Likeness And Presence A History Of The Image Before The Era Of Art

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Likeness and Presence

Author : Hans Belting
Publisher : University of Chicago Press
Page : 692 pages
File Size : 44,6 Mb
Release : 1994
Category : Art
ISBN : 0226042154

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Likeness and Presence by Hans Belting Pdf

Before the Renaissance and Reformation, holy images were treated not as "art" but as objects of veneration which possessed the tangible presence of the Holy. the faithful believed that these images served as relics and were able to work miracles, deliver oracles, and bring victory to the battlefield. In this magisterial book, Hans Belting traces the long history of the sacral image and its changing role--from surrogate for the represented image to an original work of art--in European culture. Likeness and Presence looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. -- Back cover

The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss

Author : Richard Shone,John-Paul Stonard
Publisher : Thames & Hudson
Page : 208 pages
File Size : 41,8 Mb
Release : 2013-04-05
Category : Art
ISBN : 9780500771495

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The Books that Shaped Art History: From Gombrich and Greenberg to Alpers and Krauss by Richard Shone,John-Paul Stonard Pdf

An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.

The Germans and Their Art

Author : Hans Belting,Professor for Art History and Media Theory Hans Belting
Publisher : Yale University Press
Page : 136 pages
File Size : 48,8 Mb
Release : 1998-01-01
Category : Art
ISBN : 0300076169

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The Germans and Their Art by Hans Belting,Professor for Art History and Media Theory Hans Belting Pdf

This study focuses on the attitudes Germans have towards their art from the Romantic period to the present, and discusses the ways they have tried to find their identity as a nation through this art. Belting proposes that German art criticism is divided by opposing ideologies and contradictions.

Performing the Matrix

Author : Meike Wagner,Wolf-Dieter Ernst
Publisher : epodium
Page : 359 pages
File Size : 55,6 Mb
Release : 2008
Category : Communication
ISBN : 9783940388049

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Performing the Matrix by Meike Wagner,Wolf-Dieter Ernst Pdf

Performing the Matrix. Mediating Cultural Performances presents a collection of case studies and analyses dealing with performances of the matrix that take up questions of identities and social thinking, visualization and perception, the discursive power of texts and historiographic paradigms, and artistic strategies of political intervention. Since 1999 The Matrix has become a popular catchword through the homonymous Wachowski brothers’ movie. As both a traditional concept and a popular phenomenon, ‹matrix› can take on a new value when reconsidered in the light of performance studies. A behind-the-scenes look at theatre, performance, political activism and events may reveal a productive mediating structure that can metaphorically be described as a matrix. This mediating structure and its materializations are fundamentally reshaping modern culture. Accordingly ‹politics of visibility›, ‹media networking›,‹telepresence› and ‹liveness› are considered to be understood as performances of the matrix. If so, how does this understanding of cultural performances ‹as always already mediatized› influence contemporary concepts of performance and media?

Art History After Modernism

Author : Hans Belting
Publisher : University of Chicago Press
Page : 246 pages
File Size : 54,5 Mb
Release : 2003-08
Category : Art
ISBN : 0226041840

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Art History After Modernism by Hans Belting Pdf

"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.

What Do Pictures Want?

Author : W. J. T. Mitchell
Publisher : University of Chicago Press
Page : 419 pages
File Size : 52,5 Mb
Release : 2013-12-23
Category : Art
ISBN : 9780226245904

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What Do Pictures Want? by W. J. T. Mitchell Pdf

Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum

Photography and Philosophy

Author : Scott Walden
Publisher : John Wiley & Sons
Page : 345 pages
File Size : 40,6 Mb
Release : 2010-03-29
Category : Photography
ISBN : 9781444335088

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Photography and Philosophy by Scott Walden Pdf

This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today. A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises Written in a thorough and engaging manner Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images

Art Rethought

Author : Nicholas Wolterstorff
Publisher : OUP Oxford
Page : 368 pages
File Size : 43,6 Mb
Release : 2015-09-10
Category : Philosophy
ISBN : 9780191064845

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Art Rethought by Nicholas Wolterstorff Pdf

Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention. In the first part of the book Nicholas Wolterstorff asks why philosophers have concentrated on just this one mode of engagement. The answer he proposes is that almost all philosophers have accepted what the author calls the grand narrative concerning art in the modern world. It is generally agreed that in the early modern period, members of the middle class in Western Europe increasingly engaged works of the arts as objects of disinterested attention. The grand narrative claims that this change represented the arts coming into their own, and that works of art, so engaged, are socially other and transcendent. Wolterstorff argues that the grand narrative has to be rejected as not fitting the facts. Wolterstorff then offers an alternative framework for thinking about the arts. Central to the alternative framework that he proposes are the idea of the arts as social practices and the idea of works of the arts as having different meaning in different practices. He goes on to use this framework to analyse in some detail five distinct social practices of art and the meaning that works have within those practices: the practice of memorial art, of art for veneration, of social protest art, of works songs, and of recent art-reflexive art.

This is a Portrait If I Say So

Author : Anne Collins Goodyear,Jonathan Frederick Walz,Kathleen Merrill Campagnolo,Dorinda Evans
Publisher : Yale University Press
Page : 265 pages
File Size : 50,9 Mb
Release : 2016-01-01
Category : Art
ISBN : 9780300211931

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This is a Portrait If I Say So by Anne Collins Goodyear,Jonathan Frederick Walz,Kathleen Merrill Campagnolo,Dorinda Evans Pdf

The first in-depth exploration of the rise and evolution of abstract, symbolic, and conceptual portraiture in American art This groundbreaking book traces the history of portraiture as a site of radical artistic experimentation, as it shifted from a genre based on mimesis to one stressing instead conceptual and symbolic associations between artist and subject. Featuring over 100 color illustrations of works by artists from Charles Demuth, Marcel Duchamp, Marsden Hartley, and Georgia O'Keeffe to Janine Antoni, Felix Gonzalez-Torres, Roni Horn, Jasper Johns, and Glenn Ligon, this timely publication probes the ways we think about and picture the self and others. With particular focus on three periods during which non-mimetic portraiture flourished--1912-25, 1961-70, and 1990-the present--the authors investigate issues related to technology, sexuality, artist networks, identity politics, and social media, and explore the emergence of new models for the visual representation of identity. Taking its title from a 1961 work by Robert Rauschenberg--a telegram that stated, "This is a portrait of Iris Clert if I say so"--this book unites paintings, sculpture, photography, and text portraits that challenge the genre in significant, often playful ways and question the convention, as well as the limits, of traditional portrayal.

Time and Presence in Art

Author : Armin Bergmeier,Andrew Griebeler
Publisher : Walter de Gruyter GmbH & Co KG
Page : 269 pages
File Size : 40,6 Mb
Release : 2022-03-07
Category : Art
ISBN : 9783110722079

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Time and Presence in Art by Armin Bergmeier,Andrew Griebeler Pdf

This volume explores the relationship between temporality and presence in medieval artworks from the third to the sixteenth centuries. It is the first extensive treatment of the interconnections between medieval artworks' varied presences and their ever-shifting places in time. The volume begins with reflections on the study of temporality and presence in medieval and early modern art history. A second section presents case studies delving into the different ways medieval artworks once created and transformed their original viewers' experience of the present. These range from late antique Constantinople, early Islamic Jerusalem and medieval Italy, to early modern Venice and the Low Countries. A final section explores how medieval artworks remain powerful and relevant today. This section includes case studies on reconstructing presence in medieval art through embodied experience of pilgrimage, art historical research and museum education. In doing so, the volume provides a first dialog between museum educators and art historians on the presence of medieval artifacts. It includes contributions by Hans Belting, Keith Moxey, Rika Burnham and others.

The Origins of Protestant Aesthetics in Early Modern Europe

Author : William A. Dyrness
Publisher : Cambridge University Press
Page : 245 pages
File Size : 53,7 Mb
Release : 2019-05-23
Category : Art
ISBN : 9781108493352

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The Origins of Protestant Aesthetics in Early Modern Europe by William A. Dyrness Pdf

The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

The Domain of Images

Author : James Elkins
Publisher : Cornell University Press
Page : 307 pages
File Size : 49,7 Mb
Release : 2018-08-06
Category : Art
ISBN : 9781501723902

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The Domain of Images by James Elkins Pdf

In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects—painting, drawing, photography, and printmaking—to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.

What is Protestant Art?

Author : Andrew T. Coates
Publisher : BRILL
Page : 147 pages
File Size : 48,8 Mb
Release : 2018-06-12
Category : Art
ISBN : 9789004375390

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What is Protestant Art? by Andrew T. Coates Pdf

What is Protestant Art? explores the history of Protestant images from the Reformation to the present. The book analyses historical images such as prints, paintings, illustrations, and maps, as evidence of changing Protestant attitudes and visual practices.

The Invisible Masterpiece

Author : Hans Belting
Publisher : University of Chicago Press
Page : 492 pages
File Size : 45,8 Mb
Release : 2001-09
Category : Art
ISBN : 0226042650

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The Invisible Masterpiece by Hans Belting Pdf

The 'invisible masterpiece', then, is an unattainable ideal, an ideal that has both bewitched and bewildered artists." "The Invisible Masterpiece is an unusual reconstruction of the history of the work of art since 1800, in which Hans Belting explores and explains the dreams and fears, the triumphs and failures of modernity's painters and sculptors."--BOOK JACKET.

Source and Summit

Author : Joanne M. Pierce,Michael Downey
Publisher : Liturgical Press
Page : 292 pages
File Size : 48,5 Mb
Release : 1999
Category : Biography & Autobiography
ISBN : 0814624618

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Source and Summit by Joanne M. Pierce,Michael Downey Pdf

Source and Summit