany to apartheid South Africa and into the contemporary #RhodesMustFall movement, Irma Stern's work documents important twentieth-century cultural and political moments. More than fifty years after her death, Stern's legacy challenges assumptions about race, gender roles, and religious identity and how they are represented in art history.
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
A series of drawings by Irma Blank, reproduced in more than three hundred full-color images, with texts by art historians. Linguistic and visual representation intersect in Irma Blank's pastel-colored, script-like Eigenschriften (Self-Writings, 1968–73), a series of drawings considered the starting point of the artist's mature work. The cycle stems from Blank's experience moving to Italy in the 1960s from Germany, where she was born in 1934. No longer surrounded by her native language and unable to express herself through words, this form of writing became a type of escape for Blank. The slender lines of these works are reminiscent of writing, but one that is incomprehensible. Without any specific meaning, the work is pure sensation transmitted from the hand to the surface of the page, from the body to the work. Alongside more than three hundred full-color reproductions of the Eigenschriften works, this volume includes a text by Luca Lo Pinto examining the artistic and historical influences on Blank's cycle of drawings, considered “an exercise of subtraction to reach a basic form of writing,” while Douglas Fogle's essay looks at Blank's work through the lens of artists such as Robert Rauschenberg and John Cage, in terms of a shared practice of repetition, as well as the work of the writers Robert Walser and W. G. Sebald. Contributors Douglas Fogle, Luca Lo Pinto