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The Rough Guide to Austria by Jonathan Bousfield,Rob Humphreys Pdf
Venture across every inch of this prosperous and stable central European country, from the cosmopolitan capital of Vienna--packed with cultural offerings and late-night musikcafes--to the awesome Alpine backwaters of the Tyrol or winemaking villages. Learn how to stretch your budget in what can be an expensive country to visit. 40 maps. color photos.
The Viennese Café and Fin-de-Siècle Culture by Charlotte Ashby,Tag Gronberg,Simon Shaw-Miller Pdf
The Viennese café was a key site of urban modernity around 1900. In the rapidly growing city it functioned simultaneously as home and workplace, affording opportunities for both leisure and intellectual exchange. This volume explores the nature and function of the coffeehouse in the social, cultural, and political world of fin-de-siècle Vienna. Just as the café served as a creative meeting place within the city, so this volume initiates conversations between different disciplines focusing on Vienna at the beginning of the twentieth century. Contributions are drawn from the fields of social and cultural history, literary studies, Jewish studies and art, and architectural and design history. A fresh perspective is also provided by a selection of comparative articles exploring coffeehouse culture elsewhere in Eastern Europe.
Theoretical Approaches to Disharmonic Word Order by Theresa Biberauer,Michelle Sheehan Pdf
This book considers the implications of cross-linguistic word-order patterns for linguistic theory. One of the salient results of Joseph Greenberg's pioneering work in language typology was the notion of a 'harmonic' word-order type, whereby if the verb appears at the left or right edge of the verb phrase, other heads (e.g. prepositions, nouns) also tend to do so. Today, however, there is recognition in both the typological and generative literature that very many, and possibly even the majority of languages, fail to be fully harmonic in the sense that all head-complement pairs pattern alike. But does this imply limitless variation? The chapters in this volume, written by international scholars, discuss the issues arising from this basic question, drawing on data from typologically distinct disharmonic languages, including Mandarin Chinese, Basque, Mócheno (a Tyrolean variety spoken in Northern Italy), French, English, Hixkaryana (a Cariban language), Khalkha Mongolian, Uyghur Turkic, and Afrikaans. The volume begins with a substantial introduction to the study of word order and its relation to linguistic theory. It is then divided into sections on the nature of disharmony; the role of prosody; the question of Antisymmetry and novel alternatives to Antisymmetry; and the Final-over-Final Constraint. Aside from introducing new empirical findings, the volume also offers a range of new perspectives on disharmonic word orders, the status of word order in linguistic theory, and theoretical accounts of typological gaps.
Transforming the Center, Eroding the Margins by Dagmar C. G. Lorenz,Renate S. Posthofen Pdf
Transforming the Center, Eroding the Marginsis a collection ofcritical articles about recent and contemporary German literaturedesigned to stimulate discussion about German-speaking culture from thepoint of view of diversity. The combination of broad historicalapproaches and detailed textual analyses made it possible to present inthis volume a spectrum of identities and positions within theGerman-speaking sphere, and sometimes even within the work of a singleauthor. Examining the works of German-speaking authors of differentbackgrounds and countries of residence from many different points ofview shows that the very concept of a unified "German Culture" is aconstruct.Because of the increasing visibility of various ethnic,religious, cultural, and economic groups -- including migrant workers,exiles, and immigrants -- multiculturalism and cultural diversity inCentral Europe have received considerable attention in public debatesince the disintegration of the Eastern bloc and the fall of the BerlinWall. Yet neither cultural diversity nor the gender issues examinedthroughout the volume are recent phenomena. Upon closer scrutiny thenotions of center and margin are shown to have origins in the nineteenthcentury and before.The articles in this volume, distinct in theirapproaches and each one concerned with specific situations, reveal anongoing decline of mainstream discourse: the erosion of the cultural"center," and a strengthening of what continues to be referred to as"marginal." The literary and intellectual production of groups that areseen as marginal is becoming ever more compelling and visible, as isdocumented in Transforming the Center, Eroding the Margins.
In Vienna at the turn of the twentieth century the question of what it meant to be modern was a heated topic of debate. Focusing on interior design, fashion and photography, as well as on painting and architecture, this study casts fresh light on the vital role of the arts in these debates. The 'new' art and literature was crucial in defining a distinctive Viennese modernity while at the same time challenging preconceptions about modern urban life. Many artists and writers produced work that questioned and undermined oppositions between city and country, interior spaces and panoramic views, masculinity and femininity. Issues of gender and the representation of the body were particularly important in establishing professional identities for some of Vienna's most prominent figures, including the Secessionist painters Gustav Klimt and Carl Moll, designers such as Adolf Loos and Emilie Flöge, as well as the poet and feuilletonist Peter Altenberg. Intellectual life in turn-of-the-century Vienna has often been characterised as a retreat from the public sphere. This book demonstrates how - even in its ostensibly most private manifestations - Viennese Modernism involved a highly performative set of practices aimed at an international audience.
In Vanishing Vienna historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna’s cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna’s history, Tanzer argues that they are part of a continuous spectrum of cultural evolution—the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s. As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined “Jewish” culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism—instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust—a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence.
This distinctive city guide swells with incisive listings to the best and best-value Vienna offerings in hotels, restaurants, and night life, as well as the city's famous cafes. Information on Vienna's spectacular sights and day trips both inside and outside the city is featured. 30 maps and plans. of color maps.
Performance, Fashion and the Modern Interior by Fiona Fisher,Trevor Keeble,Patricia Lara-Betancourt Pdf
An international assessment of how the last 150 years of interior design have been influenced by the clothes people wear and the desire to create drama and social rituals.
How the simple commodity of coffee came to rewrite the experience of metropolitan life When the first coffee-house opened in London in 1652, customers were bewildered by this strange new drink from Turkey. But those who tried coffee were soon won over. More coffee-houses were opened across London and, in the following decades, in America and Europe. For a hundred years the coffee-house occupied the centre of urban life. Merchants held auctions of goods, writers and poets conducted discussions, scientists demonstrated experiments and gave lectures, philanthropists deliberated reforms. Coffee-houses thus played a key role in the explosion of political, financial, scientific and literary change in the 18th century. In the 19th century the coffee-house declined, but the 1950s witnessed a dramatic revival in the popularity of coffee with the appearance of espresso machines and the `coffee bar', and the 1990s saw the arrival of retail chains like Starbucks.
The Rough Guide to Vienna is the ultimate guide to one of Europe's most elegant and civilised capital cities. From the world-class art galleries and museums full of Art Nouveau and Modernist pieces to getting off the beaten track and exploring the narrow, cobbled backstreets of the Innere Stadt or the lively cafés and bars of the Naschmarkt area, this guide covers it all. Frank, incisive reviews take you straight to the best of the city's coffee houses, restaurants and nightlife venues, from the minimalist to the magnificently traditional, while tell-it-like-it-is listings help you find the right accommodation for your budget, whether that's a boutique hotel off Karlsplatz, a grand classic on the Ringstrasse, or just a perfect budget hideaway. With inspirational photography, neighbourhood-by-neighbourhood accounts and detailed, up-to-date maps, The Rough Guide to Vienna is the perfect companion for a weekend away or a longer city break. Make the most of your holiday with The Rough Guide to Vienna.
Finalist, 2018 National Jewish Book Award for Modern Jewish Thought and Experience, presented by the Jewish Book Council A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
Clitics, Pronouns and Movement by James R. Black,Virginia Motapanyane Pdf
The introduction to this volume by Anders Holmberg provides a reflection on movement in the light of recent developments in Minimalist theory. His discussion of the theories of category versus feature movement in terms of displacement and copying, provides the background for 12 papers dealing with clitics, pronouns and movement in variety of language families. Articles on Romance include papers on the genitive clitic in Andean Spanish, proclitic groups and word order in Caribbean Spanish, overt pronouns and empty categories in Brazilian Portuguese, the clitic en in Catalan, and clitic doubling in Romanian. Papers on Germanic discuss movement of verbal complements in Dutch and German, analyses of English finite auxiliaries in syntax and phonology, and complementizers in dialects of German in a reiterative syntax analysis. Other articles deal with object shift in Serbo-Croatian, operator-bound clitics in Niuean, a serial verb analysis of the ba construction in Mandarin Chinese, and experiencer verbs in Japanese.
Mallorca - die Insel der Ruhe by Santiago Rusiñol Pdf
Der katalanische Schriftsteller und Maler Santiago Rusiñol (1861- 1931) hat nicht nur viele wunderbare Bilder von Gärten und Landschaften auf Mallorca gemalt, sondern auch eines der schönsten und populärsten Bücher über sein Paradies verfasst. In Mallorca- die Insel der Ruhe (1912/1922) skizziert er mit leiser Ironie die idyllischen mallorquinischen Lebensverhältnisse seiner Zeit. Auch wenn sich die Verhältnisse u.a. durch den Massentourismus mittlerweile radikal geändert haben, lohnt die Lektüre dieses Buches nicht nur wegen ihres nostalgischen Charakters, sondern auch als Korrektiv zu George Sands Pamphlet Ein Winter auf Mallorca. Das Buch war im 20. Jhd eins der meistgelesenen Werke über Mallorca und wurde in viele Sprachen übersetzt!
Design Dialogue: Jews, Culture and Viennesse Modernism by Elana Shapira Pdf
The Design Dialogue anthology is a remarkable exploration of the decisive role of Jewish patrons, professionals, architects, designers and authors in shaping modern Viennese architecture, design, and material culture. Leading cultural historians, museum curators, art historians, and architects present cutting edge research examining how famous and less known protagonists created new cultural languages, identifications and networks, engaged in social debates, and contributed to the cultural renewal of Vienna, a major capital in Central Europe, between 1800 and 1938.