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Shakespeare and the Versification of English Drama, 1561-1642 by Professor Marina Tarlinskaja Pdf
Surveying the development and varieties of blank verse in the English playhouses, this book is a natural history of iambic pentameter in English. Marina Tarlinskaja’s statistical analysis of versification focuses on Shakespeare, but places his work in the literary context of the times. Her results offer new ways to think about the dating of plays, the attribution of anonymous texts, and how collaborators divided their task in co-authored dramas.
The Cultural Uses of the Caesars on the English Renaissance Stage by Lisa Hopkins Pdf
Caesarian power was a crucial context in the Renaissance, as rulers in Europe, Russia and Turkey all sought to appropriate Caesarian imagery and authority, but it has been surprisingly little explored in scholarship. Analyzing plays by Shakespeare as well as other early modern dramatists, Lisa Hopkins explores the way in which the stories of the Caesars can be used to figure the stories of English rulers on the Renaissance stage.
Staging Britain's Past is the first study of the early modern performance of Britain's pre-Roman history. The mythic history of the founding of Britain by the Trojan exile Brute and the subsequent reign of his descendants was performed through texts such as Norton and Sackville's Gorboduc, Shakespeare's King Lear and Cymbeline, as well as civic pageants, court masques and royal entries such as Elizabeth I's 1578 entry to Norwich. Gilchrist argues for the power of performed history to shape early modern conceptions of the past, ancestry, and national destiny, and demonstrates how the erosion of the Brutan histories marks a transformation in English self-understanding and identity. When published in 1608, Shakespeare's King Lear claimed to be a “True Chronicle History”. Lear was said to have ruled Britain centuries before the Romans, a descendant of the mighty Trojan Brute who had conquered Britain and slaughtered its barbaric giants. But this was fake history. Shakespeare's contemporaries were discovering that Brute and his descendants, once widely believed as proof of glorious ancient origins, were a mischievous medieval invention. Offering a comprehensive account of the extraordinary theatrical tradition that emerged from these Brutan histories and the reasons for that tradition's disappearance, this study gathers all known evidence of the plays, pageants and masques portraying Britain's ancient rulers. Staging Britain's Past reveals how the loss of England's Trojan origins is reflected in plays and performances from Gorboduc's powerful invocation of history to Cymbeline's elegiac erosion of all notions of historical truth.
Comedies, Histories, and Tragedies. Published According to the True Original Copies. Unto which is Added, Seven Plays, Never Before Printed in Folio. The 4. Edition by William Shakespeare Pdf
The English History Play in the age of Shakespeare by Irving Ribner. Pdf
First published in 1957. This edition re-issues the second edition of 1965. Recognized as one of the leading books in its field, The English History Play in the Age of Shakespeare presents the most comprehensive account available of the English historical drama from its beginning to the closing of the theatres in 1642 and relates this development to Renaissance historiography and Elizabethan political theory.