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The dead wreak revenge on the living, paintings come alive, spectral brides possess mortal men and a priest devours human flesh in these chilling Japanese ghost stories retold by a master of the supernatural. Lafcadio Hearn drew on the phantoms and ghouls of traditional Japanese folklore - including the headless 'rokuro-kubi', the monstrous goblins 'jikininki' or the faceless 'mujina' who stalk lonely neighbourhoods - and infused them with his own memories of his haunted childhood in nineteenth-century Ireland to create these terrifying tales of striking and eerie power. Today they are regarded in Japan as classics in their own right. Edited with an introduction by Paul Murray
This fascinating fictional account of the life and times of Lafcadio Hearn probes the question: "What was the nature of this man, born wanderer, informant of the fiendish details of Japanese lore... a man who chose to live his life 'in defiance of the season'?" Though now largely forgotten in the West, he is, in the 21st century, still considered by the Japanese to be the foreigner with the most insight into their mind and mores. Orphan of Europe, chronicler of the eerie and the grotesque, journalist and ethnographer of subcultures, Greek-Irish author Lafcadio Hearn arrived in Yokohama from the United States in 1890. During his 14-year stay in Japan he wrote 14 books about the country, becoming known, in the decades succeeding his death, as the foremost interpreter of things Japanese in the West. The Dream of Lafcadio Hearn is a novel not only about Hearn in Meiji Japan but about any person in any era who may feel, for a time or forever, more at home in a foreign land than in their own. The novel is preceded by a detailed introduction on Hearn from the time of his birth in Greece in 1850 until his death in Japan in 1904.
Reminiscences of Lafcadio Hearn by Setsuko Koizumi Pdf
Setsuko Koizumi (1868-1932) was the daughter of a Japanese samurai family in Matsué. In 1891 she married a foreigner - Lafcadio Hearn (1850-1904) - in a union that lasted 13 years and produced three children. Hearn adopted her family name, becoming Koizumi Yakumo ????,and spent those years in Japan writing and teaching while achieving international recognition and success. Setsuko's Reminiscences tells something of the couple's moves and travels, but focuses mostly on the character, habits, and eccenticities of her husband. The book is a heartfelt intimate portrait of a marriage that brought Lafcadio the home and family he had never before had. This book shares a charming story of domestic happiness, as told by his closest companion, collaborator, and interpreter of life and death in Meiji Japan.
Lafcadio Hearn (1850-1904) has long been marginalised as a failed Victorian Romantic whose writings on Japan were poetic but inconsequential; as a person, he emerges as a one-dimensional neurotic. In this new study, based on a wealth of hitherto unpublished sources, as well as a fresh reading of Hearn's writings, Paul Murray reveals a multi-faceted character of considerable depth, intelligence and literary skill. This is a book, therefore, that will appeal on many levels. The story of Hearn's life makes fascinating reading; his fantastic journey took him from conception outside marriage on a Greek island to a protected upbringing in Dublin; from a Gothic education in England to Cincinnati in the United States where, as Paddy Hearn, he established himself as a journalist of the macabre par excellence. In New Orleans, in the 1860s, he transformed himself into Lafcadio Hearn, litterateur and a man of the South. Finally after two years in the West Indies, he spent the last fourteen years of his life in Japan - arriving in 'the land of the gods' in the spring of 1890. Although it was always to be an ambiguous relationship with his adopted country, Hearn gave to the world some of the most valuable and enduring insights into Japanese society and culture that continue to stand the test of time. For students of the Anglo-Irish tradition, a little explored strand of Hearn's heritage, this book is also essential reading, providing substantial insights into Hearn's mastery of the literary horror genre. Equally, students of Japan will want to understand, for the first time, the make-up and motivation of one of its greatest ever Western interpreters.
Lafcadio Hearn (1850-1904) prowled the streets of New Orleans from 1877 to 1888 before moving on to a new life and global fame as a chronicler of Japan. Hearn's influence on our perceptions of New Orleans, however, has unjustly remained unknown. In ten years of serving as a correspondent and selling his writing in such periodicals as the New Orleans Daily Item, Times-Democrat, Harper's Weekly, and Scribner's Magazine he crystallized the way Americans view New Orleans and its south Louisiana environs. Hearn was prolific, producing colorful and vivid sketches, vignettes, news articles, essays, translations of French and Spanish literature, book reviews, short stories, and woodblock prints. He haunted the French Quarter to cover such events as the death of Marie Laveau. His descriptions of the seamy side of New Orleans, tainted with voodoo, debauchery, and mystery made a lasting impression on the nation. Denizens of the Crescent City and devotees who flock there for escapades and pleasures will recognize these original tales of corruption, of decay and benign frivolity, and of endless partying. With his writing, Hearn virtually invented the national image of New Orleans as a kind of alternative reality to the United States as a whole. S. Frederick Starr, a leading authority on New Orleans and Louisiana culture, edits the volume, adding an introduction that places Hearn in a social, historical, and literary context. Hearn was sensitive to the unique cultural milieu of New Orleans and Louisiana. During the decade that he spent in New Orleans, Hearn collected songs for the well-known New York music critic Henry Edward Krehbiel and extensively studied Creole French, making valuable and lasting contributions to ethnomusicology and linguistics. Hearn's writings on Japan are famous and have long been available. But Inventing New Orleans: Writings of Lafcadio Hearn brings together a selection of Hearn's nonfiction on New Orleans and Louisiana, creating a previously unavailable sampling. In these pieces Hearn, an Anglo-Greek immigrant who came to America by way of Ireland, is alternately playful, lyrical, and morbid. This gathering also features ten newly discovered sketches. Using his broad stylistic palette, Hearn conjures up a lost New Orleans which later writers such as William Faulkner and Tennessee Williams used to evoke the city as both reality and symbol.
This collection of writings from Lafcaido Hern paints a rare and fascinating picture of pre-modern Japan Over a century after his death, author, translator, and educator Lafcaido Hearn remains one of the best-known Westerners ever to make Japan his home. Almost more Japanese than the Japanese--"to think with their thoughts" was his aim--his prolific writings on things Japanese were instrumental in introducing Japanese culture to the West. In this masterful anthology, Donald Richie shows that Hearn was first and foremost a reliable and enthusiastic observer, who faithfully recorded a detailed account of the people, customs, and culture of late nineteen-century Japan. Opening and closing with excerpts from Hearn's final books, Richie's astute selection from among "over 4,000 printed pages" not including correspondence and other writing, also reveals Hearn's later, more sober and reflective attitudes to the things that he observed and wrote about. Part One, "The Land," chronicles Hearn's early years when he wrote primarily about the appearance of his adopted home. Part Two, "The People," records the author's later years when he came to terms with the Japanese themselves. In this anthology, Richie, more gifted in capturing the essence of a person on the page than any other foreign writer living in Japan, has picked out the best of Hearn's evocations. Select writings include: The Chief City of the Province of the Gods Three Popular Ballads In the Cave of the Children's Ghosts Bits of Life and Death A Street Singer Kimiko On A Bridge
Lafcadio Hearn: Japan's Great Interpreter by Louis Allen,Jean Wilson Pdf
Extensive collection of excerpts exploring the psychological, spiritual, supernatural, social aspects of Japan. Including Lafcadio Hearn's Farewell and letters from 1894 to 1904.
"A sublime, many-voiced novel of voyage and reinvention" (Anthony Marra) "[Truong] imagines the extraordinary lives of three women who loved an extraordinary man [and] creates distinct, engaging voices for these women" (Kirkus Reviews) A Greek woman tells of how she willed herself out of her father's cloistered house, married an Irish officer in the British Army, and came to Ireland with her two-year-old son in 1852, only to be forced to leave without him soon after. An African American woman, born into slavery on a Kentucky plantation, makes her way to Cincinnati after the Civil War to work as a boarding house cook, where in 1872 she meets and marries an up-and-coming newspaper reporter. In Matsue, Japan, in 1891, a former samurai's daughter is introduced to a newly arrived English teacher, and becomes the mother of his four children and his unsung literary collaborator. The lives of writers can often best be understood through the eyes of those who nurtured them and made their work possible. In The Sweetest Fruits, these three women tell the story of their time with Lafcadio Hearn, a globetrotting writer best known for his books about Meiji-era Japan. In their own unorthodox ways, these women are also intrepid travelers and explorers. Their accounts witness Hearn's remarkable life but also seek to witness their own existence and luminous will to live unbounded by gender, race, and the mores of their time. Each is a gifted storyteller with her own precise reason for sharing her story, and together their voices offer a revealing, often contradictory portrait of Hearn. With brilliant sensitivity and an unstinting eye, Truong illuminates the women's tenacity and their struggles in a novel that circumnavigates the globe in the search for love, family, home, and belonging.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In Ghostly Japanis a collection of supernatural and ghost stories, short pieces and folktales from Japan. Through these spooky stories, the author also analyses parts of the Japanese culture, dealing with philosophical and spiritual musing on the supernatural stories of Japan. Table of Contents: Furisodé Incense A Story of Divination Silkworms A Passional Karma Footprints of the Buddha Ululation Bits of Poetry Japanese Buddhist Proverbs Suggestion Ingwa-banashi Story of a Tengu At Yaidzu
Best remembered for his writings on Japan, where he settled in 1890, Lafcadio Hearn (1850-1904) is too often pigeonholed as a decadent aesthete or a stylist of overripe prose. Interweaving generous selections from Hearn's own letters, articles, essays, confessions and stories in this moving, superlative biography, Cott gives us all sides of the man--the muckraking Cincinnati, Ohio, journalist of Zola-esque realism; the ethnographer of tropical Martinique, Creole folkways in New Orleans and Japanese Buddhism; the mordant humorist; and the unabashed sensualist. The Greek-born, half-Irish bohemian also exposed America's hypocrisies concerning sex and race, prejudices which he experienced firsthand in his short-lived first marriage to a mulatto woman in Ohio. Paradoxically, in coercive, traditional Japan, where he married a submissive young Japanese woman, freewheeling individualist Hearn found his "land of dreams" and felt the spirit of ancient Greece flickering in sacred shrines and groves.